Ajouter une intrigue dans votre langueA hardworking secretary for a rich woman finds herself engaged to the woman's son and accused of a murder she didn't commit. Lanyard, the Lone Wolf, and Jamison set out to find the real kill... Tout lireA hardworking secretary for a rich woman finds herself engaged to the woman's son and accused of a murder she didn't commit. Lanyard, the Lone Wolf, and Jamison set out to find the real killer.A hardworking secretary for a rich woman finds herself engaged to the woman's son and accused of a murder she didn't commit. Lanyard, the Lone Wolf, and Jamison set out to find the real killer.
- Réalisation
- Scénario
- Casting principal
Fred Kelsey
- Dickens
- (as Fred A. Kelsey)
Luis Alberni
- Nicolo Pappakontous
- (non crédité)
Don Beddoe
- Police Doctor
- (non crédité)
Richard Fiske
- Detective Jackson
- (non crédité)
Roger Gray
- Air Pump Operator
- (non crédité)
Shemp Howard
- Joe - a Pickpocket
- (non crédité)
Avis à la une
The Lone Wolf comes to the aid of Joan Bradley, a young woman who gets herself embroiled in a case of murder and robbery.
Gentleman thief turned Private Detective Michael Lanyard is once again on the case, ably supported by Jamison.
A pretty good installment, a solid if unremarkable plot, but as a whodunnit, it worked quite well. This did actually remind me a little of The Lone Wolf Strikes, a case that also involves a jewellery theft.
It's quite well paced, it's full of twists and turns, and you are made to wait to learn exactly who the killer is.
Jean Muir is very good as Joan Bradley, but it's Eric Blore who steals the show as Jamison, he is absolutely hilarious throughout, his quick wit and one liners are a total joy, his delivery is flawless.
A pleasing mystery, one I enjoyed.
7/10.
Gentleman thief turned Private Detective Michael Lanyard is once again on the case, ably supported by Jamison.
A pretty good installment, a solid if unremarkable plot, but as a whodunnit, it worked quite well. This did actually remind me a little of The Lone Wolf Strikes, a case that also involves a jewellery theft.
It's quite well paced, it's full of twists and turns, and you are made to wait to learn exactly who the killer is.
Jean Muir is very good as Joan Bradley, but it's Eric Blore who steals the show as Jamison, he is absolutely hilarious throughout, his quick wit and one liners are a total joy, his delivery is flawless.
A pleasing mystery, one I enjoyed.
7/10.
I've still a few of this series of films to see yet, but TLWMAL seems pretty typical of the William Warren Lone Wolf entries.
Basically the pretty and innocent socialite (Jean Muir) about to be married gets tangled up with theft and murder, then luckily for her gets tangled up with the Lone Wolf and his valet (Eric Blore). These two are about to go on holiday but stay to help the damsel in distress from the clutches of the law (Thurston Hall & Fred Kelsey).
There's quite a few twists and turns and the pace never lets up, especially when one of the baddies (Victor Jory) is summarily dismissed from the plot as a corpse without a shot being fired. I think one of the reasons why High Brows disdain this type of potboiler is because they're unnerved to find that it can take so much concentration to follow the story - This Should Not Be!
Favorite bit : In trying to give Muir an alibi, William runs the bath and orders her to take her clothes off - Blore is suitably and audibly outraged even though they immediately leave the room. The last few minutes are a bit frantic, but when the time was up they closed 'em down fast at Columbia.
This was good, recommended to all fans of the genre.
Basically the pretty and innocent socialite (Jean Muir) about to be married gets tangled up with theft and murder, then luckily for her gets tangled up with the Lone Wolf and his valet (Eric Blore). These two are about to go on holiday but stay to help the damsel in distress from the clutches of the law (Thurston Hall & Fred Kelsey).
There's quite a few twists and turns and the pace never lets up, especially when one of the baddies (Victor Jory) is summarily dismissed from the plot as a corpse without a shot being fired. I think one of the reasons why High Brows disdain this type of potboiler is because they're unnerved to find that it can take so much concentration to follow the story - This Should Not Be!
Favorite bit : In trying to give Muir an alibi, William runs the bath and orders her to take her clothes off - Blore is suitably and audibly outraged even though they immediately leave the room. The last few minutes are a bit frantic, but when the time was up they closed 'em down fast at Columbia.
This was good, recommended to all fans of the genre.
