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La Vie de Thomas Edison

Titre original : Edison, the Man
  • 1940
  • Tous publics
  • 1h 47min
NOTE IMDb
7,0/10
1,9 k
MA NOTE
La Vie de Thomas Edison (1940)
82 year old inventor and entrepreneur Thomas Alva Edison is honored in 1929 and he reflects back on his sixty year career of scientific achievement.
Lire trailer2:26
1 Video
22 photos
BiographieDrame

Ajouter une intrigue dans votre langue82-year-old inventor and entrepreneur Thomas Alva Edison is honored in 1929 and he reflects back on his sixty-year career of scientific achievement.82-year-old inventor and entrepreneur Thomas Alva Edison is honored in 1929 and he reflects back on his sixty-year career of scientific achievement.82-year-old inventor and entrepreneur Thomas Alva Edison is honored in 1929 and he reflects back on his sixty-year career of scientific achievement.

  • Réalisation
    • Clarence Brown
  • Scénario
    • Talbot Jennings
    • Bradbury Foote
    • Dore Schary
  • Casting principal
    • Spencer Tracy
    • Rita Johnson
    • Lynne Overman
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    1,9 k
    MA NOTE
    • Réalisation
      • Clarence Brown
    • Scénario
      • Talbot Jennings
      • Bradbury Foote
      • Dore Schary
    • Casting principal
      • Spencer Tracy
      • Rita Johnson
      • Lynne Overman
    • 27avis d'utilisateurs
    • 14avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 1 victoire et 1 nomination au total

    Vidéos1

    Official Trailer
    Trailer 2:26
    Official Trailer

    Photos22

    Voir l'affiche
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    Voir l'affiche
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    Rôles principaux90

    Modifier
    Spencer Tracy
    Spencer Tracy
    • Thomas A. Edison
    Rita Johnson
    Rita Johnson
    • Mary Stilwell
    Lynne Overman
    Lynne Overman
    • James G. 'Bunt' Cavatt
    Charles Coburn
    Charles Coburn
    • General Powell
    Gene Lockhart
    Gene Lockhart
    • Mr. Taggart
    Henry Travers
    Henry Travers
    • Ben Els
    Felix Bressart
    Felix Bressart
    • Michael Simon
    Peter Godfrey
    Peter Godfrey
    • Ashton
    Guy D'Ennery
    Guy D'Ennery
    • Lundstrom
    Byron Foulger
    Byron Foulger
    • Edwin Hall
    Milton Parsons
    Milton Parsons
    • 'Acid' Graham
    Arthur Aylesworth
    Arthur Aylesworth
    • Jack Bigelow
    Gene Reynolds
    Gene Reynolds
    • Jimmy Price
    Addison Richards
    Addison Richards
    • Mr. Johnson
    Grant Mitchell
    Grant Mitchell
    • Snade
    Paul Hurst
    Paul Hurst
    • Sheriff
    George Lessey
    George Lessey
    • Toastmaster
    Jay Ward
    • John Schofield
    • Réalisation
      • Clarence Brown
    • Scénario
      • Talbot Jennings
      • Bradbury Foote
      • Dore Schary
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs27

    7,01.9K
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    holzhauer

    Great as an Edison "Primer"

    The more things change, the more they remain the same. We hear current scandals and corporate ruthlessness now and in past history. This picture paints the "Hollywood" side of Edison, but he too has a ruthless side.

    Edison certainly deserves much credit, but he had his vices. He invested heavily in Direct Current (DC) technology; good for many applications, but not for the needed power and lighting applications Edison envisioned. No mention is made in the movie of Nikola Tesla. Edison invited him to the USA from Croatia to work in Edison's labs. Edison made him work from 10:30 am to 5:00 the next morning, seven days per week. Even though Tesla did not believe in Edison's direct current motors he worked hard to improve them. Edison told him if he could do that he would give him a bonus of $50,000. He came up with twenty-four new designs to replace the old ones of Edison's. Edison was delighted with the results but did not pay Tesla the $50,000 he had promised. When Tesla finally asked him about it, it is said that Edison told him, "Tesla, you don't understand our American humor." That is when Tesla left the Edison Co. and eventually worked for Edison's rival George Westinghouse. Westinghouse was ruthless as well, but he and Tesla got along, and secured the contract to supply generators at Niagara Falls.

    Films such as these are great to bring initial awareness. My hope would be they prompt more investigation. That in mind, I'll take these "Hollywood biographies" over what often comes from the current film industry: recycled garbage.
    6roofusdc

    beautifully executed, but historically inaccurate

    Edison in this version comes across as a kindly soul, sort of "Santa the inventor" -- kind to one and all.

    Don't look for historical accuracy of any kind in this film. Although the acting is nicely done. Spencer Tracy is a constant delight. He even gets to play the organ in one scene! Tracy and Co.'s contributions rate it a six, but it certainly doesn't deserve anything more.

    I especially loved the one-handed Morse-code tapping Edison. One doesn't need to know much about Edison to realize pretty quickly that this is sheer hagiography.

    There is even a court room scene between gas and electrical lighting. Pretty fun.
    6shell-26

    Inventive

    I like the fact that Edison was nominated for the Oscar for best Original Story. How many biopics can claim that honour ?

    Spencer Tracy is excellent as the dynamic American inventor. Although he was a 40 year old playing a 25 year old he produced sufficient energy to overcome the obstacle of years. This is a fine piece of acting and is well supported by the bit-parts and by the director who clearly enjoys telling the story of Edison's finest achievements, the invention of the light bulb and of the recording device.

