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IMDbPro

La Maison aux sept pignons

Titre original : The House of the Seven Gables
  • 1940
  • Approved
  • 1h 29min
NOTE IMDb
7,0/10
1,6 k
MA NOTE
Vincent Price, George Sanders, Nan Grey, and Margaret Lindsay in La Maison aux sept pignons (1940)
DrameRomanceThrillerDrame costuméDrames historiques

Ajouter une intrigue dans votre langueBased on the novel by Nathaniel Hawthorne, this classic film follows a family feud between two brothers and an ancient curse that haunts them.Based on the novel by Nathaniel Hawthorne, this classic film follows a family feud between two brothers and an ancient curse that haunts them.Based on the novel by Nathaniel Hawthorne, this classic film follows a family feud between two brothers and an ancient curse that haunts them.

  • Réalisation
    • Joe May
  • Scénario
    • Lester Cole
    • Harold Greene
    • Nathaniel Hawthorne
  • Casting principal
    • George Sanders
    • Margaret Lindsay
    • Vincent Price
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    1,6 k
    MA NOTE
    • Réalisation
      • Joe May
    • Scénario
      • Lester Cole
      • Harold Greene
      • Nathaniel Hawthorne
    • Casting principal
      • George Sanders
      • Margaret Lindsay
      • Vincent Price
    • 30avis d'utilisateurs
    • 26avis des critiques
    • 54Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 1 victoire et 1 nomination au total

    Photos23

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    Rôles principaux36

    Modifier
    George Sanders
    George Sanders
    • Jaffrey Pyncheon
    Margaret Lindsay
    Margaret Lindsay
    • Hepzibah Pyncheon
    Vincent Price
    Vincent Price
    • Clifford Pyncheon
    Dick Foran
    Dick Foran
    • Matthew Holgrave
    Nan Grey
    Nan Grey
    • Phoebe Pyncheon
    Cecil Kellaway
    Cecil Kellaway
    • Philip Barton
    Alan Napier
    Alan Napier
    • Fuller
    Gilbert Emery
    Gilbert Emery
    • Gerald Pyncheon
    Miles Mander
    Miles Mander
    • Deacon Foster
    Charles Trowbridge
    Charles Trowbridge
    • Judge
    Hal Budlong
    • Driver
    • (non crédité)
    Caroline Frances Cooke
    Caroline Frances Cooke
    • Town Gossip
    • (non crédité)
    Harry Cording
    Harry Cording
    • Blacksmith Hawkins
    • (non crédité)
    Kernan Cripps
    Kernan Cripps
    • Workman
    • (non crédité)
    Robert Dudley
    Robert Dudley
    • Jury Foreman
    • (non crédité)
    Martin Faust
    Martin Faust
    • Town Gossip
    • (non crédité)
    Margaret Fealy
    Margaret Fealy
    • Town Gossip
    • (non crédité)
    Sibyl Harris
    Sibyl Harris
    • Mrs. Foster
    • (non crédité)
    • Réalisation
      • Joe May
    • Scénario
      • Lester Cole
      • Harold Greene
      • Nathaniel Hawthorne
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs30

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    7Bunuel1976

    The HOUSE Of The SEVEN GABLES (Joe May, 1940) ***

    To begin with, my father owns a copy of the "Classics Illustrated" edition of Nathaniel Hawthorne's novel, which I recall reading myself as a kid. This movie version was produced by Universal, then going through its second Horror phase. Though not quite falling into that category, the Gothic trappings of the narrative at least evoke its recognizable style (in the same way that the fine Charles Dickens adaptation MYSTERY OF EDWIN DROOD {1935} would not have been amiss alongside the studio's remarkable initial outburst within the genre). Besides, that same year saw director May and cast members Vincent Price and Nan Grey (elevated to lead status) re-united for the well-above-average sequel THE INVISIBLE MAN RETURNS!

    The plot involves the fraudulent purchase of the titular abode and the subsequent retribution of its rightful owner in the form of a curse…and sure enough, the usurper dies in the exact manner decreed by the jinx! The film actually starts years later with the current owners of the house reduced so close to bankruptcy that they seriously consider selling the property. However, one of the sons (George Sanders, here possibly at his most despicable – and that is saying a lot!) vehemently objects because, legend has it, a fortune is concealed within its walls! He manages to dissuade his father from going through with the deal, but his younger sibling (Price, another of Hollywood's great villains but in this case playing sympathetic) had been counting on the sale since he wanted to marry and settle in New York as a composer (we even get to hear the actor sing, and quite well too!). Confronting the old man, the latter suffers a heart-attack and fatally hits his head upon falling to the ground! Sanders (and a gathering crowd of onlookers) accuse him of murder and he is imprisoned for life…but, before being taken to jail, he puts on Sanders the very same curse that had afflicted their family!

