NOTE IMDb
6,6/10
1,7 k
MA NOTE
Ajouter une intrigue dans votre langueTwo rival newsreel photographers join forces to find an aviatrix's missing brother, who has disappeared in the Amazon rainforest.Two rival newsreel photographers join forces to find an aviatrix's missing brother, who has disappeared in the Amazon rainforest.Two rival newsreel photographers join forces to find an aviatrix's missing brother, who has disappeared in the Amazon rainforest.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires au total
Ernie Alexander
- Projectionist
- (non crédité)
Eddie Arden
- Cycle Messenger
- (non crédité)
King Baggot
- Reporter
- (non crédité)
Avis à la une
Clark Gable is a newsreel photographer doing stories on the China-Japan war in Shanghai, Walter Pidgeon is his rival, and Myrna Loy an aviatrix in "Too Hot to Handle," a 1938 film from MGM. Gable and Pidgeon know each other well and besides stealing each other's film, they fake stories so they can scoop one another and satisfy their bosses. They were way ahead of their time there. The funniest scene is Gable staging an airplane dropping a bomb over the house of a family. It's a toy airplane. Hilarious! Loy plays Alma Harding, trying to break air travel records so she can get money for an expedition to the Amazon to find her brother, who is presumed dead. When Pidgeon fakes a delivery of serum by Alma, a childhood friend, it goes wrong when the plane catches on fire after crashing. Gable saves her life and gains her trust. Whether or not it's justified is another matter.
Everyone is great in this movie, including Walter Connolly, who plays Gable's frustrated boss, Pidgeon, Loy and Gable. Gable is irresistible with that smile of his, and Loy is excellent as a determined woman who nevertheless succumbs to Gable's charms. Pidgeon plays a more boisterous part rather than his usual gentlemanly ones, and he comes off very well.
This is a fast-talking film where the action moves along at a rapid pace. A great example of a '30s comedy, tinged with romance, that you won't want to miss.
Everyone is great in this movie, including Walter Connolly, who plays Gable's frustrated boss, Pidgeon, Loy and Gable. Gable is irresistible with that smile of his, and Loy is excellent as a determined woman who nevertheless succumbs to Gable's charms. Pidgeon plays a more boisterous part rather than his usual gentlemanly ones, and he comes off very well.
This is a fast-talking film where the action moves along at a rapid pace. A great example of a '30s comedy, tinged with romance, that you won't want to miss.
WARNING: These comments may reveal portions of the film plot.
This is what I enjoy about classic films -- good writing, good directing, and a tongue-in-cheek attitude. It's a good laugh watching Clark Gable and Walter Pidgeon both try to woo Myrna Loy. Don't take the film too seriously, and you'll enjoy it too!
Acting: Gable, Pidgeon, and Loy all are great, although Loy doesn't quite carry off the "missing brother" pathos as well as she does the brave pilot parts.
Writing: Also good, with lots of silliness to go around, while creating a solid romantic comedy.
Direction: Jack Conway let the actors do their best, and they did it well.
Effects/Cinematography: Why did they always speed up the fight sequences in those old films? Anytime there is action, the film picks up speed. The good news is, that the actual flying sequences look pretty realistic, considering that at one point Gable climbs onto the wing of a plane to get a good shot of a ship at sea that is on fire!
Other: Makeup, music, soundtrack, etc. all are solid, but these were not a big focus for films in the 30's, so there is nothing that stands out.
OVERALL: Check it out. I'm finding myself more and more of a Gable fan all the time, and this is the kind of movie that helps that image.
This is what I enjoy about classic films -- good writing, good directing, and a tongue-in-cheek attitude. It's a good laugh watching Clark Gable and Walter Pidgeon both try to woo Myrna Loy. Don't take the film too seriously, and you'll enjoy it too!
Acting: Gable, Pidgeon, and Loy all are great, although Loy doesn't quite carry off the "missing brother" pathos as well as she does the brave pilot parts.
Writing: Also good, with lots of silliness to go around, while creating a solid romantic comedy.
Direction: Jack Conway let the actors do their best, and they did it well.
Effects/Cinematography: Why did they always speed up the fight sequences in those old films? Anytime there is action, the film picks up speed. The good news is, that the actual flying sequences look pretty realistic, considering that at one point Gable climbs onto the wing of a plane to get a good shot of a ship at sea that is on fire!
Other: Makeup, music, soundtrack, etc. all are solid, but these were not a big focus for films in the 30's, so there is nothing that stands out.
