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Le jour se lève

  • 1939
  • Tous publics
  • 1h 33min
NOTE IMDb
7,7/10
8,7 k
MA NOTE
Jean Gabin in Le jour se lève (1939)
CriminalitéDrameRomanceThriller

Après avoir commis un meurtre, un homme s'enferme dans son appartement et se souvient des événements qui l'ont conduit au meurtre.Après avoir commis un meurtre, un homme s'enferme dans son appartement et se souvient des événements qui l'ont conduit au meurtre.Après avoir commis un meurtre, un homme s'enferme dans son appartement et se souvient des événements qui l'ont conduit au meurtre.

  • Réalisation
    • Marcel Carné
  • Scénario
    • Jacques Viot
    • Jacques Prévert
  • Casting principal
    • Jean Gabin
    • Jacqueline Laurent
    • Arletty
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,7/10
    8,7 k
    MA NOTE
    • Réalisation
      • Marcel Carné
    • Scénario
      • Jacques Viot
      • Jacques Prévert
    • Casting principal
      • Jean Gabin
      • Jacqueline Laurent
      • Arletty
    • 48avis d'utilisateurs
    • 37avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Photos90

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    + 84
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    Rôles principaux28

    Modifier
    Jean Gabin
    Jean Gabin
    • François
    Jacqueline Laurent
    Jacqueline Laurent
    • Françoise
    Arletty
    Arletty
    • Clara
    Jules Berry
    Jules Berry
    • M. Valentin
    Mady Berry
    • La concierge
    René Génin
    René Génin
    • Le concierge
    • (as Genin)
    Arthur Devère
    Arthur Devère
    • Mr. Gerbois
    • (as Arthur Devere)
    René Bergeron
    René Bergeron
    • Le patron du café
    • (as Bergeron)
    Bernard Blier
    Bernard Blier
    • Gaston
    Marcel Pérès
    Marcel Pérès
    • Paulo
    • (as Peres)
    Germaine Lix
    • La chanteuse
    Gabrielle Fontan
    • La vieille dame dans l'escalier
    Jacques Baumer
    • Le commissaire
    Annie Cariel
    • Une locataire
    • (non crédité)
    Léonce Corne
    Léonce Corne
      Georges Douking
      Georges Douking
      • L'aveugle
      • (non crédité)
      Henry Farty
        Georges Gosset
        • Un agent
        • (non crédité)
        • Réalisation
          • Marcel Carné
        • Scénario
          • Jacques Viot
          • Jacques Prévert
        • Toute la distribution et toute l’équipe technique
        • Production, box office et plus encore chez IMDbPro

        Avis des utilisateurs48

        7,78.6K
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        Avis à la une

        icklemaniac

        classic French Cinema

        French cinema at its best. Ideas of freedom, entrapment, isolation and realism wound into a great film which is carried by Gabin from the opening scene of the murder, through flashbacks he has remembered to the amazingly brutal final shot. Gabin and Laurent in the factory near the beginning of the movie is poetic realism at its most involving.
        vanessa_meikle

        Beautiful performances and cinematography

        A fantastic film, which plays with the emotions of the spectator while stunningly portraying the feelings of a pent-up man whose end echoes his pent-up life in the city. The film is beautifully shot in black and white and is a perfect example of French realism, with a modernist time disorientation tossed in for good measure. I found the performances by Jean Gabin and a showgirl with whom he gets involved (played by Arletty)to be strong, portrayed with a kind of hopeless, clutching pathos. Worth it simply for the beautifully constructed final shot.
        9Boba_Fett1138

        Great and unique storytelling makes great and unique movie.

        Thing that this movie is best known and appreciated for is its unique way of storytelling. It's one of the very first movies that features a story that gets mostly told with flashbacks and it keeps switching back between past and present. This storytelling technique was later made more famous and popular by Orson Welles with his masterpiece "Citizen Kane".

        But of course a movie requires a bit more than just some good storytelling, though it still remains a very important aspect. But this movie also has a great, quite simplistic movie, with still a lot happening in it, like only the French could make. It's a bit of a sweet love-story, that shows the events leading up to a fatal shooting. Some people will call this movie slow but hey, that was just the way movies were back in its days. But it's not like it's slow pace ever makes the movie a boring or dragging one, or at least not to me. It might had been the case if the movie had been a bit longer but with its running time around 90 minutes, it's simply a short movie to watch.

        It's also one beautiful looking movie, that features some great cinematography and especially lighting. Shadows play in important part in the movie its visual look. Amazing thing about its cinematography is that the movie actually had 4 different cinematographers attached to it. No idea what the story is behind this but I guess that each used their own specialty for this movie, or some of them simply got fired or stepped up during production. Anyway, whatever was the case, it really didn't hurt the movie its visual look. Marcel Carné movies often were visually a real pleasure to watch and this movie forms no exception on this.

