Avis des utilisateurs

Barton MacLane tries to keep Glenda Farrell out of his hair while he investigates a case involving stolen Chinese artifacts and blackmail. Good luck with that in the seventh of Warner's 'Torchy Blane' series. It's always fun to watch these two go at it, and Tom Kennedy is always welcome as Gahagan, who actually gets to do something useful in this episode.

It's based on Will Jenkins' story "The Purple Hieroglyph", written under his pseudonym of Murray Leinster, and made into an earlier movie called MURDER WILL OUT.

Glenda Farrell really shows up the police department in Torchy Blane In Chinatown. She's got the whole thing figured out long before the cops get wise. Of course interestingly enough the apprehension of the villains themselves is a really good idea cooked up by Barton MacLane.

Henry O'Neill plays a US Senator who is a collector of Chinese jade and when he purchases some jade death masks he gets threats, the unsigned note threats and in Chinese. Fortunately Patric Knowles is around to translate the threats.

Their ancestors graves have been defamed, but a little American hard cash will sooth the ancestor's feelings and be good for their descendants as well. It all smells pretty bad, but it's Torchy Blane who catches the right whiff.

Tom Kennedy as Geohagen once again steals the show. Seeing Kennedy in New York harbor rowing that boat to the final rendezvous was quite a sight.

If Torchy could figure it out you can too. Even with that the film is still kind of fun. And MacLane comes in handy in the apprehension. You have to see what he uses.

Torchy Blane in Chinatown (1939)

** (out of 4)

The seventh film in the series finds Torchy (Glena Farrell) once again getting in the way as Detective McBride (Barton MacLane) tries to figure out who killing off a group of people with a connection to some valuable Chinese treasures. TORCHY BLANE IN CHINATOWN seems like it would fit the Mr. Moto or Charlie Chan series better but there's no question that this features an interesting story but sadly director William Beaudine can't add any life, energy or excitement to anything we're seeing. The story itself is pretty good and in fact it was interesting enough to make one upset that more wasn't being done with it. This story from Murray Leinster was originally filmed in 1920 and then again in 1930 but I've yet to see either version. The material here actually makes for a good mystery and I especially liked how one never fully understood why the murders were taking place. A great example of this is handled with various cards being left behind at crime scenes telling the cops who will die next. Another benefit this film has is that we're given a pretty strong cast. Farrell is once again highly entertaining and charming in her role. MacLane appears to be tired of his career and bored playing it because he pretty much sleepwalks through the film. The supporting cast is actually good with Tom Kennedy returning for comic relief and we also get Henry O'Neill, Patric Knowles and James Stephenson. What really kills the movie is the bad pacing, poor cinematography and the lack of any real energy. Director Beaudine probably kept the film under budget but he just wasn't able to add anything extra to the story. No matter how good the story is you still still someone to bring it to life and that just never happened.

The seventh in the Torchy Blane series and the penultimate one for Glenda Farrell and Barton MacLane. This time our heroes try to foil an extortion plot. As with the last film, this one has a different vibe to it than the first four Farrell movies. The focus isn't mostly on Torchy, but rather the cops and the criminal plot. Great supporting cast that includes Henry O'Neill, Patric Knowles, Frank Shannon, James Stephenson, and Janet Shaw. The regulars - Farrell, MacLane, and Tom Kennedy - are all good.

This one has a more of a Charlie Chan feel to it, and not because of the Chinese elements. The villains' plot isn't obvious and keeps the viewers (and the dimwitted coppers) guessing. The climax is hilariously offensive, so a point for that, but also has annoying music that doesn't quite fit the on screen action and goes on too long, so deduct a point for that. Worth a look for fans of the series or just B movies in general. But this isn't Torchy Blane at her best.

One of the later chapters in the "Torchy Blane" series, this has the usual cast of Glenda Farrell (Torchy), along with Barton MacLane and Tom Kennedy. Torchy is out to solve murder crimes, while MacLane and Kennedy are officers who can never put the facts together without her. The coppers can't seem to figure out who's knocking off the guys who took the ancient tablets out of Chiner; it's a good thing Torchy is hanging around trying to see and hear anything she can use at the newspaper. The slapstick gags by Gahagan are really over the top in this one. almost annoying. As usual, don't look too closely at the story or it starts to come apart. It's pretty good. Directed by William Beaudine, who directed about half the films in the 1930s and 1940s.

Fifth in the series of reporter-criminologist Torchy Blane who assists Detective Lieutenant Steve McBride in solving crimes. In this entry, Torchy figures out the solution to the deaths of three prominent men but allows Steve to get the credit at the end and make the collar. If this subservience is not enough, we are subjected to rampant racial stereotyping of Chinese and blacks. Detective Sergeant Gahagan provides comic relief that includes in this film his breaking into poetry from time to time. The film does involve Chinese burial tablets and has a few superficial shots that might have been take on the street of a major city "Chinatown" but the plot does not have anyone going there and doing anything. This version mostly takes place in police stations, at The Adventurers Club, homes, and at sea where a contribution is made by the US Navy. The plot is a remake of the 1920 "The Purple Cipher" and the1930 "Murder Will Out." It involves a combination of revenge murder and blackmail. There are notes to victims passed on Chinese laundry tickets and via additional means. Death comes via a multitude of means and bodies have a habit of disappearing. Fair.

