Tanya l'aventurière

This film stars Vera Zorina and since she was once an accomplished ballerina, several dance numbers and an allusion to "Swan Lake" was inserted into the film. I'd love to make some humorous comment about a stunt dancer now claiming credit for all this, but Ms. Zorina was a world-famous dancer before she became an actress.

This film is set in a weird Europe--one where there is no war at all--even though it came out in 1940--during the German occupation of France, the Battle of Britain and Mussolini--none of which are even mentioned in the movie! Zorina, Erich von Stroheim and Peter Lorre (all three who had strong Germanic roots) are a team of swindlers who prowl the hot-spots of Europe ripping off unsuspecting members of the upper class. However, when Zorina meets sweet Richard Greene, she falls instantly in love and can't continue her wicked ways. She reforms and they soon marry--though she never tells him about her very sordid past. So, when her old 'comrades' show up some time later, she's afraid to say anything--though she knows von Stroheim and Lorre are up to no good.

This is a somewhat familiar theme for Hollywood. With films like "Lady Eve", "Jewel Robbery" and "Trouble in Paradise" (just to name a few), it's obvious the public had a great fascination with these 'lady or gentleman criminal' movies. Here, like these other films, there is some comedy and some romance--and the ending is rather predictable as it follows a familiar pattern. Compared to these other films, "I Was An Adventuress", it's about average--not as good as some and a bit better than others. I liked the actors--they were all pretty good choices. The script was decent---not outstanding or as sweet as "Trouble in Paradise" or "Lady Eve"--but still pretty good. Overall, it's worth watching and a nice time-passer.

Actor/director/writer Gregory Ratoff often did Lubitsch-like films -"Cafe Metropole" is one and this one, 1940's "I Was an Adventuress" is another. Light and delightful, the film stars Vera Zorina, Eric von Stroheim, Richard Greene and Peter Lorre. Zorina, Stroheim and Lorre are partners in crime - practicing the old bait and switch of the fake necklace that someone says is not fake after all but worth a fortune. The targeted sucker overhears the conversation and buys what he thinks is a real necklace from the unsuspecting woman. He pays way too much for a fake but not as much as the sale price of the real thing. Of course, when he tries to sell it, he's told it's a fake, but the thieves have left town.

All goes well until Tanya (Zorina), posing as Countess Vronsky, meets handsome, charming Paul Vernay, whom she attempts to set up for a con but ends up falling in love with him. She breaks with Polo (Lorre) and Andre (von Stroheim), marries Vernay and takes up her ballet career again. After several months, Polo and Andre need her to return, but they can't find her. When they do, Andre moves in for a shakedown.

This film is lots of fun all the way with some marvelous performances. Von Stroheim and Lorre make a great team - one, Teutonic and committed, the other, an apologetic kleptomaniac with a heart. Zorina certainly had one of the most interesting faces in film, beautiful yet strong, and she's wonderful as Tanya. Her dancing was lovely, with the exception of her very distracting arms.

Richard Greene was getting the big star buildup at 20th Century Fox when war was declared in Europe, and he returned to England to serve his country. Handsome with a to-die for accent, he just might have given Tyrone Power a run for his money, at least in some of the lighter roles, as I suspect he didn't have a large range. As it was, Greene became best known in this country for his TV series "Robin Hood." Here he exhibits warmth and sophistication as Paul Vernay.

Look for this film on Fox Movie Channel - you won't be sorry.

Vera Zorina was a professional dancer, practically born with her ballet shoes on, and she made a double career as both dancer and film star. Here she is teamed with a pair of matchless scoundrels, Erich von Stroheim and Peter Lorre, in the burglary and swindle business, making an art of their cheating, until she meets Richard Greene who sees her through but nevertheless falls in love with her. She is of the same kith as Carole Lombard, irresistible charming and beautiful and artful at the same time, and even if Richard Greene is totally honest and impossible to cheat, you must understand his falling under her spell irrevocably. The story is a great comedy with many farces and hilarious turns with many people involved, the comedians tending to constantly increase in numbers and attention, and there are some great ballet sequences as well. Concerning the finale of "Swan Lake", that is ballet that always is given a different end every time it is performed, and it would be nice to sometime learn how the story actually goes. Tchaikovsky's music is used of course, I don't think any great composer's music has been made more use of in films, which adds to the gilded performance. It's not a great film but a great comedy, on par with Ernst Lubitsch's best, and it is impossible not to enjoy it thoroughly.

It's such a pity that this charming film is so difficult to find. It's one of the many wonderful classic films that should be available on video, but seems to have been regrettably tossed aside.

Funny and sophisticated, it never ceases to make me laugh. Peter Lorre and Erich von Stroheim are a perfect pairing. After seeing this, Stroheim became my other favorite actor, next to Peter Lorre. They're both such great actors (my two favorites, actually), and they work together splendidly and comically. Really, there should have been so many more movies starring this duo of striking, charming gentlemen.

Vera Zorina, as the female accomplice to the two crooks, and Richard Greene, as an upperclass man she falls in love with, are both quite good as well. I recommend it to anyone who's lucky enough to get a chance to see it.

It's one of the few times that Peter Lorre gets to play a character who is funny, cute, sweet - someone the audience, and the characters in the movie, are supposed to love. Sure, he's a kleptomaniac, but he can't really help it -- no one, besides the ill tempered Andre, can stay angry at him for long. (In one of the final scenes, Paul Vernay, Richard Greene's character, can't help but grin and laugh to himself as he realizes the charming kleptomaniac has acquired most of his possessions once again.)

I give this witty film a well-deserved 10/10.

"Lubitsch lite" might be the best description of this beguiling romantic comedy. Its charm relies to a surprising extent on the effervescent chemistry between its two male stars, Peter Lorre and Erich von Stroheim. These are not the most likely of sidekicks, but you'd be surprised how deftly these two play off one another, like a Mittel European Laurel and Hardy, as the cherubic kleptomaniac Polo (Lorre) and his sly con-artist buddy Andre (Stroheim). It's easy to imagine a series of comedy adventures based on Polo and Andre--actually, Stroheim and Lorre make a more entertaining duo than Lorre and Greenstreet. The lovely Zorina keeps up with them beautifully, as well as delivering a very photogenic performance in the "Swan Lake" ballet sequence (choreographed by her husband, George Balanchine) which anticipates "The Red Shoes" in its dynamically cinematic, semi-surreal style.