Le mystère du château maudit

One of my long-term favourites. Horror-comedy with a mystery element. Bob Hope is in prime, breezy form here, and while the lines are good, his throwaway style of delivery and nervous energy puts the film over. The atmosphere of acceptance of the supernatural (in the zombie element of the movie)is reminiscent of "I Walked With a Zombie", which might sound like ridiculously high praise for a Bob Hope comedy, but it's probably best if you see the film and check it out.

There's an element of racial stereotyping which some might find bothersome now. That said, Willie Best in the potentially offending role, gives a hilarious performance as "the family detainer".

The comedy and horror elements complement rather than interfere with each other, the director and stars do a trememdous job, and this is one of the more enjoyable pure entertainment pictures you're likely to come across.

The basic plot: Bob Hope gets mixed up in a plot to get Paulette Goddards fortune.

The praise: Its a funny movie, with Bob Hope doing plenty of good gags and wisecracks . It also has a diverting , intriguing plot, suspense, and an eerie, funny old house part towards the end . The old house one is a fine set, and you won't have a clue who done it till the end. Paulette Goddard looks fetching, and the film is dated only by black stereotyping. The zombie scene works both seriously and as a spoof. Enjoy!

One of my favorite films because it has a perfect balance of comedy, a strong sense of place, and it takes its ghost seriously. Beautiful production design and photography! The old dark house is beautifully set up. I highly recommend this. A sequel to "Cat and the Canary" with Bob Hope. Ghost Breakers resides alongside the more serious "Uninvited" and "The Innocents" as a perfect ghost story.

Like others, I first saw this as a kid and was so scared I didn't realize it was supposed to be a comedy. I watched it again last night and was still impressed by how effective the horror scenes are. Noble Johnson in his subtle but terrific zombie make-up is as chilling as anything in a "straight" horror film of the period. The sets are great and the cinematography wonderfully atmospheric. George Marshall was a very underrated director and his pictorial sense is frequently stunning (note the two shot of Paulette Goddard in her period costume and the painting of her ancestor on the wall). Goddard is strikingly pretty and charming, Bob Hope seems fresh and energetic (and very effective in some of his straight moments) and Willy Best gets to shed his "scared darky" persona and play a funny and reasonably straight role. Those who've commented on the humiliating racial stereotype Best seems to be playing here are understandably confused. THE GHOST BREAKERS is years ahead of its time in its treatment of Best's character. This is a guy who began his career under the stage name "Sleep'n'Eat", yet here he plays a rational and reasonably intelligent character named Alex, a comic sidekick but one that might easily have been played by Edward Everett Horton or any number of white actors. He's the one who figures out that Hope couldn't be a murderer because he was carrying the wrong caliber gun, and while he's as scared of a zombie as anybody would be he also pitches into the fight when the monster has to be subdued. If Best didn't consider this one of the best (sorry about that) roles of his career I'd be very surprised.

Mary Carter (Paulette Goddard) has just inherited a large castle estate on Black Island, near Cuba. However, besides rumors that the place is haunted, a variety of characters seem intent on claiming possession of the place. When Mary travels down to take a look at the place, she's joined by radio personality Lawrence "Larry" Lawrence (Bob Hope) who thinks he's running from a murder rap, as well as Larry's nervous manservant Alex (Willie Best).

Made as a follow-up to '39's The Cat and the Canary, this was also based on a stage play that had already been filmed in the silent era. It's a lot of fun, too, with both stars at the top of their game. Willie Best also does his best with a stereotypical servant role. Quinn and Carlson both look very young, and Robert Ryan makes his movie debut in a blink-and-miss-it bit as an ambulance attendant. Noble Johnson looks genuinely creepy as a zombie, while Goddard looks stunning, especially in her black gown made to resemble an ancestor's portrait.