Daughter of the Tong

An FBI agent (apparently something fairly new), a crime boss, a little Asian profiling and xenophobia, a few crooks, some cars, a couple chases, and nothing the least bit memorable. I watched this as part of a collection because I'm curious about the this period in film history. These were probably made in a week and offered a bit of diversion in the midst of the depression and before we got into the war. We have a couple strong women, one on each side, and a plot that's not the least bit interesting. There's no suspense and no great question to be answered. It's no more nor less than it was meant to be. The performances are OK but there's that deep moral fervor that seems to permeate everything. Just another film.

This is an old "B" crime movie if there ever was one, straight out of the 1930s. This was released in 1939 but it looks and feels more like 1931. The acting isn't bad but it's closer to Ed Wood-type '50s material than to Casablanca. In the first half of the film, the story drags too much. You'd think that would be almost impossible in a film that's less than an hour long, but it's true. For much of the first 30 minutes, nothing happens, but it picks up in the second half with hokey barroom-brawl-type fights and a car chase in the country.

The story is a simple one: an FBI agent goes undercover to get a crime boss. The twist is that "Carney," the crime boss of San Francisco's Chinatown, is a woman and the FBI doesn't know that. By the way, nobody is the gang is Asian.

The man pretending to semi-famous crook "Gallagher" from the east who has just escaped from the Atlanta prison, has his work cut out for him: another guy - "Lefty" (gee, what a unique name for a criminal) from Atlanta is there and could blow our man's cover. Playing the FBI good guy is Grant Withers ("agent Ralph Dickson"). Gallagher was only recruited because the local heat was on Carney and she preferred someone else running the show for awhile in case the law won. Then, she wouldn't implicated since she and the new guy had no connections.

I wish "Carney" had a bigger role because Evelyn Brent is very good in here, very mysterious, beautiful and her dialog is fun to hear. Unlike "Muggsy," one of her gang members who is too nice a guy to be a thug, Brent's character is tough and edgy.

The transfer quality on this Alpha Video disc is horrible, like a bad VHS tape.

By the way, this DVD was released by Alpha Video---a company which sometimes releases some wonderfully obscure titles (mostly public domain) but which NEVER cleans up the prints or adds closed captions. In other words, the DVD production values are strictly 3rd-rate...at best. In this case, the sides of the picture are all clipped off--like someone videotaped it right off TV and missed the edges. It's also super-fuzzy and washed out--making it a chore to watch.

This film has a very strange title in many ways. A 'Tong' is a Chinese mob that was strongly associated with assassinations and violence at the early part of the 20th century. However, there are almost no Asians in the film and the supposed leader of the Tong is a joke. Evelyn Brent sports a black wig and is supposed to be a Chinese mob boss--even though she seems about as Chinese as Eva Gabor--and Miss Gabor's accent sounded a bit closer to Chinese!! The plot involves the FBI infiltration of the Tong as well as the story of a man who is trying to escape from the mob's clutches. None of it is particularly interesting and the film seems much, much longer than its 53 minute running time, as it's dreadfully dull entertainment.

By the way, I referred to this as a 'Poverty Row' film. This is a nickname given to the tiniest studios during the 1930s and 40s and they usually didn't even have their own studios--renting space in a major studio at night. This means that this Metropolitan Picture was probably, for most indoor scenes, filmed at nigh. Production values and quality at most of these low-rent studios was generally very low, though on occasion they made dandy films...and this is certainly not one of them!!

This is a classic non classic. It has a simple plot of Hollywood's "B" movies of the time and is predictable in its outcome from the go. Never the less it is fun to watch, with the old cars and bad stunts and its standard (this type of movie) plot. The acting is almost laughable in some places, but this is what makes this movie so much fun to watch. It truly reminds me of the hundreds of movies i went to as a kid, prior to the arrival of television.

Props to Evelyn Brent for playing this role as George Raft -- in fact many choices seem to deliberately ignore the out-dated 'yellow peril' tropes implied by the title.

Despite a wig and some eye makeup Brent is no dragon lady. She delivers every line in a gangster monotone with a gun in her hand -- decidedly un-feminine and tough. She never seduces or simps, and there's no 'caught between worlds' diatribe. She's too busy plotting how she'll murder her next business partner.... Even her kimono has shoulder pads!

Her ONE Asian henchman, played by Richard Loo (often cast to subvert stereotype by being very American) is commanded to perform an 'oriental manicure', and instead of an elaborate Fu Manchu torture scene we get what looks like an actual manicure, complete with nail-clipping sounds.... I'm now obsessed with the idea that all lady gangster movies should replace the ubiquitous 'rough up the detective' scene with a 'force the detective to trim his nails' scene.

While it starts as a 'yellow peril' -- most of the action takes place in the Oriental Hotel (HQ for human trafficking, obviously) with an un-convincing import/export business in the front parlor -- no one seems interested in resolving that story.... By '39 tastes had shifted to organized crime and political corruption so the production feels patched together and the script almost incoherent, climaxing as noisily as they could afford: car chases, gun shootouts, and 2-fisted brawls.

It's a B-movie from a B-studio. If you watch with low (no) expectations you might be amused by a film struggling to figure out its genre, and an unapologetic lady crime boss performance by Brent which somehow isn't sabotaged by the goofy script.