        It's also a movie that quite heavily relies on its actors to tell its story and to deliver its great dialog, that got specially written by poet scenarist and songwriter Jacques Prévert. And this movie luckily had some great actors to work with. At the time Jean Gabin really was one of the best French actors. He really did his best work in the '30's and starred in some other classics such as "Pépé le Moko" and "La grande illusion" during the same decade.

        Some great and unique storytelling equals a great and unique movie.

        9/10

        http://bobafett1138.blogspot.com/
        10dbdumonteil

        Before the flood.

        That was one of the last French masterpieces of the thirties just before the war.Marcel Carné was accused of pessimism and the movie was quickly forbidden by the military censorship that used to say in 1940:"if we've lost the war,blame it on "Quai des Brumes""(Carné's precedent movie.The director answered:"you do not blame a barometer for the storm"). "Le jour se lève " is,if it's possible,darker than its predecessor. From the very beginning,the hero,a good guy (Gabin) is doomed,his fate is already sealed,because the tragedy has already happened .That's why the movie is a long flashback.The memories are brought back on the screen with an astounding virtuosity by some elements of the set (the teddy bear for instance).Only three main characters outside that of Gabin,the evil one (Berry who was to play the devil in "les visiteurs du soir "1942),the lucid one (Arletty) and the ambiguous one (Jacqueline Laurent).The latter provides

        the only flaw of the movie:Laurent acts Françoise as the innocent pure girl,however Carné leaves no doubt about her relations with Berry. A remake was made by Anatole Litvak with Henry Fonda ,Barbara Bel Geddes and Ann Dvorak (who must have been studying Arletty's acting for a long while),called "the long night" with an absurd happy end. Needless to say,it's the French Carné movie that you've got to see!
        9Varlaam

        A tragedy of everyday proportions

        We see a man shot; who he is and why we don't know. The murderer has locked himself inside his room. Police are forced to shoot in, trying to get him to surrender. The story then proceeds in flashback.

        Marcel Carné directs this famous French film starring Jean Gabin. The two had worked together the previous year on "Le quai des brumes", a film well known then and now. If you are unfamiliar with Gabin, he was to the late 1930's in France what Bogey would be shortly in America, only Bogey with a soupçon of Cagney. More animated than Bogart, but less than Cagney with his agile song-and-dance-man side. A tough guy who's actually a good guy.

        Now, a soft-hearted tough guy who's surrounded by police -- that could also describe Bogart's breakthrough film, "High Sierra", from 1941, and perhaps there is some superficial similarity.

        However, this story is mostly a tale of love affairs and working class life -- that's really where its interest lies. There's a real sympathy here for the common man, when even a modest house on a rutted street would seem beyond his reach.

        This film's original reputation may have been based at least in part on its Gallic openness about sexual matters. It's quite outré by the Anglo-Saxon standards of 1939. Regardless, the justly celebrated "Le jour se lève" has a poetic quality overall, and a memorably ironic final shot of the kind we don't seem to see quite often enough anymore.

        Histoire

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        Le saviez-vous

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        • Anecdotes
          While not the first film to use dissolves to represent flashbacks, it was considered too new a method in the language of cinema that its producers' insisted on pre-title cards to avoid any confusion.
        • Citations

          M. Valentin: You're the type women fall in love with . . . I'm the type that interests them.

        • Connexions
          Featured in Un compositeur pour le cinéma: Maurice Jaubert (1985)

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        FAQ16

        • How long is Daybreak?Alimenté par Alexa

        Détails

        Modifier
        • Date de sortie
          • 9 août 1939 (Suède)
        • Pays d’origine
          • France
        • Langue
          • Français
        • Aussi connu sous le nom de
          • Daybreak
        • Lieux de tournage
          • Paris Studios Cinéma, Billancourt, Hauts-de-Seine, France(Studio)
        • Société de production
          • Productions Sigma
        • Voir plus de crédits d'entreprise sur IMDbPro

        Box-office

        Modifier
        • Montant brut aux États-Unis et au Canada
          • 35 321 $US
        • Week-end de sortie aux États-Unis et au Canada
          • 11 864 $US
          • 16 nov. 2014
        • Montant brut mondial
          • 35 321 $US
        Voir les infos détaillées du box-office sur IMDbPro

        Spécifications techniques

        Modifier
        • Durée
          • 1h 33min(93 min)
        • Couleur
          • Black and White
        • Rapport de forme
          • 1.37 : 1

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