Jeunesse triomphante

John Garfield stars in "Dust Be My Destiny" from 1939, also starring Priscilla Lane, Alan Hale, Billy Halop, Frank McHugh, Henry Armetta, and John Litel.

Garfield is Joe Bell, who is released from prison when someone else finally confesses to the robbery he was accused of engineering. Riding the rails, he's arrested again and sentenced to a prison farm for 90 days. There he meets 19-year-old Mabel (Lane), and they fall in love.

Mabel's stepfather is a drunk with a bad heart. He catches Joe and Mabel in a clinch; they run. He chases them, has a heart attack, and collapses, dead. Joe is sure it's no use telling the truth - he's going to be accused anyway. He has to go on the run again, this time with a determined Mabel.

Along the way, Joe and Mabel marry. They meet some decent people, and they actually start to settle down. However, another incident makes Joe want to run again, and this time, Mabel has had it with the authorities looking for them.

Good movie, with Garfield and Lane an attractive couple. This was not an unusual role for Garfield, as he often played tough, bitter guys in need of a break. He is very effective. Good performances along the way by Alan Hale and Henry Armetta.

Garfield is excellent as falsely-accused Joe Bell escaping to try to prove his innocence. Priscilla Lane is excellent in a character type she repeated three years later, virtually word-for-word, in Saboteur with Robert Cummings. But, this film stands on its own merits, even without the Hitchcockian camera angles or the Statue of Liberty. It is soulful, well-scripted, and tense.

I highly recommend it.

The reputation of John Garfield has suffered somewhat on account of his being accused of Communism by that bigoted lunatic Joseph McCarthy. It changes nothing in that John Garfield was a fine actor, one of the best of his generation. He was an actor who could modify his style of that from the theatre, so that he could be natural and convincing on screen. "Warner Bros" didn't really appreciate the value of such a talent and the films Garfield was forced to do, were not worthy of him at all. However, "Dust Be My Destiny" is a very watchable movie. Even though Garfield is playing the kind of character he was stuck with for a while, he is nevertheless very good. For years, he was always cast as those people who found themselves on the wrong side of the law, usually down to bad luck rather than being criminally inclined. In this film, Garfield is a man on the run with a young lady by his side. Her drunken stepfather is dead due to an accident and Garfield has been innocently implicated. He and his girlfriend take to the countryside, barely staying one step ahead of the authorities. They hop onto freight trains, hitchhike along the highway. It is a tense yarn where you don't know what is going to happen next and I found the experience exciting. Frank McHugh is totally wasted in a cameo appearance as a rather insistent wedding photographer but Alan Hale does well as a newspaper editor who takes the wanted youngsters under his wing. Two of the Dead End Kids make an appearance but they are written out quite early on. Very enjoyable.

John Garfield (Joe) is released from prison after being found innocent and now has a chip on his shoulder thanks to the penal system finding him guilty in the first place. He goes looking for work but gets caught jumping trains and his insolent manner does not help with his sentencing. He's back inside a corrective institution, this time a jail/work farm where he comes across Priscilla Lane (Mabel). Together, they make a break and try to live under the radar whilst being hunted for murder.

This film is a series of episodes which keep you watching until we get to a court case at the film's end which descends into sentimental claptrap and shoves Moroni Olson into the picture as a defense lawyer who is atrocious in his part. His monotone delivery is so off that his name becomes a true description (just drop the "i" from his first name) of his acting ability. It's a shame they had to change the original ending which would have left us with a better film. As it is, smiles all round.

There is a segment in which Garfield and Lane get fed up with each other along a road and decide to split up, even though they are newly married. The way the scene is filmed is tense and fraught with the realism of a relationship that will hook you into the sequence and have you rooting for them to stay together. Then a hitch-hiker stops to give Lane a lift. The behaviours and emotions during this sequence are spot on for anyone who has ever had a row and doesn't really want things to go the way they are going.

A few soppy moments (why does Ferike Boros always turn up as a sickeningly kind older lady - aaarrggh!) but an engaging film to watch.

John Garfield and Priscilla Lane always made a good team and this is one of their best pictures. Being a Warners film the subject of a young couple in love and on the run is given the gritty treatment that suits the story and the pair do very well in conveying the hardships faced. The wedding scene is particularly well played by both. As with most of the studios films at the time it looks at the problem through the lens of current events and society's ills. Not a timeless classic like Priscilla's Saboteur or Garfield's The Postman Always Rings Twice but a solid film with excellent work by the stars as well as the supporting cast.