J'accuse !

This film is an anti-war film about a man who served in WWI and sees that further wars are approaching because we never learned the lesson. Despite his rants, people seem to think war is a GOOD option, so the film ends with his unleashing an object lesson everyone won't soon forget.

Wow, did this film attempt something different! It was a remake of an earlier silent version by the same director. However, despite its STRONG IMPACT and imaginative script and cinematography at the end, the film was far from perfect. My first complaint is the quality of the camera work. While, as I said above, the end is spectacular, a lot of very grainy old vintage WWI film is inter-spliced into the film. It just doesn't look very seamless, as the quality is dramatically worse than the movie itself. It could really use a remastering--using computer technology to clean up and restore the old footage. My second complaint is the length of the film. For once, I actually think the film would have been better if it would have been shortened. The plot in the middle of the film greatly detracted from the emotional impact of the beginning and the end. Third, while the director was very sincere and was right that WWI was a pointless and stupid waste of life where no one person was truly to blame, his message of moral relativism probably contributed to the French ethos that led to their quick capitulation to the Nazis in WWII. World War II was NOT morally equivalent, as Hitler was indeed evil and the cost in human life to stop him EARLY in the war would have been well-worth it in the end (i.e., taking a pacifist stand allowed Hitler to do FAR more damage to mankind than standing up against him in 1939-40). I admire the effort, but wonder what would have been the result if this film had NOT come out just before WWII.

Do not assume I am gung-ho about war. Most wars are pointless and WWI is the greatest example of the stupidity and waste of war. For an even better film about this, try watching the original ALL QUIET ON THE WESTERN FRONT (1930). Another excellent anti-war film is THE EAGLE AND THE HAWK, also set in WWI.

4/28/08--By the way, I just saw the "original" version of this film by the same writer/director. Despite BOTH having the same name, the films are very different. While J'ACCUSE (1919) is more of a spectacle and was more innovative for the time, J'ACCUSE (1938) is much more watchable today and has a much clearer anti-war message. Also, there is a movie by the same name from 2003 and a mini-series from the 1990s--but both have nothing to do with the French films.

Abel Gance, undoubtedly one of the greatest film-makers ever, made this extraordinary film as he saw Europe rushing toward World War 2. It is a remake of a film he made when he was in the trenches of World War 1. At its core is the magnificent performance of Victor Francen as the only survivor of a World War 1 patrol who is determined to prevent war ever happening again. With photography and amazing mis en scene, Gance evokes the waste of war and the terrible effect it has on its survivors. The climax involves Francen conjuring the dead of World War 1 to stop World War 2. This is stunningly shot and extremely powerful.

The only faults this film has is the over reliance on stock footage (I assume because of budgetary problems), and a romantic sub-plot that doesn't quite work. But this is a true work of art - highly political and visionary, and fascinating historically. What a shame humanity didn't listen in 1938!

An important film for its time with a powerful message that only fell on deaf ears when World War II went ahead. Unfortunately, the film was technically flawed with some campy moments and a messy story structure. Still, the ending is a classic.

J' Accuse! is one of those imperfect films that have so many captivating and remarkable scenes as to burn them into memory forever. From the first 45 minutes concentrating on the battleground of the first World War that rivals All Quiet On The Western Front to the final half hour of surrealist horror/fantasy that evokes the groundwork for such films as Night of the Living Dead there is much to love about this work.

The editing and use of actual stock war footage actually brings the viewer a historical grounding for the social and moral stance the film takes. The special effects are in grand display for a film of the 1930s and eerily successful during the climax which is one of the truly great accomplishments in cinematic history.

The only drawbacks for the film is depending on your version/copy you may have re-edited scenes which create an odd linear flow to the film and which are also quite obviously placed. Also, the middle of the film does get bogged down in a romantic sub plot that does not seriously work and all too often finds the actors suffering from melodrama.

However, the historical significance of this film's anti-war message should not be detracted from the horrific circumstances surrounding WW II. The film's message actually centers on the scientific advances of the well played lead, Victor Francen, who allows his country (in this case France) the perception of a military advantage to consider war as beneficial. You can easily see this film speaking to the scientific community in any country of the time - especially Germany. Politics aside, the message is clear and as haunting as any you may find in the annals of cinema.

J'Accuse surely ranks as one of the most stunningly effective anti-war films ever made. Its early scenes involve a group of French soldiers who are compelled to go out on a hopeless and utterly pointless patrol. The men are instantly slaughtered by the Germans. The next morning, an armistice is declared. The men on patrol were the last to die. Think of the great anti-war films you've seen--like "Paths of Glory" or "All Quiet on the Western Front." In my opinion, Abel Gance's "J'Accuse" ranks with these masterpieces and, in its final scenes, even surpasses them.

Jean Diaz is the sole survivor of the doomed patrol. Before the men leave the trenches, Diaz swore to his colleagues that their sacrifice would not be in vain--there would be no more wars. Diaz devotes his life to achieving this goal for which he sacrifices everything. Of course, he fails miserably, as the European powers prepare for a new and even more catastrophic war. In the final scenes, Diaz plays his last and best card in scenes that will not be soon forgotten by those who are fortunate enough to see this great film.