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Ajouter une intrigue dans votre langueA medical researcher visits the deserted home of a pioneer in cryogenic science who disappeared 10 years earlier and finds him frozen in ice but still alive.A medical researcher visits the deserted home of a pioneer in cryogenic science who disappeared 10 years earlier and finds him frozen in ice but still alive.A medical researcher visits the deserted home of a pioneer in cryogenic science who disappeared 10 years earlier and finds him frozen in ice but still alive.
- Réalisation
- Scénario
- Casting principal
Bruce Bennett
- State Trooper
- (non crédité)
James Conaty
- Doctor Spectator
- (non crédité)
Eddie Dew
- Doctor Spectator Listening to Explanation
- (non crédité)
Minta Durfee
- Frozen Therapy Patient
- (non crédité)
Charles Halton
- Doctor in Front Row in Final Scene
- (non crédité)
William Marion
- Doctor Spectator
- (non crédité)
Charles Miller
- Doctor Spectator Explaining Procedure
- (non crédité)
Ivan Miller
- Sheriff Haley
- (non crédité)
Wedgwood Nowell
- Doctor Spectator
- (non crédité)
Avis à la une
This little known gem from 1940 is impressive for a few reasons: first, it stands head and shoulders above most of the B movies of the era, largely due to a good script and a great performance from Boris Karloff. Also, while made in the midst of the Universal horror period, it demonstrates some of the best elements of that genre, however it also pre-figures the oncoming decade of sci-fi flicks of the 50s, but with a more intelligent, and mysterious, plot than most of the B sci-fi films that followed. It also incorporates some noir elements such as shadowy images, gun play, etc. The Man with Nine Lives is also known under the alternative title Behind the Door (which is actually more accurate).
Nick Grinde once again directs Boris Karloff, this time as Dr. Kravaal, a pioneer in cryogenic research who was interrupted in his cancer research when a relative of the wealthy man he was operating on brings in the authorities, who force Kravaal to take them to his island home to prove his work viable. Unfortunately, their interference leads to the patient's death, and all five men end up frozen for 10 years, until Dr. Mason(played by Roger Pryor) and Nurse Blair(played by Joanne Sayers) visit his home and revive him, but Kravaal picks up right where he left off, endangering all their lives... Good thriller with another fine performance from Karloff; good sets and atmosphere aid imaginative plot.
Roger Pryor is a doctor who has success 'curing' patients by lowering their body temperatures. He is urged to publish his results, but wants to know more about the work of a doctor who pioneered the science, then vanished ten years before. Pryor and his nurse/girlfriend Jo Ann Sayers set out to find the last known address of the doctor, Boris Karloff (who else?) to see if he left any notes behind. Not only do they find his notes, they find him..frozen in a room 91 steps (they counted) below his laboratory. They thaw him out, and he tells what happened a decade before..how 3 officials tried to stop him from using the technique on a wealthy citizen, and they all got trapped in the 'deep freeze'.
Oddly, none of them seem particularly surprised or upset (?) about their years on ice, but things get ugly fast; one man becomes very greedy concerning profits from the promising technique, and Karloff wants to continue experimenting on everyone else. It's a fun watch, but you can guess early on that Karloff is going to go completely off the deep end (only naive' Pryor and Sayers are very slow to catch on).
Oddly, none of them seem particularly surprised or upset (?) about their years on ice, but things get ugly fast; one man becomes very greedy concerning profits from the promising technique, and Karloff wants to continue experimenting on everyone else. It's a fun watch, but you can guess early on that Karloff is going to go completely off the deep end (only naive' Pryor and Sayers are very slow to catch on).
As a science fiction and shudder story buff, I thought this was the best of Karloff's Columbia "B" pictures. The "Black Room" (1935), "Behind the Mask" (1932), "The Devil Commands" (1941) (Probably my second favorite), "The Man They Could Not Hang" (1939) (Probably a close third favorite), and "Before I Hang" (1940). In terms of special effects and plot outline, this one keeps you on the edge of your seat to the very end.
The laboratory scenes in the proximity of a large underground glacier are unique. The chemistry lab including the "heavily concentrated poisons" is hair-raising indeed. With the right combination of lighting and shadow, as Karloff prepares the chemical experiments, the scenes within the underground laboratory are extremely eerie.
The maddest doctor of them all was clearly Boris Karloff.
Worth watching many times.
The laboratory scenes in the proximity of a large underground glacier are unique. The chemistry lab including the "heavily concentrated poisons" is hair-raising indeed. With the right combination of lighting and shadow, as Karloff prepares the chemical experiments, the scenes within the underground laboratory are extremely eerie.
The maddest doctor of them all was clearly Boris Karloff.
Worth watching many times.
It's not exactly a major shock that Boris Karloff plays a mad scientist in this film, though it is very unusual the way he plays this role. Instead of the evil twisted genius set on making monsters or ruling the world, Karloff's goals are incredibly noble. And, when he later kills, you really understand with and could possibly condone why he did this. The moral implications of the film are astounding! As for the rest of the film, the writing for this sort of B-movie is very good, the acting fine and production values work out well (proving you don't need a huge budget to make a good film). About the only negatives at all are the ending (I would have just ended the film a minute or two earlier without the unnecessary final scene) and a mistake in the film about how deep the lab was under the earth. In the beginning, they count 191 steps to the bottom of the shaft to the lab, but later, it's just a homemade ladder about 12 feet long. Regardless, it didn't harm the film in any serious way and the film is a very good 'mad scientist' flick that actually is good entertainment and well thought-out.
Le saviez-vous
- AnecdotesThe word "cancer" was normally not permitted by the Production Code (it was usually replaced by a tame euphemism such as "long illness"), but perhaps because this was not considered an important picture, they somehow allowed it to pass.
- GaffesIn an early scene, the calendar date of "Saturday, March 16" is prominently displayed on Dr. Kravaal's wall. This is the actual 1940 calendar date, the year when the movie was filmed. However, later when the doctor and others are revived from a frozen sleep, they are informed that they have been frozen for ten years and that the year is now 1940. If that is the case, then the original calendar page on Dr. Kravaal's wall should have read "Saturday, March 15" which was the correct date in 1930.
- Citations
Dr. Tim Mason: [after Kravaal has shot Adams in the back] He's dead!
Dist. Atty. John Hawthorne: Murdered!
Dr. Leon Kravaal: [bitterly] You call everything murder, don't you?
- ConnexionsFeatured in Classic Nightmares: The Man with Nine Lives (1958)
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Détails
- Durée1 heure 14 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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