    Sanders thinks he can now have free rein with the house, but it transpires that his father (through solicitor Cecil Kellaway, who had also undertaken Price's defence at the trial) had bequeathed it not to him but to Price and his heirs, that is to say fiancée Margaret Lindsay! The years pass, with the woman growing bitter despite her attempts to obtain a pardon from the Governor, and Price even getting to meet the descendant (Dick Foran, the hero of another Universal monster sequel from 1940 i.e. THE MUMMY'S HAND, in which Kellaway also appears) of the man who had given his kin the evil eye in the first place, incarcerated for his abolitionist beliefs – never having believed in the jinx himself, Price has no qualms about befriending him! When the young man emerges from prison, he takes up residence at the house itself albeit under an assumed name since Lindsay has decided to take a lodger to rack up some income. Later, a distant female relative (Grey) also comes to live with her and, of course, the two fall in love.

    In the meantime, Sanders' career as a (crooked) lawyer has soared…but, at long last, Price's sentence is revoked (on the condition that he provides evidence of his innocence!). When he returns home, Lindsay fears Price will think her looks have faded, while himself (in cahoots with Foran) starts acting strangely by digging the earth around the house and dismantling the property itself in the pretence of searching for the fabled treasure…which, needless to say, arouses Sanders' curiosity and greed all over again. Incidentally, the latter has compromised one of Foran's associates (Miles Mander) by utilizing anti-slavery money for their very purchase. Pestering him repeatedly to return the funds before they are discovered, he commits suicide (at the Seven Gables) and, when the Police turn up soon after, Sanders' protesting voice goes hoarse and he starts bleeding from the mouth…all the symptoms that indicate he truly is the latest victim of the curse (though Price, who had bestowed it upon him in desperation, does not blink an eye at its actual accomplishment)! Curiously enough, this form of reversal-of-fortune would eventually be undergone by Price himself in the recently-viewed ADVENTURES OF CAPTAIN FABIAN (1951)!

    In the end, both male leads leave their mark here, yet Price's character is clearly the more rounded one (at his best when putting down his 'glorious' ancestors' legacy early on) – incidentally, this is the first of 6 films he was featured in over the course of 43 years to have the word "House" in their title! On the other hand, somewhat surprisingly, May (hailing from the German Expressionist movement) does not impose a Teutonic style on the proceedings, letting the unfolding melodrama supply its own particular mood.
    7psychoren2002

    Vincent Price in top form

    First of all, I never read the book, so my opinion is based on the movie as it is, and I think is very good. Being a Vincent Price fan, I must said that he delivers a terrific performance. His joy, his sadness, his fury, he really put his soul on the character. It only confirms how great actor he was, not only for the horror genre as many people think.. and he even sings here!! The films is more a romantic story than a mystery one, but works well all over. Vincent will do "House..." again several years later, as part of the "Twice Told Tales" trilogy, but this is the best version. A very curious detail: pay attention to the music when Vincent's brother (George Sanders)is looking for something in the basement... it's clearly the first melody of Danny Elfman's Batman!! I'll be waiting for the DVD from now on...
    7lugonian

    Inherit the Curse

    THE HOUSE OF THE SEVEN GABLES (Universal, 1940), directed by Joe May, is not a biographical story of movie actor, Clark Gable along with six other members of his family, but a screen adaptation based on the 1851 novel by Nathaniel Hawthorne about a family curse involving a mansion known as Seven Gables. Featuring Vincent Price, Nan Grey, Cecil Kellaway and Alan Napier, actors who were recently featured in THE INVISIBLE MAN RETURNS (1940), this reunion cast, headed by George Sanders and Margaret Lindsay, is not a horror story though the curse pitted upon the dark and gloomy Seven Gables and its outcome might be its only link to horror.