Always enjoy the great acting of Warren William, (Michael Lanyard/Lone Wolf) and his partner, Jamison, (Eric Blore) who were planning on a nice trip to Lake Placid, N.Y. for some fun in the snow. However, their trip is upset because they almost run over a young lady who ran in the front of their automobile. This lady was Joan Bradley, (Jean Muir) who is a pretty blonde socialite about to get married and is robbed of a diamond necklace worth a great deal of money. Joan witnessed a murder and tells Michael Lanyard the entire story and he decides to help her get out of this mess of a situation she got herself into by giving her an alibi. The plot thickens and there are many twists and turns. There are plenty of laughs and you will never be able to figure out just who is the killer until the very end of the film.
If it weren't for some droll remarks by ERIC BLORE, this Lone Wolf entry called THE LONE WOLF MEETS A LADY hasn't got much material to distinguish it among all the other Wolf films.
Blore brings some much needed humor to the predictable formula which has the Wolf fleeing the authorities with a woman (JEAN MUIR) who has witnessed the murder of a man over the robbery of an expensive jewel. He and his valet (Blore) decide to help her free herself from the clutches of Inspector Crane (THURSTON HALL) as The Lone Wolf goes about to find the real man responsible for the crime.
The only surprise among the cast members is seeing BRUCE BENNETT pop up as an irate policeman. Bennett doesn't play his usual bland type and plays the feisty cop with a good display of temperament. Oddly enough, his name is billed last among the cast credits. WARREN HULL as Muir's fiancé is competent enough and better remembered by me as "The Green Hornet" in the serial series he did in the early '40s. As for WARREN WILLIAM, he seems completely at ease in the title role.
Nothing new here, and one of the less memorable but still enjoyable entries in this series.
Blore brings some much needed humor to the predictable formula which has the Wolf fleeing the authorities with a woman (JEAN MUIR) who has witnessed the murder of a man over the robbery of an expensive jewel. He and his valet (Blore) decide to help her free herself from the clutches of Inspector Crane (THURSTON HALL) as The Lone Wolf goes about to find the real man responsible for the crime.
The only surprise among the cast members is seeing BRUCE BENNETT pop up as an irate policeman. Bennett doesn't play his usual bland type and plays the feisty cop with a good display of temperament. Oddly enough, his name is billed last among the cast credits. WARREN HULL as Muir's fiancé is competent enough and better remembered by me as "The Green Hornet" in the serial series he did in the early '40s. As for WARREN WILLIAM, he seems completely at ease in the title role.
Nothing new here, and one of the less memorable but still enjoyable entries in this series.
I confess that I did not know this character and that this film was my first encounter with the Lone Wolf, the nickname of the fictional character Michael Lanyard, a jewel thief turned private detective, in a series of novels written by Louis Joseph Vance (1879-1933). No less than 24 films were produced about the Lone Wolf, between 1917 and 1949. Warren William would play the character in nine of them, between 1939 and 1943, probably accompanied by his faithful servant Jamison, played by Eric Blore.
It's a typical television private eye series, avant la lettre, more "The Thin Man" than "Charlie Chan", where a traditional "who done it" script crosses with a situation comedy, usually led by Eric Blore, the comedian on duty, in this case accompanied by Fred Kelsey, the incompetent police assistant, always fooled by the Lone Wolf.
Pure entertainment, but fun, interesting and with the seal of the good old days. I became curious to see more episodes of the series.
It's a typical television private eye series, avant la lettre, more "The Thin Man" than "Charlie Chan", where a traditional "who done it" script crosses with a situation comedy, usually led by Eric Blore, the comedian on duty, in this case accompanied by Fred Kelsey, the incompetent police assistant, always fooled by the Lone Wolf.
Pure entertainment, but fun, interesting and with the seal of the good old days. I became curious to see more episodes of the series.
Le saviez-vous
- AnecdotesThe car Lanyard and Jamison drive at the beginning of the film is a 1937 Packard Super 8 convertible coupe.
- Citations
Clay Beaudine: She's very lovely--you always knew how to pick 'em.
Michael Lanyard: Thanks for the compliment.
- ConnexionsFollowed by The Lone Wolf Keeps a Date (1940)
- Bandes originalesBelieve Me If All Those Endearing Young Charms
(1808) (uncredited)
Music traditional
Lyrics by Thomas Moore
Sung a cappella by Eric Blore
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- How long is The Lone Wolf Meets a Lady?Alimenté par Alexa
Détails
- Durée1 heure 11 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was The Lone Wolf Meets a Lady (1940) officially released in Canada in English?
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