NOTE IMDb
6,7/10
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Ajouter une intrigue dans votre langueOllie has fallen in love with the innkeeper's daughter in Paris. The only problem - she's very much in love with her husband. To forget her he joins the Foreign Legion with Stan. Bad idea.Ollie has fallen in love with the innkeeper's daughter in Paris. The only problem - she's very much in love with her husband. To forget her he joins the Foreign Legion with Stan. Bad idea.Ollie has fallen in love with the innkeeper's daughter in Paris. The only problem - she's very much in love with her husband. To forget her he joins the Foreign Legion with Stan. Bad idea.
- Réalisation
- Scénario
- Casting principal
Crane Whitley
- Corporal
- (as Clem Wilenchick)
Monica Bannister
- Georgette's Girl Friend
- (non crédité)
Bonnie Bannon
- Georgette's Girl Friend
- (non crédité)
Arthur Berkeley
- Legionnaire
- (non crédité)
Phil Bloom
- Legionnaire
- (non crédité)
Eddie Borden
- Legionnaire
- (non crédité)
Christine Cabanne
- Georgette's Girl Friend
- (non crédité)
Mary Jane Carey
- Georgette's Girl Friend
- (non crédité)
Jack Chefe
- Legionnaire
- (non crédité)
Frank Clarke
- Pilot
- (non crédité)
Richard Cramer
- Legionnaire Truck Driver
- (non crédité)
Avis à la une
An independently-produced effort while contractual disputes with Hal Roach were on-going,THE FLYING DEUCES is possibly the best non-Roach Laurel and Hardy vehicle,because at least Stan Laurel was allowed some say on the plot and script content.The original draft was apparently woefully unsuitable(as were virtually all their wartime Fox and MGM features),and the story itself is pretty thin(an obvious reworking of BEAU HUNKS)and the production rather cheap.What saves the picture from mediocrity are some familiar names in the supporting cast like Charles Middleton and (especially) James Finlayson from the Roach studios,with others like Richard Cramer,Arthur Housman,Eddie Borden and Sam Lufkin in much smaller parts.With such performers in support it does at least give it the feel of a Roach film,with the addition of their favourite cameraman Art Lloyd behind the scenes another plus factor.That said,the comic material itself is not of a particularly high standard,maybe because of the initial weakness of the original story and draft,and the amount of pancake makeup they both wear cannot disguise they were beginning to age somewhat after their Roach studios peak.
Despite funny gags and individual scenes,THE FLYING DEUCES is rather patchy,and one yearns for rather more of Middleton's stentorian tones(their simply isn't enough of him in the film)than Ollie's simpering over Jean Parker.Her on-screen husband Reginald Gardiner starts off in amiable conversation with the boys persuading them to join the Foreign Legion,but he turns decidedly unsympathetic and hostile once they've enlisted,especially when he finds out that Ollie is in love with his wife.Much comic potential is not explored because unlike BEAU HUNKS(which was not perfect but shorter and rather better),there are few jokes about their tribulations in the Legion itself;the best scenes are some charming,if slightly irrelevant, musical interludes,involving Ollie singing 'Shine On Harvest Moon' while Stan performs a nifty soft-shoe shuffle,Stan playing 'The World Is Waiting For Sunrise' on his prison cell bed mattress(Ollie taps his feet amusingly during this number!),and some funny business with their best ever foil James Finlayson.The rest frankly is something of a disappointment,but we can be thankful at least that Laurel and Hardy are still in character here,which was not the case in their films from 1941 onwards,because of big film studio interference and reluctance to give Stan Laurel artistic control.THE FLYING DEUCES is certainly no classic,but is still fairly enjoyable and a decent L & H film thanks to producer Boris Morros' decision to give Stan a degree of creative freedom.Now why didn't the producers at Fox or MGM do that?
Despite funny gags and individual scenes,THE FLYING DEUCES is rather patchy,and one yearns for rather more of Middleton's stentorian tones(their simply isn't enough of him in the film)than Ollie's simpering over Jean Parker.Her on-screen husband Reginald Gardiner starts off in amiable conversation with the boys persuading them to join the Foreign Legion,but he turns decidedly unsympathetic and hostile once they've enlisted,especially when he finds out that Ollie is in love with his wife.Much comic potential is not explored because unlike BEAU HUNKS(which was not perfect but shorter and rather better),there are few jokes about their tribulations in the Legion itself;the best scenes are some charming,if slightly irrelevant, musical interludes,involving Ollie singing 'Shine On Harvest Moon' while Stan performs a nifty soft-shoe shuffle,Stan playing 'The World Is Waiting For Sunrise' on his prison cell bed mattress(Ollie taps his feet amusingly during this number!),and some funny business with their best ever foil James Finlayson.The rest frankly is something of a disappointment,but we can be thankful at least that Laurel and Hardy are still in character here,which was not the case in their films from 1941 onwards,because of big film studio interference and reluctance to give Stan Laurel artistic control.THE FLYING DEUCES is certainly no classic,but is still fairly enjoyable and a decent L & H film thanks to producer Boris Morros' decision to give Stan a degree of creative freedom.Now why didn't the producers at Fox or MGM do that?
