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À chaque aube je meurs

Titre original : Each Dawn I Die
  • 1939
  • Tous publics
  • 1h 32min
NOTE IMDb
7,2/10
4,1 k
MA NOTE
James Cagney and George Raft in À chaque aube je meurs (1939)
Trailer for this strange story of two men from opposite worlds
Lire trailer1:43
1 Video
43 photos
Drame carcéralDrame psychologiqueFilm noirCriminalitéDrameThriller

Ajouter une intrigue dans votre langueA corrupt D.A. (Thurston Hall) with political ambitions is angered by news stories implicating him in criminal activity and decides to frame the reporter (James Cagney) for manslaughter in o... Tout lireA corrupt D.A. (Thurston Hall) with political ambitions is angered by news stories implicating him in criminal activity and decides to frame the reporter (James Cagney) for manslaughter in order to silence him.A corrupt D.A. (Thurston Hall) with political ambitions is angered by news stories implicating him in criminal activity and decides to frame the reporter (James Cagney) for manslaughter in order to silence him.

  • Réalisation
    • William Keighley
  • Scénario
    • Norman Reilly Raine
    • Warren Duff
    • Jerome Odlum
  • Casting principal
    • James Cagney
    • George Raft
    • Jane Bryan
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    4,1 k
    MA NOTE
    • Réalisation
      • William Keighley
    • Scénario
      • Norman Reilly Raine
      • Warren Duff
      • Jerome Odlum
    • Casting principal
      • James Cagney
      • George Raft
      • Jane Bryan
    • 61avis d'utilisateurs
    • 45avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires au total

    Vidéos1

    Each Dawn I Die
    Trailer 1:43
    Each Dawn I Die

    Photos43

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 36
    Voir l'affiche

    Rôles principaux73

    Modifier
    James Cagney
    James Cagney
    • Frank Ross
    George Raft
    George Raft
    • 'Hood' Stacey
    Jane Bryan
    Jane Bryan
    • Joyce
    George Bancroft
    George Bancroft
    • John Armstrong
    Maxie Rosenbloom
    Maxie Rosenbloom
    • Fargo Red
    Stanley Ridges
    Stanley Ridges
    • Meuller
    Alan Baxter
    Alan Baxter
    • Carlisle
    Victor Jory
    Victor Jory
    • Grayce
    John Wray
    John Wray
    • Pete Kassock
    Edward Pawley
    Edward Pawley
    • Dale
    Willard Robertson
    Willard Robertson
    • Lang
    Emma Dunn
    Emma Dunn
    • Mrs. Ross
    Paul Hurst
    Paul Hurst
    • Garsky
    Louis Jean Heydt
    Louis Jean Heydt
    • Lassiter
    Joe Downing
    • Limpy Julien
    Thurston Hall
    Thurston Hall
    • Hanley
    William B. Davidson
    William B. Davidson
    • Bill Mason
    • (as William Davidson)
    Clay Clement
    Clay Clement
    • Stacey's Attorney
    • Réalisation
      • William Keighley
    • Scénario
      • Norman Reilly Raine
      • Warren Duff
      • Jerome Odlum
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs61

    7,24K
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    Avis à la une

    7gavin6942

    A Fine Cagney Role

    Although innocent, reporter Frank Ross (James Cagney) is found guilty of murder and is sent to jail. While his friends at the newspaper try to find out who framed him, Frank gets hardened by prison life and his optimism turns into bitterness. He meets fellow-inmate Stacey (George Raft) and they decide to help each other.

    Rather than be the good guy ("G Men") or the bad guy ("Public Enemy"), here we have Cagney as an innocent newspaper reporter framed and then sent to prison, where he becomes a little bit hardened. Maybe not quite a bad guy, but not really the good guy, either. It is a nice transformation, and an interesting commentary on prison life.

    I am not very familiar with George Raft (I actually know him more from reading Mafia history than from film), but if he is like he is here in other films, I need to see more George Raft.
    7Xstal

    'You Dirty Rats'...

    Raft and Cagney, in their only appearance together, doing what they did best. While the plot of this film noir is a little contrived, aren't they all, the pleasure watching true greats perform is a joy and a pleasure.
    7whpratt1

    1939 Film Classic

    This was a great film for the Year 1939 with a great cast of veteran film stars. James Cagney, (Frank Ross) plays the role as a newspaper reporter who writes a front page head line involving some politicians running for the governor of a state who have burned all their records of evil doings and this story causes them many problems. The politicians decided to frame Frank and set him up by knocking him out and pouring booze on him and send his car crashing into a town and other people's cars. Frank is sentenced to prison for twenty-years and meets up with a guy named Hood "Stacey" who befriends him and they get along until things happen in the prison. Frank becomes very upset with his prison life and causes all kinds of bad problems for himself and he is sent into solitary confinement for many months. Joyce, (Jane Bryan) is a girl friend and also a reporter for the same newspaper that Frank works with and she tries her best to see what she can do to get him free. There is lots of action for a 1939 film and it deals mostly with the insides of a prison and deals with guards who love to mistreat the prisoners. If you like old film classics and these two great actors from the past, don't miss this one.
    7jotix100

    Jailhouse blues

    The main reason for watching this 1939 Warner Bros. picture is the allure of excellent ensemble performances by the cast that was assembled for it. William Keighley directed this black and white movie with great style in the way he staged the picture.