OVERALL: Check it out. I'm finding myself more and more of a Gable fan all the time, and this is the kind of movie that helps that image.
I happen to be a big fan of old newsreels. From the dawn of sound films until around the mid-60s the newsreel was the source for visual news coverage. After that television and then cable television took over. I look at the educational channels when they have old 30s and 40s newsreels running.
The cameramen played by Clark Gable and Walter Pidgeon are not too different from the print reporter characters that are a staple character in Hollywood films. These two have a friendly rivalry trying to scoop each other for news. The rivalry gets a little intense when aviatrix Alma Harding (Amelia Earhart) played by Myrna Loy gets ensnared in the rivalry and becomes the focus of their hormones.
The writing is sparkling with zingers and the direction is crisp. The plot moves from one madcap situation to the next. Among the supporting cast I should single out Walter Connolly and Henry Kolker as the rival bosses of Gable and Pidgeon who are driven to their respective wits end by the antics of their cameramen.
I defy anyone to watch this film and not split a gut laughing.
The cameramen played by Clark Gable and Walter Pidgeon are not too different from the print reporter characters that are a staple character in Hollywood films. These two have a friendly rivalry trying to scoop each other for news. The rivalry gets a little intense when aviatrix Alma Harding (Amelia Earhart) played by Myrna Loy gets ensnared in the rivalry and becomes the focus of their hormones.
The writing is sparkling with zingers and the direction is crisp. The plot moves from one madcap situation to the next. Among the supporting cast I should single out Walter Connolly and Henry Kolker as the rival bosses of Gable and Pidgeon who are driven to their respective wits end by the antics of their cameramen.
I defy anyone to watch this film and not split a gut laughing.
The reviews on this board caused me to give this old one a look this time around, having skipped it before. I didn't like the venue - all that native stuff, etc. But were they ever right about this being a great movie, actually one of the best for the interaction of these stars. Clark Gable just had the quality that always provided interest. He seemed to go into overdrive when playing a hustler type. Same for Myrna Loy about being interesting particularly in comedy. I like Walter Pidgeon differently, appreciating him in his active roles like this one and also for his gentlemanly portrayals. Very durable and reliable stars working well together in this. And funny and wild and fast. They really cranked them out back then; and sometimes they really cranked it up!!! Do see.
When I saw the first time this movie I was a teenager and now after 15 years I have the same feelings, it's a masterpiece, really a great movie of the '30s. Yes I'm a fan of Clark Gable and Myrna Loy. Everybody can enjoy the speech the timing, the screenplay. Gable at his best, don't forget that in '38 Gable and Loy were nominated King and Queen of Hollywood. Why?
Just watch the movie and immediately realized!Let's have a lot of fun and malencony of a period that will never come back again.
Walter Connoly was a great actor and his part of journalist was remarkable.
Really a must to see for all of you who like the golden period of Hollywood and the movies of his king and queen.
Just watch the movie and immediately realized!Let's have a lot of fun and malencony of a period that will never come back again.
Walter Connoly was a great actor and his part of journalist was remarkable.
Really a must to see for all of you who like the golden period of Hollywood and the movies of his king and queen.
Le saviez-vous
- AnecdotesProduction was delayed in August, 1938, when three hundred African-American extras working on the film went on strike.
- GaffesWhen Chris is screening the raw footage of the plane crash, it is already completely edited with multiple camera angles and shot with various lenses, even though only one camera was supposedly used to film it, and the footage is supposed to be raw.
- Citations
Christopher 'Chris' Hunter: I'm not distorting the truth. I'm heightening the composition.
- Crédits fousWe wish to thank Her Majesty's Governor of Netherlands Guiana for permitting our expedition to enter the jungles of the Tottiekampu country. Our thanks also to Chief Moi of the Matawais tribe for allowing us to record for the first time the sights and sounds of the Djuka Fire Dance Ritual.
- Versions alternativesAlso available in a computer colorized version.
- ConnexionsEdited into Nick Carter, Master Detective (1939)
- Bandes originalesSobre las Olas (Over the Waves)
(1887) (uncredited)
Written by Juventino Rosas
Background music on the test film shown to natives
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Too Hot to Handle?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Too Hot to Handle
- Lieux de tournage
- Tottiekampu country, Netherlands Guyana(second unit, river and jungle scenes)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 564 000 $US (estimé)
- Durée1 heure 47 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant