Elle et lui

I can't believe that this film is so forgotten by the film viewing public. This film is one of the better romances of the 1930s but, thanks to a mention of AN AFFAIR TO REMEMBER in the movie SLEEPLESS IN SEATTLE, AN AFFAIR TO REMEMBER is now considered a "classic"--But how can this be...?! After all, LOVE AFFAIR is the original and AN AFFAIR TO REMEMBER is a by-the-numbers and relatively boring remake. Charles Boyer and Irene Dunne are wonderful in this film. And, the direction and writing were excellent. However, doing NEARLY the exact same film two decades later seems pointless. I like Cary Grant and have nothing in particular against Deborah Kerr--but they just aren't as good as the originals.

Do yourself a favor. If you haven't seen either film, watch this one first. And, if you have seen only AN AFFAIR TO REMEMBER, see this film and find out how beautiful and well-made this film is. Also, if you like LOVE AFFAIR, try seeing another great romance, SMILIN' THROUGH (1932). It has a lot in common with LOVE AFFAIR and you can even see that the writers of this later film "borrowed" one of the plot twists from SMILIN' THROUGH.

What a year that was... 1939! So many great movies produced in a 12 month period! And this ranks up there with any of them. especially if you are looking for a romance.

Irene Dunne is wonderful in her role, her expressive face conveyed her emotions and reactions so well it is like reading her mind. She ws beautiful and charming and perfect in her part. Charles Boyer as the quintessential French gadabout, seemingly unfeeling toward women but true love melts his heart.

Yes this indeed was the original "Meet me at the top of the Empire Stae Building" film and it sets a standard hard to beat.

Recommended highly, would make a great triple feature with "An Affair To Remember" and "Sleepless In Seattle". (in that order)

This is a film of two genuine moods. The first half or so is a romantic story in the fine 1930s comedic tradition. The dialogue is witty, the characters charming, and the developing romance a joy to watch. The second half is a drama which is deep and engaging. The dignity with which the characters act through trying circumstances is wonderful, and a marked contrast and relief to the hysterical characters found in contemporary movies. To have two such different moods both handled with such extreme skill in the same movie makes this a rare gem.

The acting is superb; both Dunne and Boyer play with believable subtlety and emotional power. They drew me in so I cared enormously. Maria Ouspenskaya is, as always, superb. Compare her performance here with her blistering performance in her similar-but-opposite role in Dodsworth. The direction is very straightforward in its service to the story, with only the occasional standout moments: look for the superb shots of the couple's first kiss, of the reflected empire state building, and of the double headline. With a story and acting as strong as this, that's exactly as it should be.

This timeless classic movie and superior adaptation deals about the known story of a wealthy singles(Charles Boyer,Irenee Dunne) on an Ocean liner . They know themselves and falling spontaneously in love but they're both recently engaged. Boyer and Dunne promise their love on the Empire State Building where agree a meeting months later, to see if their love still holds . But the tragedy takes place and Boyer bounds for Island Madeira.

This magnificent tearjerker is a clever tale plenty of good feeling, love story and unforgettable scenes in which the spectators ever feel drawn into the protagonists lives . The perceptible script is brought to life by a perfectly cast ensemble, as the wonderful Irene Dunne, the attractive Charles Boyer and the veteran Maria Ouspenskaya in a small but touching role; plus interventions very secondaries by Gerald Mohr and Joan Leslie. The usual RKO's musician Roy Webb composes a lush romantic score makes it easy on the ears. Expert cameraman Rudolph Mate creates a superb camera work full of fine detail. The motion picture is stunningly directed by Leo McCarey who directed a good remake, though inferior version, titled ¨Love affair(1957)¨with Gary Grant, Deborah Kerr and Richard Denning . Another and lesser version about this weepie story in contemporary look are the following :¨Sleepless in Seattle(1993)¨ by Nora Ephron with Tom Hanks, Meg Ryan and ¨Love affair(1994)¨ by Glenn Gordon Caron with real life marriage , Warren Beatty and Anette Bening, and Katherine Hepburn.

Love Affair is one of my favorite movies. Irene Dunne is a lovely lady, who sings beautifully. Charles Boyer is a subtle, elegant actor who wins my heart every time. Maria Ouspenskaya is lovely as Boyer's grandmother. I understand from Boyer's biography, that he suggested the scene with her as a method of making his character more sympathetic. What an addition to the film! I prefer this version of the story to the later one. Watch the scene near the end when Boyer realizes that his painting was given to Dunne and understands what happened the night he waited at the Empire State Building. What acting!