Ajouter une intrigue dans votre langueIn this entry in the "Crime Does Not Pay" series, young Ann Stevens and "Windy" Brown, against the advice of both sets of parents, run away and get married as they yearn for "independence." ... Tout lireIn this entry in the "Crime Does Not Pay" series, young Ann Stevens and "Windy" Brown, against the advice of both sets of parents, run away and get married as they yearn for "independence." It isn't long before they find that they can't make it on their own, and one grab of easy ... Tout lireIn this entry in the "Crime Does Not Pay" series, young Ann Stevens and "Windy" Brown, against the advice of both sets of parents, run away and get married as they yearn for "independence." It isn't long before they find that they can't make it on their own, and one grab of easy money soon leads them down the path of crime.
- Ann Stevens Brown
- (as Linda Terry)
- Detective
- (non crédité)
- Mr. Stevens - Ann's Father
- (non crédité)
- Detective
- (non crédité)
- Police Squad Car Driver
- (images d'archives)
- (non crédité)
- Mr. Brown - Windy's Father
- (non crédité)
- Car Rental Clerk
- (non crédité)
- Drunk
- (non crédité)
- Lola
- (non crédité)
- Continental Club Owner
- (non crédité)
- Employment Agency Clerk
- (non crédité)
- Police Captain Frank Hobson
- (non crédité)
- MGM Crime Reporter
- (non crédité)
- Used Car Salesman
- (non crédité)
Avis à la une
Unhappily, not all parents are at least halfway decent, and certainly when you're all grown up at 15 and they won't let you get married, and there's no money, running away becomes attractive. What Kenneth Howell and Linda Perry don't realize in this short is that their parents do care, and stand ready to help. They just can't find them!
Gustav Machatý, the director of this short, was a big director in Hungary. When he came to the United States with his star discovery, Hedy Lamar, he found out that they wanted Hedy, but his talents were more technical as far as the producers were concerned. He spent about ten years in Hollywood before returning to Europe.
The film is about an underage couple who are deeply in love and deeply stupid. Since their parents won't give permission, they run off and marry on the sly. However, their new lives suck because they have few job skills and they can barely afford to live. Eventually these geniuses gravitate to a life of crime--and naturally it ends in tragedy.
This episode is a bit preachy but the ending is what I usually like in these films--it's violent and satisfying. And, I was happy that for once teenage characters actually looked their age--even though the actor and actress were actually in their mid-20s.
*In most of the films in the series, some district attorney or cop does the introduction. Well, these real-life professionals were all actors--NOT the folks they claimed to be. MGM deliberately made it look like they were professionals, I assume, to give their shorts clout. Still, this one was entertaining and worth seeing in spite of this.
This is less an episode warning about crime life and more a call for teenage couples to cool off their romantic feelings. Perry doesn't finish school and Howell has no way to support a wife, so getting serious is not recommended. When tempted to take advantage of a drunk with money, the couple robs the man. This is more of a slippery slope than you think, and the newlyweds seem to become "Bonnie and Clyde" overnight. It's amusing. Teen idol Howell did this while appearing in his own feature film series (as Jack Jones) and Perry was nearing the end of a hesitating career as an ingénue.
***** The Wrong Way Out (12/24/38) Gustav Machaty ~ Kenneth Howell, Linda Perry, Ray Mayer, George Meeker
*** (out of 4)
The twentieth episode in MGM's Crime Does Not Pay series is one of the weakest I've seen but there's still enough that works here for fans. In the film, young adults Wendy (Kenneth Howell) and Ann (Linda Perry) want to get married but their parents refuse so they decide to elope. Once out on their own they realize it's not easy to make a living and soon they are forced into a life of crime. A lot of reviewers call this series over dramatic but I've never agreed with that except for right here. The entire "warning" this film offers is against eloping and having too much of an ego to return home to your parents. The film takes that and turns out two teens into a Bonnie and Clyde type, which is a tad bit over the top as the film never gives them any real motivation in doing what eventually happens here. I also find it rather funny that both sets of parents are shown as good people yet they too are actually rather mean spirited when the kids first come to them for advice. The parents turn their backs and then they wonder why, later in the film, the kids don't come back to them for help. The over the top antics of the film would make me recommend newcomers to the series to start somewhere else but I think fans will still want to check it out. The performances are all rather mixed with Howell coming off rather lame as the good turned bad guy. The scene with the drunk singing "Happy Days Are Here Again" gets a mild laugh as does the ending that goes way too far.
Le saviez-vous
- AnecdotesThe $200 the drunk said he was rolled for equates to about $4,465 in 2024.
- Citations
Police Captain Frank Hobson: Very few of the increasing number of crimes committed by persons under 21 are premeditated. In almost every case, we find the same moving force: Impatience. Impatience with problems that, in a year or two, might solve themselves. We therefore present this case history of two young people, in the frank hope that it may bring others like them to stop and think.
- ConnexionsFollowed by Money to Loan (1939)
- Bandes originalesHappy Days Are Here Again
(uncredited)
Music by Milton Ager
Lyrics by Jack Yellen
Sung a cappella by George Meeker
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Crime Does Not Pay No. 20: The Wrong Way Out
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée17 minutes
- Couleur
- Rapport de forme
- 1.37 : 1