Mariage incognito

This is a fun,enjoyable comedy starring two screen legends in their early prime.Ginger Rogers and James Stewart are fine in the leads,but are given a run for the money in the acting department by Charles Coburn and Beulah Bondi.As Stewart's parents they almost steal the show. James Ellison,who I've only seen in De Mille's "The Plainsman" (1936), is serviceable as the second-lead who loses the girl.There's one big highlight in this movie that stands out: The cat fight with Rogers and sparring partner Frances Mercer. It's a hilarious moment.George Stevens keeps the movie bright and funny. If you ever catch this little gem you won't be disappointed.

This film is a joy from beginning to end! It's filled with many great comedic moments: Stewart getting drunk in the classroom, Roger's & Stewart's fiancee fighting in the garden (I read in Ginger's autobiography that she was wearing hockey shin guards when she was kicked!), when Ginger and her mother-in-law are dancing, and the latter's husband comes in (!).

The only "exasperating" part is Stewart's character's cowardice to tell his parents that he's married; but, without it, there wouldn't be any film!

The only Rogers film I personally like better than this film (and, only slightly) is "Bachelor Mother". But, SEE THIS!

Norm

On a rare showing on TCM, I fell in love with this movie! A wonderful pairing of the fiery Rogers and a timid Stewart, made the chemistry between the two believable.

On a trip to the city, Stewart meets, falls for, and marries Rogers only later realizing his staunch and rigid father would never approve. Taking her back to his small town, Stewart places her in a home for unmarried girls, until he can break the news to his father that he married a showgirl.

I loved the setting of this movie, and being in black and white only enhanced the scenes. If you liked "The Philadelphia Story" you'll love this! A classic boy-meets-girl, story with delightful humor and a believable romance...

a romantic comedy. maybe, a perfect one. because it has all expected ingredients. and, sure, the right actors . it is amusing and touching and courageous. and James Stewart gives his the best in a role who, at the first sigh, reminds many others. because it is so simple. a dysfunctional family, a seductive young woman, a secret and the glamour of Ginger Rogers. all as part of a so contemporary film, ironic, great and real lovely.

This premise of this movie, remarkably spineless son can't tell his parent's he's married an oddly forgiving nightclub singer, is pretty absurd, but what the movie lacks in sense it makes up for in humor. It's a very likable movie with a typically engaging performance by Rogers and a typically amiable one by Stewart.

The funny thing about this movie is it accepts the family dynamics as just another wacky family, and by the standards of 1940s screwball comedies I suppose it is, but I couldn't help but think about how you could take the same family dynamic - dominating patriarch, a frail, timorous wife, two sons, one fearful and the other somewhat dissolute - and you've the makings of some grim stage drama by Arthur Miller or someone.

Well, that's the danger of getting older; when I was watching every old movie as a teenager I was oblivious to these contextual issues, but happily I am still able to enjoy a dopey comedy like this one.