This entry in the series has a pretty good supporting cast and an interesting script although, as is par for the course for Warner Brothers in the 30s and 40s, it is actually a remake of an earlier 1930s film. Three men who were involved in extracting a rare jade artifact from a Chinese tomb are threatened with death by the descendants of the person whose tomb was robbed via anonymous notes written in Mandarin. The three men come to the police for protection, but Lt. McBride (Barton McLane) seems to be running in circles when it comes to the vengeful descendants. McBride consults a Chinese American friend who tells him there are approximately four thousand Chinese Americans who are descended from the man whose grave was robbed, including himself!

Meanwhile, McBride is trying to keep Torchy away from what is going on, because he thinks any publicity in the newspapers will keep him from catching the criminals. She uses her usual wily ways to get around any impediments. I think I like this series better when Torchy and McBride are at least somewhat allied. Here they are both on their own trying to solve the mystery as almost adversaries.

I'd give this a 7 if it were not for some obvious things that the criminals are doing that would be picked up immediately by the investigating police and thwart their plan. But it is still good fast moving B fun from Warner Brothers.

Poor Torchy! Her boyfriend, Lieutenant Steve McBride, breaks their date to go protect an art smuggler from a sinister gang. Steve sure doesn't seem too sorry—he hardly even apologizes to Torchy. Of course, she sneaks after him that night, hoping to catch a scoop for her newspaper….

Barton McLane gets a big role this time around—his Lieutenant McBride is right at the center of the action. Unfortunately, the lieutenant has never been dumber. He tells the smuggler not to worry, that the police will protect him—and the smuggler is promptly murdered. He tells the next threatened victim the same thing—and that guy is murdered just as quickly. He's not protecting anybody!

Glenda Farrell is fine as always in her sixth appearance as adventurous reporter Torchy Blane. The cops do their best to keep her in the dark, but Torchy gets her leads and reports them without resisting a dig or two: the first murder, she writes, has left "investigating officers, headed by Detective Lt. Steve McBride, running around in circles so fast they're apt to meet themselves coming back."

The plot concerns some stolen jade "burial tablets" and a supposed Chinese gang out to retrieve them. Unfortunately, there's not enough humor or snappy by-play between characters—the really appealing elements of the series' better entries—to keep this one moving. Tom Kennedy, back again as faithful but dim police chauffeur Gahagan, isn't given nearly enough to do, either.

It's a cast of pros and the production is competent, so the picture is certainly watchable. Farrell, especially, is never boring. However, the rather dreadful plot and an overall lack of zip place this one at the bottom of the list of Torchy Blane mysteries.

This entertaining entry in the Torchy Blane series also happens to be one of the least PC movies of all time, and that's saying quite a bit. Every Asian stereotype you can imagine is dredged up by screenwriter George Bricker and there's even a minstrel show joke for good measure. When Barton Maclane exclaims, "Chinese!", Gloria Farrell responds, "oodles of them!". The story is the usual stuff about stolen jade, ancient curses, family honour, and murder. The twist is telegraphed early on but the film remains briskly entertaining, especially when that brassiest of brassy dames, Ms. Farrell, is on screen--which is most of the film's 58 minutes running time.

TORCHY BLANE IN CHINATOWN 1938

Barton Maclane, Glenda Farell. From the Torchy Blane series. Classic fast-talking good-guy police detective MacBride and his girl, Torchy (reporter). I have a love/hate relationship with this whole series (nine of them). This one was one of the better ones. A blackmail case.

But throughout the series Torchy, a pretty reporter, is constantly trying to snoop into ongoing police investigations, jeopardizing her own and other peoples' lives, not to mention stealing or tampering with evidence. She is always on the verge of getting arrested or rubbed out by the murderers or gang members. So she's irritating.

I'd rate the similar "Maisie" series (with Ann Sothern) higher.

I'm always drawn to 40s B movies about wisecracking investigators, but some are better than others, and this one is definitely a lesser example of the genre. Farrell's performance as brassy reporter Torchy feels thin, and the lead detective is bland, although I rather liked the odd romance between the two.

Tom Kennedy, on the other hand, was quite amusing as a doofus cop.

As for the story, well, it was really moronic. Of particular note was how terrible the lead cop was, constantly assuring people he would protect them and failing to do so, yet never losing confidence and, more amazingly, never getting in trouble. And no one ever said, "I don't trust you because you gave the same assurances to the last guy" (although ultimately you could make a case for why that ultimately makes sense).

I think that will be it for me and Torchy Blane movies.