Double chance

A romantic comedy along the lines of 'It Happened One Night' (1934) but Ronald Colman is the incognito one. Ginger Rogers isn't in the know but agrees to take a Platonic road trip with him even though she's engaged to someone else. This is pretty risqué material for 1940 and there's a bit at the end which could be interpreted as a jab at the Hays Code (thanks to Equinox23 for that insight). Directed by Lewis Milestone ('All Quiet on the Western Front', 'Of Mice and Men') with a story that keeps one intrigued thanks to its unpredictability, it is a perfectly delightful piece of entertainment guaranteed to leave a warm fuzzy feeling. Several other reviewers here are rather harsh on this film, citing lack of plausibility, chemistry, etc. If you want plausibility see 'Judgment at Nuremberg' but if you enjoy romantic comedy don't let the nitpickers here dissuade you from seeing this charming film.

Ginger Rogers and Ronald Coleman are "Lucky Partners" in this 1940 film, also starring Jack Carson and Spring Byington.

Rogers plays Jean, a young woman walking down the street when she passes Dave (Coleman), whom she doesn't know, and he wishes her "good luck." She delivers a box of books (her mother owns the book shop The Book Nook) to a client. The client is in the midst of getting a divorce and doesn't want a $200 dress chosen by her soon to be ex-husband. So her mother gives it to Jean.

Jean thinks back to Dave's "good luck" and wonders if he just might have something there. She goes to Nick & Nick's, a local store, and decides to buy a sweepstakes ticket with Dave, who's right across the alley. They introduce themselves to one another and after a lot of back and forth, they go in on the ticket.

Jean is engaged to an insurance man (Carson) and plans on moving to Poughkeepsie with him after they're married, with no honeymoon. The condition of Dave going in on the ticket with her is that, if they win, Dave will take her on a trip, platonically of course, before she settles down. This somewhat surprises her fiancée but he agrees to it.

They win, and it's one of those European sweepstakes where if you draw a horse, you either sell the ticket for $12,000, or bet that the horse will win, in which case you will win something like $150,000 American money. They gamble on the race and lose. However, Jean's fiancé, unbeknownst to her, has sold her half of the ticket for $6000. She gives Dave 3000, and he still wants to take her on the trip. She goes.

Ronald Coleman...Jack Carson...now, what do you think happens? This is a slight movie enlivened by the two wonderful stars, Coleman, so dashing and charming, and Rogers, a somewhat naive young woman with a hidden sense of adventure. Rogers always did well playing opposite classy men, Fred Astaire being an excellent example.

Some funny scenes, some sweet scenes. It's not earth-shattering, but I liked it.

It's not in the league of It Happened One Night or His Girl Friday. The story line is nonsensical and the pacing can be slow and ultimately, it just doesn't work. So why 7 stars? Because Ronald Colman is having a ball playing a sexy rogue and every romantic scene works perfectly. He drops some incredibly flirty dialogue and Ginger Rogers reluctantly being proper and locking the door to their adjoining rooms is ALL OF US (whew!). There's a scene that's a precursor to "Pillow Talk" that's just as romantic. This movie just doesn't really work, it should have been better, but it's worth it to watch just for Colman and his scenes with Ginger Rogers.

Lucky Partners was the first of two films that Ronald Colman together with director Lewis Milestone signed on to make at RKO Pictures. For box office sake he was lucky to get Ginger Rogers who was their top moneymaking female star to be the leading lady. Though their styles don't quite mesh, it's a pleasant enough bit of viewing.

Colman is a reclusive artist and Ginger is a bookseller in Greenwich Village of the Forties, then as now a home and haven for non-conformist spirits. Maybe in another neighborhood a story like this just couldn't happen.

Just one fine day as Colman passes Rogers on the street he wishes her a casual 'good luck'. When she gets the gift of an expensive coat that someone is discarding, Ginger decides that Colman apparently has a lucky streak going. What to do, but bet on the Irish Sweepstakes and take him in as a partner. That does not sit too well with fiancée Jack Carson who is playing a typical Jack Carson blowhard type.

The whole business arrangement in fact the whole business eventually winds up before Judge Harry Davenport who sorts out the legal and romantic complications for all concerned. Very much like Judge Granville Bates does in My Favorite Wife which also came from RKO the same year and is a much better film.

With possibly a different director like Preston Sturges or Mitch Leisen, or Leo McCarey, someone who is known for comedy Lucky Partners might have been a better film. As it is it's pleasant enough viewing for the fans of the leading players, but that's about all you can say for it.

Lucky Partners, released in 1940, paired Ginger Rogers with Ronald Colman. The movie starts with Colman (Dave Grant) wishing a stranger "Good Luck!" as he passes her (Rogers playing Jean Newton) on the sidewalk, catching her off guard. After a brief exchange, they continue on their ways. Right away, the director is letting us know that this is a whimsical story, so criticisms about its implausibility should be few.

It turns out that Jean, who is engaged to Freddy (played by Jack Carson), crosses paths with Dave again, sending the story of this romantic comedy on its way. I was pleased to find this film uses both broad humor and comedic subtlety, with elements of farce. Director Lewis Milestone uses a deft touch to keep us guessing at the next plot twist and to keep the chuckles coming. I'm afraid I was not cognizant of Milestone's accomplishments before seeing Lucky Partners. He won the Academy Award for All Quiet on the Western Front, and directed the excellent Front Page, and the quirky Hallelujah, I'm a Bum. Milestone was known for his innovative filming techniques and his quirky sense of humor.

Ronald is his usual smooth self (does anyone else think Hugo Weaving was copying his voice in V for Vendetta?); Ginger, who I am partial to, plays her vivacious, funny-face persona. She would win the Academy Award for her role in Kitty Foyle, also released in 1940.

There are some humorous supporting cast portrayals, particularly the hotel maid who is the victim of Ginger's curious behavior.

Before it ends, the story morphs into a mystery that resolves in a courtroom setting.

Watch how the director creates viewer interest by allowing action to occur off-screen; he is very good at that. When the two men go into the back alley to fight (off-screen), watch Ginger's face. And you can see the moment (crossing the bridge)when Ginger realizes how much she cares for Ronald, accomplished without words--evidence of Milestone's silent film experience.

I really enjoyed this film.