Ma secrétaire est une perle

Day-Time Wife is an absolute gem of a film that is easily enjoyable for its own sake, not merely as a vintage curiosity.

Linda Darnell is sparkling as the young, neglected wife and Tyrone Power very watchable as the handsome but wandering husband.

The scene in which the two secretaries and their bosses end up at the same restaurant, where Darnell more than gets her revenge on her excruciated husband, is exquisite.

The ending also manages to be truly sweet and happy in a plausible way. He's been a fool, but not a total fool.

The only implausibility, perhaps, is the notion of a man neglecting a young wife as beautiful and vivacious as Darnell for his significantly older, less pretty and less amusing secretary. Not that Wendy Barrie isn't a beauty in her own right, but she's eclipsed from every angle by Darnell.

Definitely give this one a watch: it's hugely funny, with a plot that's strong enough to merit a modern remake. This would also be excellent as a play.

Just 7 reviews on this one by the time I'm writing this, with a couple of them being very very negative.

Bla, bla, bla... 1939 was the best year in Hollywood history (since when? who said that?) ... bla, bla, bla...Tyrone Power is terrible... bla, bla, bla... they should have casted Cary Grant.

NONSENSE. The script is fairly good (as long as someone has seen a couple of 1930's films more than just "Holiday" and "Bringing Up Baby") and Tyrone Power is quite descent and very funny.

Furthermore, someone who has watched just a few of the dozens of romantic - screwball comedies of that era, would have known that there were MANY other male leads besides Cary Grant, actors who gave as wonderful performances as C.G. gave in some of his films. They would also know that even though Cary Grant was magnificent, he also had done some VERY BAD movies through the 30's.

Finally, a request for the IMDb stuff. It's terribly unfair for a movie to have on it's main page a 100 word review with the title "Simply awful!". Especially when this review gives absolutely no reasons on why the movie is "awful". The fact that 22/26 people who have read the review, DISAPPROVED it, speaks for itself.

Since Linda was born on October 16, 1923 and the film was released on November 24, 1939, that means she was 15 years old all the time she was making it (post production work takes TIME)! All in all, I found this film to be very enjoyable, with LD doing a great job for her age, certainly comparable to what Joan Leslie was doing at 15 years of age (Sergeant York, High Sierra, Yankee Doodle Dandy). Warren William did a great job as her lecherous boss - in fact I can't think of any other actor of the time who could have pulled it off - slick, slimy, urbane - with just the right amount of good spirits - a gifted farceur. Fun, worth the time spent, especially if you're into glossy '30s films and in lockdown, Covid or otherwise.

A light-as-air confection, with very dark overtones. The very young, fresh-faced Linda Darnell is stood up on their second anniversary by husband Tyrone Power. The always delightful Binnie Barnes, her poisonous often-divorced friend Blanche says he's fooling around. Darnell refuses to believe it.

But believe it she must as evidence piles up. So, under the guide of shopping all day, she takes a job as a secretary. Her goal: finding out what about their secretaries appeals to men. (It must be noted that a husband willing to accept five-day-a-week, all-day shopping expeditions goes against many conventions.) Ushered in by goofy but knowing receptionist Joan David -- THE Joan Davis, that divine comedienne here in an early, rather small role -- she interviews for a job. Her boss is Warren William, at his slimiest. He comes on to her like nobody's business, his own wife notwithstanding.

Darnell is determined to keep working rather than depend on Power's money and to pursue her plan: What makes these guys fall for these girls? William and Power are business associates and they all, secretaries and his wife included, end up at a nightclub. She is very firm with Power but in the end makes up with him.

It's an early feminist movie. And in its own gentle way it's a subversive one, too. Unlike Catherine Deneuve in "Belle de jour," she does not become a call girl. But she scandalizes her chauvinistic, narrow-minded husband by becoming a working woman -- and a very smart one at that.

Day-Time Wife starred Tyrone Power and Linda Darnell together for the first time, they went on to do two more films and much better ones, The Mark Of Zorro and Blood And Sand. Look very closely at Darnell she was only 16 at the time playing a relatively new bride with only two years of marriage under her belt. Back then Darnell's mother added a couple of years to her resume so she would be hired and it worked. In fact this was only Linda Darnell's second feature film all together.

The story involves the age old gambit of the spouse starting to suspect the husband is cheating on her. In this case Darnell has a candidate with the flirtatious Wendy Barrie who is Ty's secretary and would love to have him nail her. Darnell also has a confidante in the older much married Binnie Barnes who is functioning as Eve Arden here. She feeds Darnell's suspicions with a good wisecrack or three.

So Linda goes out in the working world and becomes a secretary to another man with a roving eye, Warren William. Of course that Power and William are business associates she doesn't know and finds out after she's taken the job. That's when the film gets interesting.

Joan Davis is in Day-Time Wife as the receptionist at William's office and she's somewhat subdued and a bit wasted here. Her zaniness was not all that in evidence.

Day-Time Wife will never make the list of best screwball comedies of the era nor of the top ten films of Tyrone Power or Linda Darnell. Still it's a pleasant and none too taxing diversion for the viewer.