L'oiseau bleu

After having watched this movie, for the life of me I can't figure out why this picture flopped at the box office when it was released in 1940. Shirley Temple plays Mytyl, a young girl who is not happy because her family is poor. She believes that if she were rich and had the luxuries that she has been denied in her life she will be happy. Her parents love her and try to teach her to realize how blessed she is with her loving family, but Mytly doesn't believe it's enough. Without giving the movie completely away she "dreams" that she goes to a magical land in search for the bluebird of happiness. If she can find the bluebird, then she will finally be happy. There is a true dream like quality to the film, and the set decorations are lavish and beautiful. Shirley is supported by a wonderful supporting cast such as Spring Byington, who plays her mother, Gale Sondergaard, who plays an evil cat come to life, and Nigel Bruce (usually remembered as Dr. Watson in the Sherlock Holmes movies opposite Basil Rathbone) as Mr. Luxury. I love the fact that the movie tries to teach that true happiness is not found through riches and things, but found right at home, with the people we love. I have read that people felt that this was a "rip-off" of the Wizard of Oz which was released the year before, but even though there are some similarities in the story lines (young girl goes on a magical journey only to find her happiness is truly in her own backyard) but other than that, the similarities end. Both movies are beautiful and teach their lessons in their own magical way. If you have never seen this movie, and especially if you are a Shirley Temple fan, then you must see this movie. I was impressed...I think you will be.

Obvious, an eccentric version of the play by Maurice Maeterlinck. First, for Mytyl proposed by Shirley Temple, seeming more a combination of Heidi and tomboy.

Second, for very restrained team.

Not the last, for effort of Gale Sondergaart. To offer a reasonable cat but who preserves as pure obscure its evil gestures motivation. And the rest in flames is not the most inspired idea.

Two virtues save the film - the intense firestorm and the poetic - and faithfull palace of unborn children. And, sure, the dog, beautiful performed by Mr. Collins, like the grandparents or the location în time.

But the feeling to be an eccentric try remains. Sure, one of films of Shirley Temple. But, I suppose, it is not just enough ehen you real love the original play.

Although 'The Blue Bird' was not a resounding financial success at time of release, and has always been cited as being a poor imitation of 'The Wizard of Oz', it is an unjustly neglected film. Individual scenes are striking, as for example those depicting the unborn waiting in a kind of heavenly limbo (with billowing clouds) before sailing off to their destination on earth. (You can spot Dickie Moore and Scotty Beckett among the unborn lads.) Shirley Temple and Johnny Russell are tremendously appealing as the young sister and brother searching for the elusive blue bird of happiness. A highlight is Shirley's excursion to the Land of the Past where she visits her dead grandparents and does a charming song-and-dance to a yodel song. The studio would have been wise to incorporate a few more such songs. With added numbers, this might have been a much more successful film. As it is, her role is not strong enough, as written, and yet we can appreciate her by the film's end. She is particularly affecting in the scenes with the unborn children, showing genuine charm and affection and looking radiant in technicolor. The film was nominated for two Academy Awards (Special Effects and Color Cinematography), nominations which were well deserved. The spectacular forest fire is very effective, as are the special effects in general. In the supporting roles, Gale Sondergaard (as Tylette, the cat)has fun with a typical Sondergaard role, mistress of evil. Nigel Bruce and Spring Byington lend excellent support. Summing up, while the whole is not as great as its parts, this is a lavishly photographed film definitely worth viewing. Not a masterpiece, by any means, but there is much to appreciate and it should not be neglected.

Shirley Temple's last lavishly-produced starring vehicle at 20th Century-Fox didn't come close to equaling the success (financial or otherwise) of 1939's "The Wizard Of Oz" from MGM (who had tried, unsuccessfully, to star Temple as Dorothy). This curious enterprise, based on the play, would seem to have a great deal in common with "Oz" (it even begins in black-and-white and turns to color), but the crucial elements of an identifiable plot are missing, and the young girl at the center of this story is consistently petulant. It was a fundamental error to make Shirley Temple unsympathetic; as the scowling, complaining daughter of a poor woodcutter, she wakes one night to an elderly fairy-woman knocking on her door and soon finds herself and her little brother on a search to find the Blue Bird of Happiness. The production is quite grand, but the saturated colors don't gleam and the set-designs are vast without having a sense of wonderment. As for Temple, she's a little bit stiff and self-conscious (odd for her), though her mature sarcasm in the prologue is very funny. Remade (disastrously, yet amusingly) as a musical in 1976. **1/2 from ****

I haven't seen "The Bluebird" since I was about 10 years old or so (back in the late 1960's or early 1970's). It it still sticks with me and I think of it often. It was certainly a memorable film for a little girl. To me, it was a sweet picture of heaven and of home. It also reminded me very much of the close bond I had with my little brother. Every time I see a bluebird, I remember the movie. It made (and still makes) spotting a bluebird a wonderful experience. I hope it will come out on DVD soon so more people can see it and appreciate it. It's similar to the Wizard of Oz. It is a fantasy and a sentimental family film.