Hommes sans loi

Husband-and-wife doctor team Carole and Niles Nelson are doing modestly well in their careers, but Niles has a gambling problem. His luck changes when he (unknowingly) saves the life of a gangster from Joe Gurney's mob and gets a big bonus from the gangleader himself. Loving his change of fortune (and snazzy new apartment), Niles continues to receive payoffs for patching up other injured members of the gang. Unfortunately, his shady deals come to light in a police raid, which hangs a shadow over his wife's career as well.

At this point the plot comes into focus, as Carole Nelson has to rescue her career before her license is suspended. This involves bringing the gang to justice more or less single- handedly.

This is not a hard-edged gangster picture, but a plot that might have been comfortable on a show like MATLOCK or MURDER SHE WROTE. There is some tension, but the mood is kept light by Bogart's tongue-in-cheek performance of a stupid gangster who imagines himself as the "Napoleon of Crime." His other gang members also function more as stooges than hoodlums. And there's some snappy dialog between Bogart and Francis, especially when she's treating his injuries at his hideout. Of course, as in all gangster flicks, there's a big shootout ending, but with a humorous twist. This is a good short film showing Bogart on his rise to stardom.

Decent remake of Dr. Socrates changes a few things, including the gender of the doctor. In the original it was the great Paul Muni. Here, it's Kay Francis. The real star of this film, however, is Humphrey Bogart. This was made during the period when Warner Bros. still had Bogie playing villainous gangster characters. This is one of the better movies that are considered "lesser" Bogart pictures. He's great fun in the role and steals every scene he's in. The plot is about a falsely-maligned female doctor (Francis) who sets out to prove her innocence by infiltrating Bogart's gang. There's a few holes in the plot but it's a short, smoothly-paced WB gangster flick so you don't really care that much. Just sit back and enjoy some good old fashioned popcorn entertainment.

Quickly Made Gangster Movie with Kay Francis vs Humphrey Bogart Central to the Thin Plot. Bogey is a Stereotypical Bully with a Moronic Sense of Humor and an Ego to Match His Hero "Napoleon". Kay Francis, on the other hand is Anything but Stereotypical for the Era.

She Plays a Strong Female Doctor having to use Her Wits and Wiles to Save Her Career and Her Determination and Intelligence is a Refreshing Role for Her Gender in the 1930's.

She is Totally Believable in the Part and Matching Her is Bogey's Goofy Gangster and somehow the Bogart Character comes across as a Likable, Brainless Thug like something in a Cartoon.

Overall, some Side Characters like Kay's Mother tend to Grate the Nerves and a couple of Bogart's Gang are very Dated Stock Gangsters. The Film is Entertaining and Enjoyable while Not in the same League as the Best WB Crime Films of the Thirties.

It's a Short, Fast Paced and Compact Movie with enough Playful Panache to Pass as a Lighter than Usual Look at some of the Clichés of the Genre.

King of the Underworld (1939)

** 1/2 (out of 4)

Warner remake of their 1935 Paul Muni flick DR. SOCRATES has Kay Francis playing a doctor trying to clear her name after her husband got connected to a gangster (Humphrey Bogart). I watched this film for the first time many years ago and found it to be campy fun but this was my first viewing since seeing the original 1935. My opinion on this film here has certainly changed but in the end I think this is still worth seeing if you're a fan of Bogart. That original film was an incredibly smart and tense little gem that should be better known to film fans but this remake, clearly meant to be the second film on a double-feature, leaves out the brains and instead goes with action. The movie runs a fast-paced 67-minutes and for the most part we get to see Bogart chew up one scene after another and this here is clearly fun if you're a fan of his. He's constantly shouting at his men, giving orders or just going around like a madman and we even get to hear him quote a few things from Napoleon. Bogart's maniac-style performance is clearly the stand out here and the reason people should tune in. Francis seems to be rather upset at having to appear in something like this as she pretty much sleepwalks through here role and she certainly brings the film down some. She was certainly a capable actress but you really can't tell that by watching her here. James Stephenson adds nice support in his small role. The ending to the original film worked wonderfully well because they went for suspense but that's not the case here. The ending is pretty wacky and over the top and sure to draw a few laughs. It does lead up to some violent gun play, which is never a bad thing in a Warner movie.

Once again, through no fault of her own, Kay Francis is in trouble and must get out of it through brains and determination. This time it's Bogey, doing a minor variation on Duke Mantee from PETRIFIED FOREST. As in most of Kay's vehicles from this period -- Warner's was pushing Bette Davis as their leading female star at this point -- everyone works hard and gives a performance that makes this hokey weeper watchable.