    The main problem with the film is its lack of balance. We don't hear enough about his theft of patents and his failure to give credit to his co-workers. Edison is a metaphor for America in the early twentieth century, exciting, inventive, thrusting, dynamic but also shallow and lacking in grace.
    theowinthrop

    The stock ticker, the electric light, the power grid, the phonograph, the motion picture camera...

    Spencer Tracy rarely played real people. He played a character based on Arnold Rothstein in an early film for Fox, and Henry Morton Stanley in STANLEY AND LIVINGSTON, and Rogers of Rogers' Rangers in NORTHWEST PASSAGE, and Clarence Darrow (Henry Drummond) in INHERIT THE WIND, and the Captain of the Mayflower in PLYMOUTH ADVENTURE. It seems like a large number of films, but it is really less than three percent of his movies. He also appeared in this film as the great inventor (over 1,000 patents) Thomas Alva Edison (1847 - 1931).

    In 1940 Edison was a national hero. Nobody was quite like him, although Alexander Graham Bell (soon to be subject of a film starring Don Ameche) was a figure of great interest too. So was Samuel Morse, inventor of the telegraph, and Eli Whitney, inventor of the Cotton Gin. However no films were made about them. There was a film with Fred MacMurray and Alice Faye about Robert Fulton and his steamboat, but none about the Wright brothers.

    Because of the period of history it was made in, film biography rarely was totally dispassionate. All Americans heroes were flawless, so all questions about Edison's stealing credit from assistants or other inventors was pushed aside (his involvement in the patent battles about the telephone is not mentioned). Nor were his flop inventions: pre-fabricated houses made of cement (actually a good idea, but ahead of it's time), the attempt to be the biggest gold ore refiner in the East (using huge machines to grind the ore out of rocks), the electric car motor. His bigoted feelings towards foreigners (Jews, rival inventors like Nicola Tesla) were not mentioned, nor was his rejection of the offer of a joint 1911 Nobel Prize for Physics (for the accidental discovery of the Edison Affect of carbonization in electricity) because he had to have it with Tesla for discovering alternating current. None of this is mentioned...only the string of great inventions he had a major hand in from 1868 to 1894. As a surface study of his career it is passable, and Tracy and the cast (in particular Gene Lockhart as his critic and nemesis Taggart) are splendid. You'll be entertained, but read A STREAK OF LUCK by Robert Conot for the true story.
    8whpratt1

    Spencer Gave a Great Performance

    Viewed this film a long time ago and enjoyed seeing the great acting performance that Spencer Tracy portrayed as Thomas A. Edison. Tracy must have put a great deal of study into Mr. Edison's life and his laboratory in Menlo Park, N.J. because he looked just like him. Tom Edison had a very rough times being without money and struggling many long hours with very disappointing results. Gene Lockhart,(Mr.Taggart) had a great deal of stock in the gas companies and was trying to stop Edison from producing the electric light. However, Charles Coburn,(General Powell) had great confidence in Tom Edison's inventions and he gave a great deal of financial support among the stock brokers in New York. This is a very nice story of a great inventor and many generations will enjoy this story.

    Histoire

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    • Anecdotes
      This was one of the films that Spencer Tracy really believed in and actively supported not because he starred in it, but because he was a great admirer of Thomas A. Edison. This was unusual, as Tracy was known throughout most of his career to disparage his own gifts as well as the importance of motion pictures. Also, prior to this film, Tracy had been a very active member of the Academy of Motion Picture Arts and Sciences. He even hosted the awards show on at least one occasion. However, when the nominations came out for the best films of 1940, Tracy was appalled that "Edison, the Man" was so overlooked in the nominations, being nominated for only Best Writing. He swore he would never attend another Academy Award ceremony again, and he never did. Not without irony is that, although he was nominated another six times over the next 28 years, Tracy never won another Oscar after that (after having won two in a row in the previous two years).
    • Gaffes
      The montage sequence depicting Edison's inventions lists "electric power transmission" over a shot of a massive transmission line and the tower that holds it up. That technology was in fact developed not by Thomas A. Edison but by Nikola Tesla. (Tesla held over 700 patents, including Radio. Guglielmo Marconi stole the radio patent from Tesla. The US Patent office has since revoked Marconi's claim, giving it to Tesla.) Edison insisted on powering his lights with direct current, which could only travel short distances from the generators that produced it. Tesla used alternating current, which could be run through transformers to increase its voltage so it could be moved over long distances, then reduced in voltage again for home use. Tesla's alternating current, not Edison's direct current, quickly became the standard and is what is used today.
    • Citations

      Ben Els: I keep worryin' about Bunt. I guess I won't get a wink of sleep tonight.

      Thomas A. Edison: Ah, Mr. Els, you shouldn't try to do two things at once. If you're gonna sleep, sleep. If you're gonna worry, why stay awake and make a good job of it.

    • Crédits fous
      The opening credits appear as 19th Century sampler embroideries.
    • Connexions
      Featured in Hollywood: Style Center of the World (1940)
    • Bandes originales
      Sweet Genevieve
      (1869) (uncredited)

      Music by Henry Tucker

      Lyrics by George Cooper

      Played often in the score

      Sung a bit by Spencer Tracy

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    Détails

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    • Date de sortie
      • 31 octobre 1945 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Edison, the Man
    • Lieux de tournage
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Californie, États-Unis
    • Société de production
      • Metro-Goldwyn-Mayer (MGM)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 1h 47min(107 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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