Terreur à l'ouest

I was never sure about either James Cagney or Humphrey Bogart being in westerns but "The Oklahoma Kid" is not too bad. It has a brief running time, a fair measure of action and incident, the music is perfectly tolerable and at least Cagney and Bogart have a proper one on one confrontation at the end. I bought this film on video in the early 1990s and I enjoyed it then. Cagney is a "Robin Hood" type of hero who hides his true identity behind the name "The Oklahoma Kid." Bogart is a killer and dishonest businessman who wants to turn the local town into a place of sin, corruption and degradation. Cagney stated in his memoirs that he added little bits of dialogue in order to relive his boredom! What he included certainly does the film no harm.

Oklahoma Kid, The (1939)

*** 1/2 (out of 4)

When Warner decided to throw James Cagney and Humphrey Bogart into a Western it got headlines in 1939 and it continues to do so today among film buffs. The idea of Cagney and Bogart in a Western will always draw new people to this film but it's a shame the headlines have gotten in the way of the fact that this is an extremely good movie. The film takes place as Oklahoma is giving away free land where a father (Hugh Sothern) and son (Harvey Stephens) plans on building a city that can do good. Unfortunately for them a bad guy (Bogart) ends up getting is hands on the territory and soon the new city is full of gambling and murder. When the father is falsely accused of murder and a mob kills him, his secret son known as The Oklahoma Kid (Cagney) shows up to seek vengeance against the bad guys. The Western genre was full of revenge films even by 1939 but this one here comes off incredibly fresh for many reasons but the main one is that the movie is rather dark and doesn't pull any punches. I really think this is one of the most underrated and overlooked films from Hollywood's Golden Era and again I think the main reason is because of the two legends in a genre they aren't known for. Yes, it does take a couple minutes to get use to seeing them but after that they sink into their roles so perfectly that you'll forget who you're watching and really get sucked up in the story. I think the second half of the film works extremely well because of how dark it is and because the high drama is on full impact due to some strong direction by Bacon. The mob/hanging scene is perfectly done and there's an even better sequence with Cagney stalking one of the killers through the desert. All of this leads up to a very satisfying ending that packs a nice little punch. You'd never know Cagney wasn't a Western star by seeing him here because he's so terrific in the part. Yes, he doesn't go all out with a country voice but that doesn't matter because I enjoyed how low key he played the part instead of his normal fast-talking. I thought he was very menacing here by not saying too many words and I thought you could believe his character at every step through the picture. Bogart is also very good and extremely cold in his role. Apparently he and Cagney didn't get along too well here due to a comment Bogart made but that bitterness certainly carries over to the film and helps. Rosemary Lane is good as the love interest and Donald Crisp gets a lot of good scenes as the honest Judge. All in all, this is a very impressive little gem that continues to get new viewers but I think it's should be better known as a good film instead of just a film with two stars you wouldn't expect.

Interesting western with an offbeat Warner Bros. cast that's more at home in a gangster picture than a cowboy shoot-'em-up. Humphrey Bogart plays the villain, a stagecoach robber turned corrupt saloon owner. He wears a black hat so we know he's no good. James Cagney plays the cocky anti-hero, as quick with his guns as he is with his fists. He also shows how good he is with babies and even gets to sing! Rosemary Lane is the pretty girl who can't resist Cagney's charms. Donald Crisp is her father. Ward Bond, Harvey Stephens, Edward Pawley, and Charles Middleton are among the others in the cast. There's drama, humor, action, and romance. Yeah, it's admittedly a corny movie but pretty entertaining, especially for fans of the two leads. This won't be confused for a John Ford western but it's fun for what it is.

The Oklahoma Kid is a curio, more fun to think about than actually see. It is a western with James Cagney as a cowboy and Humphrey Bogart his black-clad nemesis. There is some humor in it, but it was made too early to be consciously campy; and as it was produced by Warner Brothers it has a fast, urban pace, but alas lacks the sophistication its dynamic star duo need to elevate it to clasic status, or even make it a good movie. It is not, by the way, a comedy, and is played straight much of the time. Neither star is at home on the range, and Cagney looks silly in a cowboy hat. On the other hand James Wong Howe's photography has some stunning compositions, and has about it, in its contrasting use of black and gray, a twilight quality that is very appealing but, like so much in this movie, not too appropriate for a western.

Remember in GOODFELLAS when Joe Pesci goes crazy with a gun (at his servant's expense) saying 'What's the film with Bogart as a cowboy?" The replie is "Shane?" He retorts "Shane?! No, Oklahoma Kid!" He was refering to this odd misfit, but enjoyable western.

James Cagney and Humphrey Bogart look as well suited in the old west as Gabby Hayes and Lash LaRue would look in a Manhattan speakeasy, but these two pros have fun with the film anyway. Their bar-room brawl with each other is a hum-dinger, and you have to get a load of Cagney singing a Spanish lullaby to a baby.