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Le jour se lève

  • 1939
  • Tous publics
  • 1h 33min
NOTE IMDb
7,7/10
8,7 k
MA NOTE
Jean Gabin in Le jour se lève (1939)
CriminalitéDrameRomanceThriller

Après avoir commis un meurtre, un homme s'enferme dans son appartement et se souvient des événements qui l'ont conduit au meurtre.Après avoir commis un meurtre, un homme s'enferme dans son appartement et se souvient des événements qui l'ont conduit au meurtre.Après avoir commis un meurtre, un homme s'enferme dans son appartement et se souvient des événements qui l'ont conduit au meurtre.

  • Réalisation
    • Marcel Carné
  • Scénario
    • Jacques Viot
    • Jacques Prévert
  • Casting principal
    • Jean Gabin
    • Jacqueline Laurent
    • Arletty
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,7/10
    8,7 k
    MA NOTE
    • Réalisation
      • Marcel Carné
    • Scénario
      • Jacques Viot
      • Jacques Prévert
    • Casting principal
      • Jean Gabin
      • Jacqueline Laurent
      • Arletty
    • 48avis d'utilisateurs
    • 37avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Photos90

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    Rôles principaux28

    Modifier
    Jean Gabin
    Jean Gabin
    • François
    Jacqueline Laurent
    Jacqueline Laurent
    • Françoise
    Arletty
    Arletty
    • Clara
    Jules Berry
    Jules Berry
    • M. Valentin
    Mady Berry
    • La concierge
    René Génin
    René Génin
    • Le concierge
    • (as Genin)
    Arthur Devère
    Arthur Devère
    • Mr. Gerbois
    • (as Arthur Devere)
    René Bergeron
    René Bergeron
    • Le patron du café
    • (as Bergeron)
    Bernard Blier
    Bernard Blier
    • Gaston
    Marcel Pérès
    Marcel Pérès
    • Paulo
    • (as Peres)
    Germaine Lix
    • La chanteuse
    Gabrielle Fontan
    • La vieille dame dans l'escalier
    Jacques Baumer
    • Le commissaire
    Annie Cariel
    • Une locataire
    • (non crédité)
    Léonce Corne
    Léonce Corne
      Georges Douking
      Georges Douking
      • L'aveugle
      • (non crédité)
      Henry Farty
        Georges Gosset
        • Un agent
        • (non crédité)
        • Réalisation
          • Marcel Carné
        • Scénario
          • Jacques Viot
          • Jacques Prévert
        • Toute la distribution et toute l’équipe technique
        • Production, box office et plus encore chez IMDbPro

        Avis des utilisateurs48

        7,78.6K
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        Avis à la une

        9adrian290357

        What is it about French films that makes them so special?

        There is something so lyrical about the tale of the doomed François portrayed by the great Jean Gabin that even in its hardest luck moments you feel you are watching poetry in motion.

        In addition, Le Jour se Leve is a character study with all the contradictions that tend to go with pained souls like François' - except that there is a further depth that renders the film quite universal, a depth made of little moments in human relationships and the flaws that gently emerge but only renders the humans involved more endearing.

        Still, all that glitters is not gold: the apparently pure Françoise has actually been bedded by M. Valentin (Berry); and the police are more interested in getting their man than in saving him.

        The direction is precise and inspired, resorting to the then much used flashback technique but never allowing it to dominate the film.

        The photography - well, it is gorgeous and it gives the film its expressionistic ambiance. Finally, Gabin - one of the greatest actors ever in one of his greatest roles. Need one say more?

        The ending can be predicted from the moment François kills a visitor in his apartment but that aside it is a film full of cinematographic treasures, acting to gape at, and a quality of direction that is seldom seen these days. A must see for anyone who cares about movies.
        vanessa_meikle

        Beautiful performances and cinematography

        A fantastic film, which plays with the emotions of the spectator while stunningly portraying the feelings of a pent-up man whose end echoes his pent-up life in the city. The film is beautifully shot in black and white and is a perfect example of French realism, with a modernist time disorientation tossed in for good measure. I found the performances by Jean Gabin and a showgirl with whom he gets involved (played by Arletty)to be strong, portrayed with a kind of hopeless, clutching pathos. Worth it simply for the beautifully constructed final shot.
        Vincentiu

        simple story

        sentimental, far to be great, almost common. but seductive under the science of Carne to give delicate nuances to flash backs, to transform scenes in little gems. and, in same measure, the art of Prevert to transform each detail in a precise piece of puzzle. a film about love and innocence. about a kind of Mephisto - remarkable performance of Berry - and delicate lights of role in Jacqueline Laurent performance. but, in many aspects, a film of Arletty and Jean Gabin. not a surprise. the names of director and scriptwriter are basic guarantees for a remarkable work. but, after so many years, like many other films," Le jour se leve" has more seductive sparkles and great profound value.
        10dbdumonteil

        Before the flood.

