Ajouter une intrigue dans votre langueA brash young American aristocrat attending Oxford University gets a chance to prove himself and win the heart of his antagonist's sister.A brash young American aristocrat attending Oxford University gets a chance to prove himself and win the heart of his antagonist's sister.A brash young American aristocrat attending Oxford University gets a chance to prove himself and win the heart of his antagonist's sister.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires au total
- Minor Role
- (non crédité)
- Racetrack Timekeeper
- (non crédité)
Avis à la une
A memorable quote from this enjoyable period piece needs to be acknowledged. In a morning after scene, Robert Taylor says to Maureen O'Sullivan: "Don't wipe the sleep from your eyes. It's a beautiful sleep." The scriptwriter responsible for that line was F. Scott Fitzgerald.
To make such an "American fish in British waters" film just three years later after the war broke out and the US and England were allies would have been practically a precode in the eyes of the censors, even though cultural differences are always a problem, especially where boisterous youths are involved. It's an enjoyable little film featuring a young Vivien Leigh as she was waiting to become Scarlett O'Hara, and some fine character actor work from Edmund Gwenn as a dean who is still lovable as always even though he is openly contemptuous of Lee whose forward ways leave him shocked and flustered.
Robert Taylor gets to show-off his athletic prowess (running, rowing) in this pleasant, lightweight film. Produced by MGM's British division, it is an enjoyable look at a privileged world about to be changed forever by World War Two.
Taylor does a fine job in the title role, but he is also aided immensely by excellent co-stars from both sides of the Atlantic: Lionel Barrymore, giving another acting lesson as Taylor's peppery, loyal father; lovable Edmund Gwenn, as the long-suffering Dean of (fictional) Cardinal College, Oxford; beautiful Maureen O'Sullivan, as Taylor's English girlfriend; and enchanting Vivien Leigh, one year before her tremendous success in GONE WITH THE WIND, as a philandering young wife with an eye for male students.
Equally impressive is a gaggle of less well known British actors: stalwart Griffith Jones, as Taylor's main college rival; Robert Coote, as a cheery student forever looking for new ways to get sent down; Walter Kingsford, as a benevolent dean; ancient C. V. France as a delightfully forgetful academician; and cuddly Edward Rigby as Taylor's elderly attendant.
Claude Gillingwater appears as Barrymore's caustic banker. Movie mavens will recognize Ethel Griffies as an Oxford proctor.
Vivien Leigh didn't seem to get the memo that she was in a different movie from Gone With the Wind. She played every line and expression as if she were Scarlett O'Hara, and her character wasn't much different, either. In this movie, she plays an unsatisfied wife who makes a sport out of seducing young college boys. She flirts constantly, and the only saving grace is that she's not the leading lady in this movie. Maureen O'Sullivan, who would have been equally as good - if not better - as Scarlett O'Hara, is Robert Taylor's real love interest.
I've never really been a Robert Taylor fan, but this was a fun movie of his to watch. He shows off his athletic prowess in running, rowing, and cycling. What an athlete! If you've got a crush on him, you've got to check him - I mean, this movie, out.
Le saviez-vous
- AnecdotesIn a scene shortly after arriving at Oxford, Sheridan meets with his assigned tutor, who asks him, "What are you reading?" by which he means what is your field of study. Sheridan, confused, replies, "Well, I am reading 'Gone With The Wind', but I am only halfway through it." Vivien Leigh, also in this movie, would of course portray Scarlett in Autant en emporte le vent (1939) which was released the year after this movie. Reportedly, it was known as early as 1937 from a David O. Selznick memo that Leigh had secured the role.
- Citations
Elsa Craddock: [In the Dean's office, confessing] Oh Marmaduke, how can you? We were foolish, but it was only a flirtation.
Wavertree: [confused] I'm awfully sorry sir, but I'm afraid this is all rather beyond me...
Dean of Cardinal: [impatiently] Now don't lie to me sir, Mrs. Craddock has freely confessed everything!
Wavertree: Everything?
Dean of Cardinal: Everything!
Elsa Craddock: Everything!
Wavertree: [catching on] Oh... oh, she has! Oh... heh heh... oh, whoo! What a relief, sir! Now I need lie no more!
Dean of Cardinal: Ah, then you admit it!
Wavertree: Yes, rah-ther sir! Every time! I'd have told you in the first place sir, but we Wavertrees always protect the lady in the case!
Elsa Craddock: [somewhat sarcastic] He has a natural power over women. Try to use it for good, Marmaduke.
- ConnexionsFeatured in Vivien Leigh: Scarlett and Beyond (1990)
- Bandes originalesAcademic Festival Overture Op. 80
(1880) (uncredited)
Written by Johannes Brahms
Played as background for the first scene showing the college sign
Meilleurs choix
- How long is A Yank at Oxford?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- A Yank at Oxford
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 42min(102 min)
- Couleur
- Rapport de forme
- 1.37 : 1