    The teaming of James Cagney and George Raft proved to be an added attraction. James Cagney, who had been seen as a bad guy in most of his gangster oriented movies, plays a good guy here who ends up in jail for a crime he didn't commit. George Raft practically steals the movie and makes it his own. The chemistry between both stars is what makes the movie work. It was notorious how both Mr. Cagney and Mr. Raft enjoyed working with one another, and it translates to what one sees in the finished product.

    The other great asset going for "Each Dawn I Die" is the strong ensemble cast that was put together to support the principals. George Bancroft, Max Rosenbloom, John Wray, Victor Jory and Edward Pawley are seen doing incredible work. Jane Bryan plays Joyce Conover, the good girl who believes in the innocence of her boyfriend and fights for his release.

    Even though some aspects of the film are far fetched, it involves the viewer like other films of this genre thanks to the direction of Mr. Keighley and the excellent work he got out of his cast and crew.
    8planktonrules

    Full of clichés, but still quite wonderful

    This is a great prison film--with lots of unusual twists, a great story and stellar actors. While many of the usual 1930s prison film clichés are definitely present, the overall package is so enjoyable that many will forgive its excesses. I must point out, though, that many modern audiences might laugh a bit at the dialog, but fans of Warner films of the age have come to expect and love these type films.

    The movie begins with crusading reporter, Jimmy Cagney, being set up for a crime to stop him from investigating crooked public officials. On this trumped up charge, he is given a hefty prison sentence and is sent to a tough prison. On the way, he meets habitual criminal, George Raft, and they strike up a very bizarre friendship.

    At first, Cagney is sure his conviction will be overturned and he's practically a model prisoner. However, after years in jail and no breaks in sight, he agrees to help Raft with a breakout and Cagney's life behind bars gets significantly worse.

    Where it all goes from there you'll just need to see for yourself. However, considering that two exceptional tough guy actors head the cast (Cagney and Raft), you know this will be an exciting film--which it certainly is. Now being a Warner product, you know that the prison lingo and action will be a bit hard to believe and you know that, given a chance, Cagney will chew the scenery (he definitely does overact a bit here and there). But considering how entertaining it all is, I can certainly forgive all this. A great film for fans of old time films.

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    Centres d’intérêt connexes

    Morgan Freeman and Tim Robbins in Les Évadés (1994)
    Drame carcéral
    Jim Carrey and Kate Winslet in Eternal Sunshine of the Spotless Mind (2004)
    Drame psychologique
    Lauren Bacall and Humphrey Bogart in Le grand sommeil (1946)
    Film noir
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Les Soprano (1999)
    Criminalité
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      According to a series of contemporary articles in the "Los Angeles Times" and the "New York Times", Warner Bros. bought the rights to Jerome Odlum's 1938 novel of the same title as a vehicle for James Cagney with Edward G. Robinson to co-star. Robinson was then replaced by John Garfield, and Michael Curtiz was to direct. Eventually, Curtiz was replaced by William Keighley, and Fred MacMurray was to replace Garfield in the reporter's role. When MacMurray became unavailable, a screen test with Jeffrey Lynn was made. Finally, Raft was signed and swapped roles with Cagney, so Raft became the gangster and Cagney the reporter.
    • Gaffes
      The conversation in the prison yard between Ross and Fargo Red, concerning dogs not having pores, is unrealistic. The slow-witted Red would surely have heard the word as "paws". As such he would not then have asked "How do they sweat?"

      This is an "Unacceptable Goof" per IMDb Guidelines as it's a "Personal Opinion" ("Do not include your own opinions") that does not allow for "Artistic License" ("Please allow for artistic license on the part of the filmmakers. Most movies and shows are not meant to perfectly reflect reality as you experience it.")
    • Citations

      'Hood' Stacey: So, how tough are you, babe?

    • Connexions
      Featured in Hollywood: The Great Stars (1963)
    • Bandes originales
      Don't Give Up the Ship
      (1935) (uncredited)

      Music by Harry Warren

      Played by the band in the theater before the showing of the movie

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    FAQ18

    • How long is Each Dawn I Die?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 5 septembre 1945 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Muero cada amanecer
    • Lieux de tournage
      • Sing Sing Penitentiary - 354 Hunter Street, Ossining, New York, États-Unis
    • Sociétés de production
      • First National Pictures
      • Warner Bros.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 735 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 32min(92 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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