The Light of Western Stars

About the only thing resembling Zane Grey's wonderful novel is the names of the lead characters. This thing's plot was never clear--just a choppy mess. Don't waste your time.

An entertaining movie just over the hump of the 30's shoot'em up westerns, taking on social values as alcoholism, race prejudice, and the basic frailties of man. Most westerns of this time were usually the White hat vs the Black hat and were rather simple. Victor Jory's character is basicly a good guy but had been a hired gun in Mexico and turned into a common drunk due to his conscience. He is saved by Jo Ann Sayers who won't give up on him and leads him on the path of righteousness. You can see from Victor Jory's performance (looks and mannerism's), although good, why he eventually took on the parts of villains. He made a better villain than a hero by just being himself, he had a natural sinister manner which projected on the screen.

In his career, Victor Jory generally played villains or supporting characters. Here, however, he stars in a western--and that is VERY unusual. Unfortunately for him and his career, the film just isn't very good and I doubt if it did a thing to help him as a star. But, at least you can watch it if you'd like to see Alan Ladd before he was 'discovered' or if you'd like to see Noah Beery Junior embarrass himself.

When the film begins, Jory plays a nice-guy who seems to be equally concerned with protecting the town from a bully and his paid sheriff as he is about getting drunk. He is certainly no hero in this role--though eventually he reforms and finally does the right thing. In the process, he meets a stuck up rich lady and has a few not particularly interesting adventures.

So why did I give this one a 3? Well, there are many reasons--and the biggest is that the film never really gets very interesting. There are also some poorly written plot elements (such as the stuck up lady who almost instantly changes and the film never allows any realistic development of her character). Additionally, Noah Beery Jr. plays a horrible role as a Mexican--and seems completely out of place. Finally, the big showdown fizzles and makes little sense. All in all, perhaps a 3 is being a bit generous.

Superb actors with an excellent script are skillfully directed by Lesley Selander and beautifully photographed by that great veteran Russell Harlan.

Don't let the inventiveness and beauty of the camera work and directing distract you from the skill and beauty of, for example, actress Jo Ann Sayers, of whom I know nothing else than that she was marvelous in this role. She expresses so much with her eyes and face and doesn't need words.

Victor Jory is probably better known as a villain, but in "The Light of Western Stars" he is a great hero cowboy, giving one of his best performancess of my knowledge.

Noah Beery, Jr., is somewhat of a disappointment in his role as a "Mexican" sidekick: His accent is less than impressive, though as usual Mr. Beery himself is very likable and, other than the accent, his acting is more than adequate.

Russell Hayden, on the other hand, gives one of his very best performances. I have had trouble before with his enunciation; he often sounded as if he had badly fitting dentures.

Here, he is clear and solid, and his facial expressions and body movement are those of a real pro.

There are other great old veterans giving great performances in this involved story of the not-so-old West, a clever and inventive Zane Grey story, crafted into an excellent script by Norman Houston.

I highly recommend "The Light of Western Stars," which you can see at YouTube.

Victor Jory as a top-billed leading man! I just had to see this role reversal after years of seeing his commandingly villainous roles. Actually it's a shrewd bit of casting since Jory's Gene Stewart is a flawed hero, to say the least. He picks fights, makes stupid bets, and gets sodden drunk; that is, when he's not running guns to Mexico. In short, he's no Roy Rogers, Hopalong Cassidy, or even Lash LaRue. So will Stewart ever reform and deserve top-billing hero in an oater. Well, maybe if snobby easterner Majesty Hammond (Sayers) will get off her high horse and give him a job at her new ranch. Then maybe he'll have a chance. (Actually that "high horse" is the renowned Trigger of the popular Roy Rogers series.) But first Stewart will have to deal with baddie Hayworth (Ankrum) who also runs guns Mexico way. Good thing Stewart's got Mexican sidekick Poco (Beery Jr.) to fill-in the cracks.

Jory's adept in his conflicted role, but I'm especially impressed with the stately Sayers' range of subtle emotions. Too bad her career ended rather abruptly. The narrative's first part is mainly in town, but once the scenery moves out to the familiar Alabama Hills, things really pick up. Director Selander makes good use of the rock monoliths, while that impressive series of dynamite explosions looks real and not processed. After all, this is Paramount Studio, so they've got the bucks to back up even a 60-minute programmer like this. So, all in all, catch this rather unusual oater if you can.