        That was one of the last French masterpieces of the thirties just before the war.Marcel Carné was accused of pessimism and the movie was quickly forbidden by the military censorship that used to say in 1940:"if we've lost the war,blame it on "Quai des Brumes""(Carné's precedent movie.The director answered:"you do not blame a barometer for the storm"). "Le jour se lève " is,if it's possible,darker than its predecessor. From the very beginning,the hero,a good guy (Gabin) is doomed,his fate is already sealed,because the tragedy has already happened .That's why the movie is a long flashback.The memories are brought back on the screen with an astounding virtuosity by some elements of the set (the teddy bear for instance).Only three main characters outside that of Gabin,the evil one (Berry who was to play the devil in "les visiteurs du soir "1942),the lucid one (Arletty) and the ambiguous one (Jacqueline Laurent).The latter provides

        the only flaw of the movie:Laurent acts Françoise as the innocent pure girl,however Carné leaves no doubt about her relations with Berry. A remake was made by Anatole Litvak with Henry Fonda ,Barbara Bel Geddes and Ann Dvorak (who must have been studying Arletty's acting for a long while),called "the long night" with an absurd happy end. Needless to say,it's the French Carné movie that you've got to see!
        9Varlaam

        A tragedy of everyday proportions

        We see a man shot; who he is and why we don't know. The murderer has locked himself inside his room. Police are forced to shoot in, trying to get him to surrender. The story then proceeds in flashback.

        Marcel Carné directs this famous French film starring Jean Gabin. The two had worked together the previous year on "Le quai des brumes", a film well known then and now. If you are unfamiliar with Gabin, he was to the late 1930's in France what Bogey would be shortly in America, only Bogey with a soupçon of Cagney. More animated than Bogart, but less than Cagney with his agile song-and-dance-man side. A tough guy who's actually a good guy.

        Now, a soft-hearted tough guy who's surrounded by police -- that could also describe Bogart's breakthrough film, "High Sierra", from 1941, and perhaps there is some superficial similarity.

        However, this story is mostly a tale of love affairs and working class life -- that's really where its interest lies. There's a real sympathy here for the common man, when even a modest house on a rutted street would seem beyond his reach.

        This film's original reputation may have been based at least in part on its Gallic openness about sexual matters. It's quite outré by the Anglo-Saxon standards of 1939. Regardless, the justly celebrated "Le jour se lève" has a poetic quality overall, and a memorably ironic final shot of the kind we don't seem to see quite often enough anymore.

        Histoire

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        Le saviez-vous

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        • Anecdotes
          While not the first film to use dissolves to represent flashbacks, it was considered too new a method in the language of cinema that its producers' insisted on pre-title cards to avoid any confusion.
        • Citations

          M. Valentin: You're the type women fall in love with . . . I'm the type that interests them.

        • Connexions
          Featured in Un compositeur pour le cinéma: Maurice Jaubert (1985)

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        FAQ16

        • How long is Daybreak?Alimenté par Alexa

        Détails

        Modifier
        • Date de sortie
          • 9 août 1939 (Suède)
        • Pays d’origine
          • France
        • Langue
          • Français
        • Aussi connu sous le nom de
          • Daybreak
        • Lieux de tournage
          • Paris Studios Cinéma, Billancourt, Hauts-de-Seine, France(Studio)
        • Société de production
          • Productions Sigma
        • Voir plus de crédits d'entreprise sur IMDbPro

        Box-office

        Modifier
        • Montant brut aux États-Unis et au Canada
          • 35 321 $US
        • Week-end de sortie aux États-Unis et au Canada
          • 11 864 $US
          • 16 nov. 2014
        • Montant brut mondial
          • 35 321 $US
        Voir les infos détaillées du box-office sur IMDbPro

        Spécifications techniques

        Modifier
        • Durée
          • 1h 33min(93 min)
        • Couleur
          • Black and White
        • Rapport de forme
          • 1.37 : 1

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