Gouverneur malgré lui

The conventional wisdom on McGINTY is that it's lesser Sturges, more important as his directorial debut than as a standalone comedy. Pish and tosh. This is a supremely satisfying comedy and had it been Sturges' only directing credit, would still mark him as a filmmaker to remember. (And, no, that's not a subtle swipe at his others, merely a defense of this too-often overlooked movie.)Maybe the best asset of McGINTY is its budget constraint, which steered Sturges towards the 'ensemble' casting which would become one of his hallmarks. The movie is filled stem to stern with sharp-eyed turns by primarily supporting players (including the leads, Donlevy & Tamiroff, who are excellent). What I can't help but notice is how the Sturges films of the 40s are really the last gasp of the great breakneck comedies of the pre-Code 30s, just prior to the 'screwball' era, when Hollywood was still allowed to poke fun at people/institutions/conventions of the Real World. In fact, McGINTY -with only minor casting changes- would have fit right in with the Warner Bros/First National bumper crop of fast, cynical comedies of '31-'34. (And, by the way, Tamiroff's cheerfully corrupt and malapropping Boss would be paid hilarious homage 20+ years later in animation form as Boris Badinov in Jay Ward's ROCKY & BULLWINKLE cartoons.) The love interest of Muriel Angelus, and adjoining subplot, may come off a bit treacly, but Sturges was canny enough to make this studio-mandated mawkishness an integral part of the plot...even as early as 1940, he was subverting True Love to his devilishly satiric purposes! So stop nitpicking and thoroughly enjoy one of the great American comedies, brought to unforgettable life by that great if unrecognized repertory company, The Sturges Players (featuring, among others, Wm Demarest, Thurston Hall & Arthur Hoyt).

In his golden five years 1940-44, Preston Sturges was the writer & director for eight movies for Paramount, ALL GOOD and MOST of them BRILLIANT.

I first came to know these movies when five of them were shown on the BBC at Christmas in the early 1990's, including my personal favourites 'The Lady Eve' and 'The Palm Beach Story'. Since then I have had to wait for the invention of the DVD, and then last year's Preston Sturges DVD box set, when at last I could check out the other three.

Of those three, 'The Great McGinty' was the first movie to be "Written & Directed by Preston Sturges", and has to go into the GOOD rather than the BRILLIANT category. But for his first such project to be so good has got to be seen as a brilliant achievement for Sturges. I know how long he had to wait, and how hard he had to bargain to get that opportunity. He knew he had to succeed, not in his own terms but in those of his bosses at Paramount. In other words he had to bring in an economical movie that was conventional enough to be popular with audiences and critics alike.

The lead, Brian Donleavy plays McGinty as quite a straight character who has comic moments in set pieces with other players. The best comedy of the movie probably comes from Bill Demarest as "the Politician" and especially Akim Tamiroff as "the Boss", who drives the movie and its plot along, as he pushes McGinty and his career forward.

The second movie in the Preston Sturges golden period would be 'Christmas in July', again not one of his brilliant best, but beginning to include more of the lunacy and eccentric characters of a true Preston Sturges movie. By the time of his third project 'The Lady Eve', Sturges would be at the top of his form and the top of his art, and 'The Great McGinty' has to be seen not only as a good movie in itself, but as the first step in that direction.

Preston Sturges couldn't get any studio interested in doing his "Story of a Man," nor could he even get it published when it was retitled "Biography of a Bum," so he offered it to Paramount for $10 on condition he could direct it. It was an offer the studio bosses couldn't refuse and it paved the way for other writers, such as John Huston, to take control of their own work by directing its film production. The script, which won an Academy Award for Best Original Screenplay, has some extremely funny moments, with almost all of them involving Akim Tamiroff, who steals the movie as "The Boss," the man who pulls the political strings in the entire state. He is the perfect counterpoint to the rather bland Brian Donlevy, who is in the title role, as a bum who votes thirty seven times in an election for mayor to get the two dollars per vote. This makes a deep impression on Tamiroff, who likes his chutzpa, and eventually runs him for alderman, then mayor, and finally governor. The pace of the film is slow at its start, but picks up when Donlevy starts his story (in flashback) until he's elected mayor, and then slows down again. The condition that he marry to win any election begins his downfall, because he marries his secretary, Muriel Angelus, who wants him to do great things and eliminate the graft in politics. Although it's a marriage of convenience, he falls in love and wants to please her. And you see what she means when Tamiroff is all smiles as he says, greeting the new governor: "What a wonderful opportunity. This state needs everything. ... We'll need - you'll kiss me for this - a new dam. ... You think a dam is something you put a lot of water in. A dam is something you put a lot of concrete in. And it doesn't matter how much you put in there's always room for a lot more. ..." The level of writing is first rate, but I wish there were no flashbacks in the screenplay construction, since you know how it ends from the start. I've always felt the flashback construction in nine out of ten films is detrimental to their enjoyment. The supporting cast includes William Demarest, who has the classic line "If you didn't have graft, you'd have a lower class of people in politics!" Muriel Angelus was and is a relatively unknown actress who quit making movies after 1940. Sturges had severe budget constraints and couldn't use high salaried actors, which would have benfited the film.

In a banana republic, bartender Dan McGinty (Brian Donlevy) saves a customer from killing himself. He then tells him and the barmaid how he used to be an American governor. He started out as a bum. Mayor Tillinghast offered $2 a vote and McGinty ended up voting 37 times. The political boss liked his guts and took him into his organization. Corruption becomes headline news. McGinty marries secretary Catherine in a marriage of convenience in order to get elected as reform mayor in order to continue the corruption. She's a mother of two and he gets an instant family. As he falls in love with Catherine, he starts reforming his ways which ends up being his downfall.

This is a modern political satire. There is a small rom-com inside. It's Preston Sturges' first directing effort in a legendary $10 sale of his screenplay. Donlevy is a compelling lead. It's terrific writing and solid work overall.

Preston Sturges' directing debut is a smash as he cleverly shows how even back in "the good old days," politics were as cruel and crooked as ever. The acting is pretty solid here, especially the leads, but the real point here is the story that Sturges has put together. Here, we see a simple man who does what he is told and almost immediately is made governor of the state. This shows that America is the land of opportunity as well as the land of corruption. What amazes me is how fluidly the film moves. It is only 82 minutes long, yet more happens here than in most Disney family movies. This shows the wonderful genius of Sturges and how he was able to enjoy a successful career throughout the 1940s. A very underrated and unknown film, this is a perfect gem about our not-so perfect government.