Docteur Cyclope

This is one of two movies (the other being The Valley of Gwangi) I'm reviewing this month that has some connection with King Kong. In this case, it's the fact that the co-director of that one, Ernest B. Schoedsack, helmed this one solo. Also, actor Frank Reicher who plays Professor Kendall here was Captain Englehorn in the original 1933 blockbuster. Anyway, this was a pretty entertaining for its time yarn about a mad scientist (Albert Dekker as Dr. Alexander Thorkel) who invites three of his colleagues to look at his work before quickly dismissing them after only a few minutes of their time since he only needed them because of his gradually failing eyesight. Also along for the ride is a mule owner and a servant with a dog. When they discover what Thorkel's done, he tricks them into a room and shrinks them in order to control them...Okay, anyone expecting some logic as to why certain things happen the way they do should probably stay away from this movie as you'll probably get a headache doing so. Just marvel at some of the interesting visual effects (like how Dr. Throkel holds one of the shrunken in his hand), some cool sound effects (like the loud roar of that black cat), and the campy performance of Dekker (as when he actually tells the fate of what happens when the three survivors stay alive while still shrunken for a long time). Despite not much action (at least not until the last 25 minutes) or very compelling acting (though Charles Halton does have his moments as Dr. Rupert Bulfinch when confronting Thorkel especially when he calls him the title name), this was still a reasonably entertaining movie that won't waste the 77 minutes you spend watching this. So on that note, I recommend Dr. Cyclops. P.S. I'd like to recognize uncredited screenwriter Malcolm Stuart Boylan and player Janice Logan as both native born Chicagoans, like I am. And that Halton played Mr. Carter, the bank examiner, in my favorite movie, It's a Wonderful Life.

"Dr. Cyclops" was an unusual horror film for its time. It did not use any major stars and was shot in glorious technicolor (unheard of for a film of this type). The plot is a typical "B" movie plot but the special effects and the color photography are what really sets this film apart.

The story involves "Mad Scientist" Dr. Thorkel (Albert Dekker) who summons three scientists (Thomas Coley, Janice Logan, Charles Halton) to his remote South American laboratory to seek their advice on his secret project. Along the way they are forced to bring muleskinner (Victor Kilian) along.

It turns out that the evil doctor has discovered the secret of miniaturization. To prevent them from cashing in on his discovery Thorkel shrinks the three scientists, the muleskinner and nosey local Pedro (Frank Yaconelli) to miniscule size. The rest of the film chronicles their efforts to escape.

The real star of the film are its special effects. Accomplished through a combination of split-screen, rear projection, miniatures and over sized props, the effects are quite convincing for the time. One shot I thought was quite well done was a scene where the evil doctor picks up one of his victims in his hand.

Because most of the budget was spent on color and effects, the quality of the acting suffers. Dekker does OK as the title character (a name given him by his victims because of his failing eyesight). The others are just barely adequate. Veteran Paul Fix, who could have raised the acting up a level, appeared briefly in the opening reel as Thorkel's sceptical assistant.

Albert Dekker plays the quietly insane mad scientist who makes one of the greatest discoveries in the history of mankind- how to shrink people. Unfortunately, a group of busy bodies stumble across his secret and can only see the commercial value of his huge radium deposit. What's a mad scientist to do? Shrink them, of course. Dekker is great as the amoral technocrat who sees his tormenters as nothing more than throw away subjects for his research. Nice, quiet, solid film with an undercurrent of evil personified by the sadistic Cyclops.

It never fails to amaze me when people make short, thoughtless comparisons between the films of yesterday and the films of today. Good films transcend time, regardless of what technical achievements have since been invented, and Dr. Cyclops is just that...a good film. Sure it has outmoded special effects, but those special effects were once highly praised for their uniqueness and creativity. Those special effects were a springboard to other achievements in that technical area. Let's give credit where credit is due and praise this film not for having outmoded effects BUT for having special effects which revolutionized film effects. Enough sermonizing...I know how little good it does. This film tells the story of a mad, a very mad scientist that has discovered the ability to miniaturize things, animals, and even people. Albert Dekker plays easily his finest role as the demented Dr. Cyclops with a real bad sight problem. Dekker's performance is not like your typical raving madman(aka a Lugosi or even early Karloff performance) but more of a subdued evil and obsessive nature. The other actors are adequate and the special effects are wonderful. The film has a good story and I loved the obvious allusion to the mythological Polyphemus, a giant with all the advantages taken "down" by a small, yet brilliant man. This is a thoughtful, interesting, and fun film. Definitely keep more than one eye open when viewing this film!

This is a peculiar film to have come out of any studio in 1940, much less the stylish Paramount. Since the same year saw the equally bizarre Hal Roach production, One Million, B.C., it might not be unreasonable to assume that there was either something in the water that made them do it or else the studio chiefs were smoking weed that year. Produced and directed by the King Kong team of Merian Cooper and Ernest Schoedsack, Dr. Cyclops is a far cry from their earlier, vastly superior work, yet it's still worth seeing. The jungle, probably a backlot job, is marvelously rendered, and the Technicolor photography is as beautiful as any I've seen. There's a vividness to the color that makes it jump out at you that's almost psychedelic.

This is basically a mad scientist tale with a gimmick, which is the eponymous doctor's ability to shrink people to the size of elves. Much of the action revolves around the little people's attempts to elude the mad doctor and escape from his jungle laboratory. The movie feels more like a product of the fifties than the early forties, as this theme would be returned to again in later science fiction. It's also a tough movie to categorize, as it's not quite horror or pure sci-fi. Like Kong Kong, it's an action movie and technical tour de force that takes quite a few liberties with nature.

As an oddball experiment the movie works, up to a point, though it could have used more humor and irony; and the pace is less than thrilling. It's hard to pull this sort off of story on a good day, as the improbable material needs all the help it can get. Alas, aside from the stunning color and imaginative sets, it doesn't get much here. Most of the actors in the film are unknowns and would remain unknown, though prissy character actor Charles Halton has a decent role as one of the "shrunken", which he plays well. The most impressive performer is also the lead player, Albert Dekker, whose life and movie career were almost as strange as this film. He is both believable and intimidating as the mad doctor, and gives the movie a touch of class.