Le signe de Zorro

One thing this movie has is impressive horse riding chase scenes that make you grin at the ingenuity of the director and the cinematographer. The films pace is so exciting that you know that you just have to dip your hat to how it was captured on celluloid. Basil Rathbone (who is famous for playing Sherlock Holmes in the Rathbone/Bruce series that contained 14 movies between the years of 1939 – 1946) is a famous Hollywood swordsman, and I also read that Tyrone Power was also good with sword, and so I eagerly waited for the duel scene between the two.

When the duel started, the idea that this was actually both the actors willing the swords and not just mere stunt men also added to the fun, as the duel is just wonderful and masterful, the grace and the speed the two masterful swordsmen displayed on screen is one that I will always remember, and one that I ask others to see, because I have not seen better fencing than that as of now.

The movie had scenes that jumped at you, there was another chase scene where Zorro (Tyrone Power) made his horse jump off a bridge into a stream and made the horse ride/swam to shore, it was such a sight I raised my brow in amazement, wondering how many shots the director had to take to get that scene right.

The Mark of Zorro is fun, although you can pick out plot holes and wonder how the hero was planning to achieve anything in the riot like ending, but the movie was fun to see all the way through, the story arc is taken from the story The Curse of Capistrano written by Johnston McCulley in 1919, the book introduced the masked hero Zorro, who was like Robin Hood in most sense. Set in Southern California during the early 19th century, the plot deals with Don Diego Vega/Zorro (Tyrone Power), who returned home to find that his town is being extorted by the Governor and his henchman Captain Esteban Pasquale (Basil Rathbone).

Diego then became the mask vigilante Zorro to be able to able to defend his people from the hand of the corrupt Governor.

The Mark of Zorro is a true oldie; the score is so obvious and doesn't blend with the movie (from my own point of view) although the score did get an Academy Award nomination.

The Mark of Zorro is one you can take the time to see even if it is just to see the duel between Power and Rathbone.

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Great action and at the same time one of the most hilarious roles ever to come out of Hollywood. Tyrone Power is great in the title role, not only when in full swashbuckling action as Zorro, but also as the effeminate dandy Don Diego Vega, fanning his handkerchief, sneezing, and performing ridiculous magic tricks upon stupid prison wardens, when not courting the beautiful Alcalde's daughter Inez Quintero. You gotta love Zorro, the good old-fashioned hero of LA county, always prepared to fight for justice, fight poverty and save damsels in distress, occasionally engraving the mark "Z", preferably on men's chest or cloth.

There's enough innuendo and snappy dialog in here to keep adult audiences entertained as well as enough action for younger audiences to cherish this film (and even enough romance with dashing Power to keep the ladies satisfied). Basil Rathbone, as Captain Esteban Pasquale, makes a superb villain, always prepared to draw his sword, either for serious business or sadistic amusement. "Most men have objects they play with. Churchmen have their beads; I toy with a sword."

Wit Tyrone Power's undisputed comedic talent, he adds so much wit into his character (and to the already hilarious lines), the film is a real hoot. It's a shame Power embarked on more serious roles later in his career. With most of the lines ranging from the outright hilarious to marvelously corny, like Don Diego Vega's courting of the young lady Inez: "You're more lovely, more radiant than a morning in June," it's hard to take it all very serious, but when the fencing starts, playtime is over. Basil Rathbone, one of Hollywood's most skilled swordsmen, knows how to handle a sword like no-one else and Tyrone Power was quick to learn. The climactic swashbuckling scene between the two arch enemies in the small confined room of the Alcalde (brilliantly choreographed) is - till this very day - the best sword fight ever put on film, even surpassing the final fight between Rathbone and Errol Flynn, two years before in THE ADVENTURES OF ROBIN HOOD (1938).

Camera Obscura --- 9/10

This movie was directed by Rouben Mamoulian and this was basically the only action movie he directed and probably his best film, he made one more movie with Tyrone Power a year later called Blood And Sand and that was pretty bad. This is also one of Power's best movies and much better than Jesse James the year before. Their isn't much to the plot that you need to know like Power coming back from Spain and finding his father thrown out of power by a dictator and the people are starving. His father can't or won't do anything so Power decides to become Zorro. Basil Rathbone is the dictator's top bodyguard and a top swordsman. Linda Darnell is the dictator's daughter who winds up getting married to Power through an arranged marriage. This is much better then the remake in 98 called The Mask Of Zorro and a great movie.

There is a curious parallel between Tyrone Power's life and career, and that of WB swashbuckler, Errol Flynn. Both of Irish descent, the two actors exploded into superstar status in their twenties, due to a single starring role in films made within a year of each other (for Flynn, barely 26, it was in 1935's CAPTAIN BLOOD; Power's breakthrough, at 22, came in 1936's LLOYDS OF LONDON). Both actors were extraordinarily handsome, were great practical jokers both on and off-screen, fought continuously with their respective studios for better roles, married three times (Flynn fathered three daughters and a son; Power, two daughters and a son), lived wildly adventurous lives, becoming infamous for their sexual indiscretions, and would die, less than a year apart, within two years of making their only film together (1957's THE SUN ALSO RISES). However, while Flynn had a reputation as a charismatic hell raiser which would make him as many enemies as friends during his tempestuous life, Tyrone Power was, by all accounts, even more charming and likable in person than he was on screen, and was universally loved, even by his ex-wives.

