La malédiction

For the fifth and last time, the great Boris Karloff portrays the oriental super-detective James Lee Wong who effortlessly solves the murder cases for which his police colleague Capt. Street (Grant Withers) always manages to arrest the wrong guy. Cyrus Wentworth, the magnate of a giant shipping company has been shot in his office and the obvious suspect is the young Dick Fleming, who's both the son of Cyrus' biggest business rival AND the forbidden lover of his daughter. The always-meddling reporter Miss Logan asks Wong to investigate the case and he naturally discovers that Wentworth had a lot more enemies who wanted him death, like relatives of victims who were recently killed in a shipping accident or former employees who attempted to blackmail him. The story opens downright terrific, with a great characterization of Cyrus Wentworth and his possible assassins. After about 15 minutes, Boris Karloff walks in and from that moment on he monopolizes all the attention! Of course Wong foresees the killer's every possible move and of course he always is several steps ahead of Capt. Street's investigation. Normally this exaggerated amount of 'cleverness' would annoy me tremendously; but Karloff's performance is so good and the script is so light-headed that you easily forgive all the illogicalness. The dialogues are wit and often humorous (the constant arguments of reporter Logan and police Capt. Street) and the sequences set in Chinatown are atmospheric, as usual. "Doomed to Die" is a very cheap but worthwhile thriller, especially recommended to fans of well-structured detective films and admirers of the almighty Boris Karloff. One more Wong-movie got released after this, made by a different director and not starring Karloff.

The Mr Wong series with Boris Karloff are not exactly great films(none are bad though) but they still make for decent entertainment, and Doomed to Die is no exception to that. In personal opinion it is one of the weaker entries in the series, the weakest being Mr Wong in Chinatown and the best being The Mystery of Mr Wong, but that is not knocking it really. It does get convoluted in places and plods a little towards the end, while the editing could have been smoother and Grant Withers seems to think that shouting equals good acting, in my book it's overkill and it's distracting. However, the sets and lighting do provide some good atmosphere, and as ever the music is eerie and jaunty. The story is routine and has convoluted moments in the second half around when Wong narrowly escapes being shot(the most suspenseful Doomed to Die gets), but on the most part it goes along at a snappy pace and you are kept guessing, the final reveal is unexpected and the perpetrator is fairly calculating, one you don't want to mess with. I also found much pleasure in the script, the banter between Marjorie Reynolds and Withers is deliciously witty and the police interrogations here are just as funny. The acting is fairly good, the support cast are more than competent but never really rise above being solid support. Marjorie Reynolds delights once again as the sassy reporter, her rapport with Withers does manage to gel. But the film belongs to Boris Karloff(the best make-up also of the series is in Doomed to Die), even if he doesn't exactly convince as a Chinese and Mr Wong is not one of his best roles admittedly he is still enigmatic and seems to be enjoying himself. Mr Wong has a fair sprinkle of fun moments that despite his late entrance ensures that his presence is a long way from a waste. All in all, unexceptional but still entertaining. 6/10 Bethany Cox

The threesome of Mr. Wong, Det. Street and reporter Barbara Logan all return in this installment of the Mr. Wong series. All are wonderful and work well in this murder mystery. A shooting murder of a father by the unwanted son-in-law because the father has rejected him as his daughter's choice as husband. Both were heard shouting in the same room by two witnesses. Det. Street believes it is an open and shut case but Mr. Wong disagrees as well as reporter Logan. Many suspects with a score to settle make this whodunit a mystery to the end.

Doomed To Die is the last film that Boris Karloff made for Monogram's Mr. Wong series. One more film was made with an actual person of Oriental descent playing Wong and that was Keye Luke.

The criticism of Mr. Wong is somewhat interesting. The criticism in fact of Charlie Chan and Mr. Moto was that these two clever detectives were constantly speaking in fortune cookie aphorisms which led to stereotyping of Oriental characters. James Lee Wong was only of partial oriental ancestry and it's made clear that he went to both Oxford and Heidelberg universities. Obviously the Oxford speech pattern is what took and we get the clear diction of Boris Karloff instead.

Wong's every bit as smart as Moto and Chan and he has to be here. It's your typical locked room mystery. Shipping magnate Guy Usher is concerned over both the shipboard fire of his vessel the Wentworth Castle and the romance between his daughter Catherine Craig and the son of rival shipper Melvin Lang. Usher is shot to death after a meeting with William Stelling, the fiancé of Craig and he's the only one in the room with the deceased.

Some Chinese government bonds were stolen during the fire and remember this film is made during the Chinese-Japanese War that predated the beginning of World War II. Those Kuomintang bonds are valuable and they're reason enough for arson and murder. A Tong leader, Richard Loo, is also killed before the case is solved.

Doomed To Die marked the farewell appearance of Marjorie Reynolds as well as Lois Lane snoop and scoop reporter girlfriend of police captain Grant Withers of the San Francisco Homicide Squad. A man never to proud to ask for the help of Mr. Wong. But in this case it turns out that Reynolds is a friend of Craig's and she brings Karloff and his super sleuthing skills to this case.

Doomed To Die is a bit more complex than the usual run of films from Monogram Pictures which didn't exactly invest to many production values in the Wong series. Not that they had much to invest. I do enjoy seeing Karloff in the role though, pity he didn't do more of them.

Doomed to Die (1940)

Oh boy, poor Boris Karloff. He's the star, and the one great presence, in this cobbled together movie, the last of Karloff's Mr. Wong movies. Someone edited the heck out of this one, and the complex plot gets hard to follow (and hard to believe!) in the hour it takes from start to finish.

That's not to say it's a bad movie. It's kind of fun, actually, and because so much is going on, you really have to pay attention, as the scenes keep changing and changing, and more and more characters appear and reappear. The plot itself is forced on things, with red herrings that are absurd and a huge disaster in the opening scenes that ultimately means little to the rest of it, or so it seems to me. There is deliberate comedy which is sometimes funny, and gives the movie an airiness that works pretty well.

Karloff, amazingly, plays a Chinese detective, and they do something to his eyes to make him more Asian, but otherwise he's very Karloff, which is good. There are some brief scenes in a so-called Chinatown, but nothing so colorful as, say, the end of "Lady from Shanghai." No, this is from a thoroughly B-movie series of six Mr. Wong films, all but one, with Karloff as Wong. There are at least two other series of films with Asian detectives, an interesting sub-genre, for sure. There are eight Mr. Moto films (with Peter Lorre) around the same time (late 1930s), and there are the almost countless Charlie Chan films (first in the earlier 30s with Warner Oland, and then the late 30s into the 40s starring Sidney Toler). All of these stars were not Asian, but that's the way Hollywood compromised its bigotry with its sense of what the mainstream American audiences wanted.

The thing that makes these Karloff films still watchable is their gritty urban settings, and the whodunnit quality that can hold even a mediocre movie together on a Sunday afternoon. "Doomed to Die" has some very dark night scenes (a third of the movie) and if they did that to save money on set design, that's fine with me because it makes them moody and inky. Nice.

Check out this rather nice Mr. Wong site:

cheddarbay.com/0000celebrityfiles/films/wong/wong.html

Take them for what they are and you might end up watching all of them!