Le dictateur

Titre original : The Great Dictator

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Burlesque Comédie noire Drame politique Parodie Satire Comédie Drame Guerre

Dans le ghetto juif vit un petit barbier qui ressemble énormément à Adenoid Hynkel, le dictateur de Tomania qui a décidé l'extermination du peuple juif. Au cours d'une rafle, le barbier est ... Tout lireDans le ghetto juif vit un petit barbier qui ressemble énormément à Adenoid Hynkel, le dictateur de Tomania qui a décidé l'extermination du peuple juif. Au cours d'une rafle, le barbier est arrêté en compagnie de Schultz, un farouche adversaire d'Hynkel...Dans le ghetto juif vit un petit barbier qui ressemble énormément à Adenoid Hynkel, le dictateur de Tomania qui a décidé l'extermination du peuple juif. Au cours d'une rafle, le barbier est arrêté en compagnie de Schultz, un farouche adversaire d'Hynkel...

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NOTE IMDb

8,4/10

257 k

MA NOTE

POPULARITÉ

2 655

252

Voir les informations de production sur IMDbPro

Film noté 67 parmi les meilleurs

Nommé pour 5 Oscars
- 7 victoires et 6 nominations au total

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Trailer 1:32

The Great Dictator: The Criterion Collection

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Résumé

Reviewers say 'The Great Dictator' is a bold satire on fascism, praised for its historical significance and comedic moments. Chaplin's dual performance is acclaimed, though some find the pacing slow and comedic sequences dated. The film's sharp wit and powerful final speech resonate, yet the transition between comedy and serious tones can feel jarring. Despite mixed reception, its themes of tolerance and equality remain impactful.

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9Platymania

A film of its time, without a modern equal

This film entered production before WW2 began, but was not released until it was well under way. With significant fascist-sympathy in the US, and Chaplin himself being suspected as a communist sympathiser, The Great Dictator was a very courageous endeavour. Such risks in film-making - thinly veiled political statements - would be almost inconceivable today. Imagine the fallout if someone were to make an equally satirical film today which criticised the USA's foreign policy?

This film is hilarious, poignant and tragic. The tragedy is that Chaplin makes a plea for the madness to end, but it is already to late - for him and for us. A must see if you have any interest whatsoever in history, film-making, politics or sattire as an art-form.

Ermengarde

Great and Then Some

I agree that the final speech is powerful, and stirring. It made my heart hurt (in a good way ;-) But I also have to say that the comedy is first-rate. When the Charlie and the pilot are unknowingly upside down and chatting away...when the pilot is serenely reminiscing about his girlfriend back home even as the downed plane plows right into the ground...when Hynkel delivers this vitriolic diatribe about 'the Juden' and the blandly impassive translator says, 'the Phooey has just made reference to the Jewish people' and 'the Phooey's heart is full of love to all mankind,' ...when Hynkel strips his hapless henchman of all his beautiful medals, spitting and fussing a mile a minute...I could go on and on! I think no one else on earth could play Hynkel as hilariously as Chaplin, but it might be fun to imagine modern comedians trying. ;-)

9barrysheene

Remember that......

..this movie has been done when Hitler ( and Mussolini who is as well in the movie) was at the top and many politics and even the Roman Church used to close eyes about brutality and evil of Nazism. Especially in USA there were many people who had not understood what was really going on in Germany and Europe ( Charles Lindenbergh for example ).It would be as today a big actor would made a parody of Berlusconi or Chirac. Chaplin maybe made a lot of mistakes in his life, but this is really a masterpiece of humanity and IMHO a great demonstration he was a courageous man. The movie is funny and deep, the final speech has a terrible strength and is still updated. I think this movie is one of the best ever done.

10muzikla

We think too much and feel too little.

I was surprised and impressed to find out this movie was released in 1940, before the United States entered World War II. On the surface, satirizing something as solemn and horrible as Nazi Germany could be misconstrued as rash. But Chaplin's brilliance isn't limited to making a joke out of everything. In fact, the seriousness of his message wouldn't have been nearly as valid if not for the excellent use of humor in this movie along with the moments of stark drama blended in. Drama alone wouldn't have had the bite and resonance that this film did. Laughing at someone (Adenoid Hynkel) can be the best way to attack them, while laughing with someone (the Jewish Barber) can be the best way to love them. In the Jewish Barber's final speech, I forgot for a moment that the war he was talking about happened more than half a century ago. They are words that have meaning now, and in any time of war. For this reason I believe the film did far greater good than harm, as it still has the same profound effect today.