Both stars were considered premier swashbucklers of their time, and 1940's THE MARK OF ZORRO introduced Power to the genre dominated by Flynn. Just as Flynn's greatest triumph was a remake of an earlier Douglas Fairbanks classic (1922's ROBIN HOOD), Power's best-loved swashbuckler had first been a Fairbanks favorite, as well (1920's THE MARK OF ZORRO). As Don Diego de Vega, a cadet at 'the Academy' in Madrid who puts his gift with the sword to good use in an oppressed California, when recalled home by his father, he quickly adopts an effeminate persona (a la THE SCARLET PIMPERNEL), to mask his true ability and plans. While the charade infuriates his father ("My son has become a PUPPY!" he laments, at a time when the word 'homosexual' was not used), the guise helps the younger Vega worm his way into the confidence of the corrupt yet cowardly current Alcalde (the venerable J. Edward Bromberg) and his socially-conscious wife (Gale Sondergaard). Less 'taken in' is the true villain of the film, military commander Captain Esteban Pasquale (superbly portrayed by frequent Flynn nemesis Basil Rathbone), who sneers at the Alcalde's plan to marry Vega off to his niece, Lolita (the ravishing Linda Darnell), to quell local unrest; when Vega claims tardiness for the engagement dinner because of his bath water becoming 'tepid', Pasquale comments, "Just as I fear poor Lolita's future married life shall be."

The on-screen chemistry between Power and Darnell is terrific (a key scene, with Vega/Zorro disguised as a priest, as Lolita confesses her secret desires, would be 'spiced up' and recreated in the Banderas/Zeta-Jones 1998 update, THE MASK OF ZORRO). As the only other person who knows Zorro's real identity, Fray Felipe (Eugene Pallette, playing a role very similar to his 'Friar Tuck' in Flynn's ROBIN HOOD) has some of the film's wittiest dialog, and gets to show his swordsmanship in a brief duel with Pasquale ("You should have been a soldier", the captain comments, after disarming him).

If the film has a fault, it is that the Power/Rathbone climactic duel occurs too early. Staged by Errol Flynn's fencing master, Fred Cavens, the action is spectacular, confined to a single room, yet with Pasquale's death, the film loses it's most potent villain, and the final large-scale fight between the Alcalde's forces and the peons and gentry lacks the focus of the climax of THE ADVENTURES OF ROBIN HOOD.

Directed with tongue-in-cheek by veteran film maker Rouben Mamoulian, and with an Oscar-nominated score by Fox's musical mainstay, Alfred Newman, THE MARK OF ZORRO was a major studio hit (plans for a sequel were begun, but dropped when it was discovered that Fox only had the rights to the title, THE MARK OF ZORRO; the name 'Zorro' belonged to another studio, ending any possibility of a follow-up).

Tyrone Power had joined Errol Flynn as the reigning 'kings' of swashbucklers, a title both would find amusing, if limiting, but which would be how both actors are best remembered, today!

In Madrid, the talented aristocratic military swordsman and rider Diego Vega (Tyrone Power) returns to the Mexican California to reunite with his father, the Alcalde Don Alejandro Vega (Montagu Love), and his mother. When he arrives in Los Angeles, he finds that his father has been replaced by the tyrannous Alcalde Don Luis Quintero (J. Edward Bromberg) that oppresses the people with soaring taxes and violent punishment for those that can not afford and supported by the corrupt Captain Esteban Pasquale (Basil Rathbone) and his soldiers. Don Diego does not disclose his abilities with the sword and disguises pretending that he is a sophisticated fashionable gay, for the heartache of his father. However, when he secretly wears a mask and rides a black horse, he becomes the avenger Zorro that carves his mark for the fearfulness of his enemies.

"The Mark of Zorro" is the best Zorro of the cinema history in a time when the studios were concerned with the screenplay and acting and not CGI and sex scenes. The witty delightful story presents Tyrone Power as a fantastic the weak and fragile Don Diego Vega and the powerful Zorro, with totally different personalities. His ability as swordsman and rider is impressive in a perfect choreography of fights, recalling Errol Flynn in "The Adventures of Robin Hood" of two years before. Linda Darnell is so sweet and beautiful that seems to be the inspiration for the title of the novel of Vladimir Nabokov. J. Edward Bromberg and Basil Rathbone are the perfect villains, the first one coward and sleazy and the second arrogant and corrupt. My vote is ten.

Title (Brazil): "A Marca do Zorro" ("The Mark of Zorro")