    Rather than include a re-enactment to the opening chapters of the book to extend the 89 minute movie into two hours, the movie opens with a Forward note before the story begins: "In the middle of the 17th century in New England, there lived one Colonel Jaffrey Pyncheon, a powerful leader of the colonial government. In order to acquire a valuable piece of land, Pyncheon cold-bloodedly accused its owner, a simple carpenter named Matthew Maule, of practicing Witchcraft. The innocent man was promptly condemned to hang from the scaffold,. Matthew Maule had hurled this curse, "God hath given him blood to drink! Definitely Colonel Pyncheon built his mansion on the dead man's ground. On the day of its completion, he was found dead in his new library - blood trickling from his mouth. His descendants lived on at Seven Gables. Succeeding generations of villages cling to the belief that "Maule's Curse" dwelt there with them." Then, 160 years later on a September night in 1828 - at the House of Seven Gables. Hepzibar (Margaret Lindsay) is introduced as a free-spirited girl engaged to marry Clifford (Vincent Price). Clifford's relationship with his brother, Jaffery (George Sanders) finds them divided upon the announcement by their father's (Gilbert Emery) decision to put up their bankrupt home of Seven Gables up for public auction. Though musician Clifford intends on moving to New York with Hefzibar after they get married, Jaffrey, believing there's a hidden fortune of gold connected with the house, is upset about the news. A violent verbal argument between Clifford and his father, who has disinherited him, ends up with the old man staggering and dying of a heart attack. In order to retain Seven Gables, Jaffrey accuses Clifford of their father's death. His accusations convince the trial jury of finding Clifford guilty and sentenced to life imprisonment in the state penitentiary. Because of this, the now embittered Hepzibar, who has acquired the deed of ownership by the family lawyer (Cecil Kellaway), not only does she forbid Jeffrey from Seven Gables, but boards up the house, living in seclusion. Twenty years later, 1848, Phoebe (Nan Grey), Hepzibar's young cousin, moves in to the house after years of decay, and brings life into it again by setting up a Cent Shop. During the course of time, Phoebe becomes interested in Matthew Holgrave (Dick Foran), a boarder who happens to be a distant relative to Matthew Maule. As for Jaffrey, who hasn't given up hope in acquiring the hidden treasure of gold said to be somewhere in Seven Gables, intends not to stop at nothing to get it. Others in the cast include: Miles Mander (Arnold Foster); Harry Woods (Mr. Wainwright); Charles Trowbridge, Edgar Norton and Harry Cording in smaller roles.

    Of the many screen adaptations to classic literature dating back to the silent film era, with the exception of an obscure 1910 short, this happens to be the only SEVEN GABLES movie produced during the days of classic Hollywood. As much as this adaptation elevated Vincent Price further exposure to leading man status, and the top-billed George Sanders gathering enough attention as the greedy and jealous brother, it's Margaret Lindsay who comes off best with her performance. Virtually underrated, yet talented actress when a good role comes her way, she is quite convincing with her early scenes as a happy young girl, and even more convincing later on as a bitter woman living a reclusive life while the man she loves is in prison. Her role might have been inspired by the talents of Bette Davis, who might have made the role of Hepzibar equally believable, though such changes in screen personality were already done in similar fashion by Davis in THE OLD MAID (1939). Now it was Lindsay's turn to act out her charm of hate and despair. Blonde Nan Grey, who comes in later in the story, is certainly a beauty to behold, and another one of the forgotten names and faces from the Universal contract players. Vincent Price even gets a rare chance of singing a song, "The Color of Your Eyes."

    While many who have read the Hawthorne novel may find changes and deletions of characters from the book to become disappointed with the outcome, overlooking that, the final script is good enough to hold interest throughout. Formerly distributed to video cassette, and later available on DVD as part of the Universal vault collection, to date, THE HOUSE OF THE SEVEN GABLES, almost forgotten and overlooked, did have cable television showing such as American Movie Classics (1993-1999). Watch it for the screen adaptation by Nathaniel Hawthorne; the youthful Vincent Price years before his other house movie titles of HOUSE OF WAX (1953), HOUSE ON HAUNTED HILL (1959) and HOUSE OF USHER (1962) came his way; the sinister George Sanders; or the very fine performance given by the often overlooked Margaret Lindsay in a rare meaty role. (**1/2)
    7TheLittleSongbird

    A house worth fighting for

    Vincent Price and George Sanders are reasons enough to see any film on their own, and were often high points in their lesser films. Seeing them in the same film together, like in 'The House of the Seven Gables' is even more of a pleasure. The source material is wonderful, wordy but very richly immersive and compelling.

    'The House of the Seven Gables' may not be the greatest film in adaptation terms, there is not a whole lot of Hawthorne here, but as a film on its own terms it's well worth your while as long as it's not constantly compared to the book. 'The House of the Seven Gables' did need a longer length, would have given it at least another thirty minutes myself, to do justice to a story that is pretty complex even in the film and give the characters more depth, because parts did feel rushed.

    Could have done personally without the abolition subplot, or at least made it less prominent, it was intriguing enough at times but it seemed to be there only to make Jaffrey more loathsome. That wasn't necessary as it is blatantly obvious that he already is even without it. While the acting is very good actually, there are a few individual moments where it is somewhat dodgy. The biggest offender is Jaffrey's final scene, which was wildly over-acted (rather unusual for George Sanders) and overly-melodramatic (even for a melodrama).