8ma-cortes

Immortal classic movie with dual character for Chaplin as barber Jew and Dictator Hynkel

This ingenious and innovate comedy packs many priceless moments and great sense of pace , though overlong . Chaplin's satire with several classic scenes , he has dual role as a Jewish barber and dictator Hynkel , an offensive portrayal of Hitler . Then the barber is mistaken for the Hitlerian tyrant and there happens bemusing events . Funny and extraordinary acting all around , as the stunning co-stars Jack Oakie as Napolini (Mussolini-alike) , Henry Daniel as Gasbstich (Himmler-alike) and Billy Gilbert as Herring (Goering) . Chaplin's first spoken film is brilliantly photographed by Karl Struss . This splendid film contains numerous amusing scenes , the funniest are the followings : 1) The one when during the WWI the barber-soldier along with a co-pilot are flying in a turned plane without to be aware 2) When Dictator Adenoid Hynkel tells overacting speeches , including a twisted microphone 3) Hynkel playing with an enormous world balloon 4) The Jew-barber shaving a man while fitting to Hungarian Dance : number 5 by Brahms 5) when Hynkel and Napolini each try to keep his body higher than other in a barber's chair , among them .

Production on the movie started in 1937 and shot in 539 days when not nearly as many people believed Nazism was a menace , as was the case when it was released in 1940 ; however , this film was ultimately upstaged as the first anti-Nazi film satire . Hitler banned movie exhibition to the Germans due to its satire of him , and put him in his death list after his proposed conquest of America . The movie is co-starred by Paulette Goddard , third of his four wives , they were married in 1936 , although no announcement of the marriage was made later, one time finished The Great Dictator . The picture was released in 1940 , when Chaplin had survived a moral scandal by a paternity suit but a brush with the House of Un-American Activities was the signal for the USA to refuse him re-entry from Britain and he fled to Switzerland . This movie was Charles Chaplin's biggest-ever box-office hit , grossing about $5 million at the time.

Anecdotes
Adolf Hitler banned the film in Germany and all Nazi-occupied countries. Curiosity got the best of him, and he had a print brought in through Portugal. History records that he screened it twice, in private, but not his reaction. He was said to have laughed only once which was during the 'barber chair scene' between Hynkel and Napaloni. Charles Chaplin said, "I'd give anything to know what he thought of it." West Germany finally lifted the ban in 1958.

Gaffes
(at around 35 mins) When the Barber is chased in the Ghetto streets by Stormtroopers, one California studio building can be seen in the upper right corner of the frame.

Citations
[last lines]
A Jewish Barber: I'm sorry, but I don't want to be an emperor. That's not my business. I don't want to rule or conquer anyone. I should like to help everyone if possible; Jew, Gentile, black man, white. We all want to help one another. Human beings are like that. We want to live by each other's happiness, not by each other's misery. We don't want to hate and despise one another. In this world there is room for everyone, and the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way. Greed has poisoned men's souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical; our cleverness, hard and unkind. We think too much and feel too little. More than machinery, we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. The airplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men; cries out for universal brotherhood; for the unity of us all. Even now my voice is reaching millions throughout the world, millions of despairing men, women, and little children, victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say, do not despair. The misery that is now upon us is but the passing of greed, the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish. Soldiers! Don't give yourselves to brutes, men who despise you, enslave you; who regiment your lives, tell you what to do, what to think and what to feel! Who drill you, diet you, treat you like cattle, use you as cannon fodder. Don't give yourselves to these unnatural men - machine men with machine minds and machine hearts! You are not machines, you are not cattle, you are men! You have the love of humanity in your hearts! You don't hate! Only the unloved hate; the unloved and the unnatural. Soldiers! Don't fight for slavery! Fight for liberty! In the seventeenth chapter of St. Luke, it is written that the kingdom of God is within man, not one man nor a group of men, but in all men! In you! You, the people, have the power, the power to create machines, the power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure. Then in the name of democracy, let us use that power. Let us all unite. Let us fight for a new world, a decent world that will give men a chance to work, that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfill that promise. They never will! Dictators free themselves but they enslave the people. Now let us fight to fulfill that promise. Let us fight to free the world! To do away with national barriers! To do away with greed, with hate and intolerance! Let us fight for a world of reason, a world where science and progress will lead to all men's happiness. Soldiers, in the name of democracy, let us all unite! Hannah, can you hear me? Wherever you are, look up Hannah! The clouds are lifting! The sun is breaking through! We are coming out of the darkness into the light! We are coming into a new world; a kindlier world, where men will rise above their hate, their greed, and brutality. Look up, Hannah! The soul of man has been given wings and at last he is beginning to fly. He is flying into the rainbow! Into the light of hope, into the future! The glorious future, that belongs to you, to me and to all of us. Look up, Hannah. Look up!
Mr. Jaeckel: Hannah, did you hear that?
Hannah: Listen...

Crédits fous
The film is obviously a satire on Adolf Hitler, represented by Adenoid Hynkel, and its story is based on Hynkel looking exactly like "a Jewish barber": both are played by Charles Chaplin. But it begins with a notice: "Any resemblance between Hynkel the dictator and the Jewish barber is purely co-incidental".

Versions alternatives
In Italy, all the scenes that involved Napaloni's wife were cut from the movie to respect Benito Mussolini's widow, Rachele. The complete version wasn't seen until 2002.