Beau Geste

The addition of sound, and a sharper focus, only serves to make this version of "Beau Geste" (1926) seem older, and less European; specifically, the lack of consideration for the change in technology, from silent to sound, does not make this an improvement over the original silent film. And, the ages in the cast do not add up. Still, it's a good adventure story, and a fine Hollywood production. Despite showing the obvious "generation gap", Gary Cooper (Beau), Ray Milland (John), Robert Preston (Digby) are valiant as the brothers Geste, who join the French Foreign Legion for honor and gratitude.

Brian Donlevy's sadistic "Sergeant Markov" (nee "Lejaune"), who promises his men, "I make soldiers out of scum like you and I don't do it gently!" was duly nominated for a "Best Supporting Actor" Oscar. A future nominated J. Carrol Naish (as Rasinoff) is also quite nasty. Donald O'Connor (young Beau) and the opening segments help get the film off to a great start. You'll have to decide whether or not the film proves the Arabian proverb: "The love of a man for a woman waxes and wanes like the moon, but the love of brother for brother is steadfast as the stars and endures like the word of the prophet."

******* Beau Geste (8/2/39) William A. Wellman ~ Gary Cooper, Ray Milland, Brian Donlevy, Robert Preston

This fine film wears exceedingly well more than 60 years after it was made. The story of a jewel with a haunted past, a trio of gallant brothers, a beautiful girl and the French foreign Legion make for for a mighty entertaining diversion. Brian Donleavy's riveting Oscar performance, as brutal Sargent Markoff, alone is worth the price of admission. Excellent acting all around From Gary Cooper's Beau Geste, his two stalwart 'brothers' played by Ray Milland and Robert Preston to that of J. carrol Naish as the 'human hyena' Rassinoff and Albert Dekker plays a menacingly mutinous legionaire. A great story of love and loyalty set in a rousing adventure film. A must see.

It gets off to a great start ... as a mystery. A relief cavalry approaches a Saharan desert outpost called Fort Zinderneuf, enclosed on all four sides. A cursory investigation from the outside indicates that all the soldiers at the fort are dead, propped up like mannequins with guns in their hands as if prepared to shoot. Then, without warning, two shots are fired at the arriving cavalry from inside the fort. The head of the relief cavalry sends a soldier in to investigate, but he disappears. When the relief cavalry moves inside the fort, a note is found on the body of one of the dead soldiers. The note is a confession of theft of a high-priced sapphire.

"Beau Geste" is a rousing adventure story of three brothers who start out as close-nit siblings in a privileged English household, and end up as adults in North Africa, as part of the French Foreign Legion.

The plot structure is mostly one long flashback. After the opening mystery, the plot reverts back fifteen years to when the three brothers were kids, with dreams of being in the military. The plot then progresses forward to reveal their actions that led ultimately to the film's opening mystery.

The plot is okay but a tad weak in the middle Act. Too much emphasis is placed on the sadistic Sgt. Markoff (Brian Donlevy), leader of Fort Zinderneuf. He overshadows the three brothers, and is thus somewhat distracting.

The film's B&W visuals are quite good. Yet, this is one film I would like to have seen in color. All that sand and the emptiness of the desert contrasts nicely with the staid, claustrophobic Victorian interiors the three brothers grew up in.

Acting is acceptable overall. But Gary Cooper is miscast in the lead role. He looks too old to play Beau. And his acting is rather wooden. I would have preferred a younger, perhaps less well-known actor.

Background music is wasted. It's too nondescript to contribute any emotional tone to the story, and it is at times manipulative.

Overall, "Beau Geste" is an engaging adventure story, with themes of loyalty, bravery, and honor. Despite some minor irritations, it's a well-constructed, highly credible film, one that is definitely worth watching.

Three brothers join the Foreign Legion following the mysterious disappearance of a valuable sapphire.

This movie came out the same year (1939) as that other masterpiece of colonial adventure, The Four Feathers. Both make first-rate use of family bonds and family honor to create a strong emotional context to all the colorful combat. Those bonds really work here, establishing a strong sense of one for all and all for one. Plus the fact that the brothers have been adopted by the kindly Lady Brandon (Thatcher) not only lends poignancy, but makes the central twist work really well.

As good as Cooper-Milland-Foster are, it's really Donlevy's movie. His cruel martinet has stayed with me over the decades—the military haircut, the perfectly squared shoulders, the command voice. He not only commands his legionnaires, he commands the movie, as well. And, when he falls, I still have mixed emotions, despite his many acts of cruelty. It's a crackling good story, but it's his imposing presence that makes the adventure memorable. No wonder Donlevy was Oscar-nominated, a near-perfect blend of character and actor.

Two minor reservations. Cooper's fine in Beau's role, more animated than usual. However, at nearly forty, he appears a shade too old for the youthful part. Also, I've never been able to reconcile to the relative ease with which the mutiny is put down. There's like five guys with guns facing a hundred guys who stand to be executed for their planned mutiny, yet they meekly give up, especially after Schwartz (the great Albert Dekker) has so powerfully roused them to action. To me, director Wellman's staging here is less than convincing.

Nonetheless, the mix of mystery, emotion and action remains superbly entertaining, and is ironically, one of the few movies that actually lives up to its title.

This is why we go to the movies. Great story telling, great characters, great actors, great directing, suspense, a certain pace and so on... a perfect movie. Why, oh why they don´t make movies like this anymore? Why are we treated to flicks like "King Arthur"? Have we lost it?

It´s all about adventure. Suspense, thrill, wit....Well, they would nowadays add some cruelties and that would be okay but it still would be superior to 99,9% of recent Hollywood flics.

Come back Capra, Hawks, Frankenheimer, Zinnemann, Ford, Hitchcock, Lang et al. - please come back

10/10