It's pretty hard to sustain the Laurel and Hardy brand of humor for a full-length picture, but "Flying Deuces" does so pretty well. Not all of it maintains the pace or the level of their best short features, but there some good scenes and some fine moments that reflect the comic duo near the peak of their form.
The story tries to squeeze as much as possible from Stan and Ollie joining the Foreign Legion in order to help Ollie forget his troubles. Though there is plenty of action and a variety of settings, the best scenes are still the ones with the two of them by themselves, when their timing and teamwork can take over. The rest of the cast, and some of the settings, are mostly there only to nudge the plot along from time to time.
Aside from a handful of slow stretches, most of it is good entertainment. There's more than enough to make it worth seeing for fans of Laurel and Hardy.
The story tries to squeeze as much as possible from Stan and Ollie joining the Foreign Legion in order to help Ollie forget his troubles. Though there is plenty of action and a variety of settings, the best scenes are still the ones with the two of them by themselves, when their timing and teamwork can take over. The rest of the cast, and some of the settings, are mostly there only to nudge the plot along from time to time.
Aside from a handful of slow stretches, most of it is good entertainment. There's more than enough to make it worth seeing for fans of Laurel and Hardy.
I love this film! This was Laurel and Hardy's best film and the only one in Public Domain! If you can find a complete copy. Take a close look at Stan during his soft shoe number of "Shine On Harvest Moon" As you look at your TV, look over Stan's left shoulder in the close-up. You will notice ANOTHER Stan! Stan Laurel's (Arthur Stanley Jefferson)'s real-life (look-alike) brother who was in California for a final visit with Stan. Travel to and from England was difficult then. Now it's common.
My favorite Laurel and Hardy film. Many memorable bits in this charming and funny movie. Perhaps the best comedy duo ever, they breeze thru their routines and yet still have fun. Remarkable. Their stuff never seems old. Here they join the Foreign Legion after a failed suicide attempt over Ollie's broken heart. Fast paced film takes them from Paris to Algeria (I guess) where they get insulted over the pay--3 cents a day. My favorite bit it the incongruous song and dance to "Shine on Harvest Moon." It makes NO sense whatever but it's wonderful---a total surprise. Jean Parker (why did she not become a big star?), Reginald Gardner, James Finlayson, and Charles Middleton co-star. Hilarious sight gags and funny bits. Stan Laurel won a special Oscar in 1960; Oliver Hardy died in 1957 and remains one of the most underrated comics in film history. Also love this team in their talkie debut in Hollywood Revue of 1929.
Ollie is in love but it turns out she is already married. He decides to kill himself and suggests that Stan should do the same. But they goof it up and meet a guy who tells them that the French Foreign Legion is the way to forget a crushing romance. Of course, off they go. We know from every military movie they were involved in that disaster is on its way. Naturally, the fact that people like Jimmy Finlayson were already in the Legion doesn't speak all that well for their choices. Soon they are getting a reputation as the worst soldiers in the battalion. They finally manage to get themselves listed as AWOL and as deserters. They risk facing a firing squad. The Flying Deuces thing is from the fact that they end up plane-napping a plane. We all know that while nothing goes right for them, some sort of miracle is going to keep them alive. It doesn't mean things are hunky-dory. There is a great rendition of "Shine on Harvest Moon," one of those great songs they occasionally did.
Le saviez-vous
- AnecdotesOn the set of this film, Oliver Hardy met his future wife, script supervisor Virginia Lucille Jones.
- GaffesStan and Ollie are found guilty of desertion and are sentenced to death. However, the death penalty for desertion was only sought during wartime. They would only be dishonorably discharged and sentenced to five years imprisonment.
- Versions alternativesWhen this film was released theatrically, there was a scene featuring an escaped shark in the river where Stan and Ollie are about to jump but the scene was cut from most releases.
- ConnexionsEdited into Dick und Doof - Superschau des Lachens (1966)
- Bandes originalesShine On, Harvest Moon
(1908) (uncredited)
Music by Nora Bayes
Lyrics by Jack Norworth
Sung by Oliver Hardy and danced by both he and Stan Laurel
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- Durée1 heure 9 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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