    However, 'The House of the Seven Gables' has a sumptuous Gothic look throughout, particularly in the photography and lighting, with the house suitably mysterious and imposing and with elegant costumes. It may not have been made on a huge, lavish budget, but it was not that kind of film really, and there is nothing in the production values to betray that the budget was not a large one. The music is like its own character, adding so much to the mood of the film while also being a wonderful score on its own. The song Vincent Price sings (yes it is him singing and he sings pretty beautifully here) is a charming touch.

    Direction is efficient and a vast majority of the time is in complete control of the material, with a few parts where the control is lost a little (Jaffrey's final scene especially). The script is thought-provoking and literate, Hawthorne's prose is compressed but the script here is no less interesting. Although rushed and in need of a longer length, the characters lacking depth and one subplot in need of a trim, the story has a rich atmosphere and is very absorbing.

    With a few individual scene exceptions, the acting is very good. George Sanders is deliciously caddish, Sanders was an unparalleled master when it came to acting playing cads. Vincent Price has the more rounded character and is more restrained, and all the better for it. Margaret Lindsay is a knockout, her character transformation (of the three leading characters she transforms the most) is beautifully done, and more than holds her own against the two masters.

    Overall, well worth your while. Just judge it as a film on its own rather than as an adaptation. 7/10 Bethany Cox
    7AlsExGal

    A tale of betrayal, time-defying love and revenge

    This film bears little resemblance to the 19th century Hawthorne novel (which may be a good thing, since nothing happens for about the first two-thirds of the book). On the other hand, this film could have been a whole lot better. Still, it's a decent way to kill 90 minutes.

    George Sanders gives his usual performance as a pompous scumbag trying to cheat brother Vincent Price out of the family fortune, even though the family is bankrupt. When their father suddenly dies during an argument with Price, Sanders accuses his brother of murder. The jury convicts Price without deliberating. Ah, the good old days of law and order. Decades pass and Price's sentence is commuted, all while his fiancée, played by Margaret Lindsay, has changed from a beautiful girl to a sour old crone, teased by passing teenagers, as she locks herself away in her grief and loneliness. This hasn't attenuated Price's love for her, though.

    Sanders and Price spend the film trying to out-ham each other, with neither succeeding. Price does get to sing while pretending to play the harpsichord. There is an unnecessary subplot concocted by the screenwriter involving abolition and Sanders making money off the slave trade. I guess somebody felt his character wasn't repulsive enough.

    Margaret Lindsay is the most persuasive performer in The House of the Seven Gables. While I know that most film fans will be more interested in the participation of George Sanders and Vincent Price as part of the cast, I think it can be argued that this film may well have been the highlight of her career as an actress. She has a dominant role in a class "A" production and neither of her more illustrious male co-stars dwarf her.

    The only way to see this other than a chance showing on Turner Classic Movies and the rare illicit posting on youtube is the Universal Vault MOD, and it really is quite gorgeous. I'd suggest it if you can afford it.

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Vincent Price was brought in at the last minute to substitute for Robert Cummings, who had become indisposed through illness. Price was cast most likely because he had forged a good working relationship with producer Burt Kelly and Joe May in October 1939 while working on Le retour de l'homme invisible (1940).
    • Gaffes
      The deed to Maine Jaffrey discovers in the attic was granted by Charles II and dated 1653. In the 1650s, Britain was ruled by Oliver Cromwell; Charles II wouldn't become King of England until 1660.
    • Crédits fous
      The Foreward is presented as several book pages, being turned by a human hand followed by the Prologue.

      FOREWARD: "In the middle of the 17th Century in New England, there lived one Colonel Jeffrey Pyncheon, a powerful leader of the Colonial Government."

      "In order to acquire a valuable piece of land, Pyncheon cold-heartedly accused its owner, a simple carpenter named Matthew Maule, of practicing Witchcraft."

      "The innocent man was promptly condemned to hang. From the scaffold Matthew Maule had hurled this curse: 'God hath given him blood to drink!'"

      "Colonel Pyncheon defiantly built his mansion on the dead man's ground. On the day of its completion he was found dead in his new library... blood trickling from his mouth. His descendants lived on at Seven Gables. Succeeding generations of villagers clung to the belief that 'Maule's Curse' dwelt there with them."
    • Connexions
      Featured in Trio de terreur (1963)
    • Bandes originales
      THE COLOR OF YOUR EYES
      (1940)

      Music by Frank Skinner

      Lyrics by Ralph Freed

      Sung by Vincent Price (uncredited)

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    FAQ17

    • How long is The House of the Seven Gables?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 12 avril 1940 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • arabuloku.com
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The House of the Seven Gables
    • Lieux de tournage
      • Universal Studios - 100 Universal City Plaza, Universal City, Californie, États-Unis(Studio)
    • Société de production
      • Universal Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 178 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      • 1h 29min(89 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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