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Trois camarades

Titre original : Three Comrades
  • 1938
  • Tous publics
  • 1h 38min
NOTE IMDb
7,1/10
2,3 k
MA NOTE
Robert Taylor, Margaret Sullavan, and Franchot Tone in Trois camarades (1938)
Drame politiqueRomance tragiqueDrameRomance

Ajouter une intrigue dans votre langueThe close friendship of three German soldiers is strengthened by their shared love for the same woman, who is dying of tuberculosis.The close friendship of three German soldiers is strengthened by their shared love for the same woman, who is dying of tuberculosis.The close friendship of three German soldiers is strengthened by their shared love for the same woman, who is dying of tuberculosis.

  • Réalisation
    • Frank Borzage
  • Scénario
    • F. Scott Fitzgerald
    • Edward E. Paramore Jr.
    • Erich Maria Remarque
  • Casting principal
    • Robert Taylor
    • Margaret Sullavan
    • Franchot Tone
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    2,3 k
    MA NOTE
    • Réalisation
      • Frank Borzage
    • Scénario
      • F. Scott Fitzgerald
      • Edward E. Paramore Jr.
      • Erich Maria Remarque
    • Casting principal
      • Robert Taylor
      • Margaret Sullavan
      • Franchot Tone
    • 40avis d'utilisateurs
    • 19avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 5 victoires et 1 nomination au total

    Photos56

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    + 48
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    Rôles principaux50

    Modifier
    Robert Taylor
    Robert Taylor
    • Erich Lohkamp
    Margaret Sullavan
    Margaret Sullavan
    • Patricia Hollmann
    Franchot Tone
    Franchot Tone
    • Otto Koster
    Robert Young
    Robert Young
    • Gottfried Lenz
    Guy Kibbee
    Guy Kibbee
    • Alfons
    Lionel Atwill
    Lionel Atwill
    • Breuer
    Henry Hull
    Henry Hull
    • Dr. Becker
    Charley Grapewin
    Charley Grapewin
    • Local Doctor
    Monty Woolley
    Monty Woolley
    • Dr. Jaffe
    Ricca Allen
    Ricca Allen
    • Housekeeper at Sea-side Hotel
    • (non crédité)
    Stanley Andrews
    Stanley Andrews
    • Officer Giving Toast
    • (non crédité)
    Jessie Arnold
    Jessie Arnold
    • Nurse at Sanatorium
    • (non crédité)
    Barbara Bedford
    Barbara Bedford
    • Rita - Singer Accompanied by Erich
    • (non crédité)
    Walter Bonn
    • Adjutant Requesting Demolition of Plane
    • (non crédité)
    Henry Brandon
    Henry Brandon
    • Valentin - Man with Eye Patch
    • (non crédité)
    Francis X. Bushman Jr.
    Francis X. Bushman Jr.
    • Second Comic
    • (non crédité)
    George Chandler
    George Chandler
    • First Comic with Singer
    • (non crédité)
    Spencer Charters
    Spencer Charters
    • Herr Schultz
    • (non crédité)
    • Réalisation
      • Frank Borzage
    • Scénario
      • F. Scott Fitzgerald
      • Edward E. Paramore Jr.
      • Erich Maria Remarque
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs40

    7,12.2K
    1
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    10

    Avis à la une

    8evanston_dad

    The Lost Generation

    Three friends navigate life after the scarring experience of WWI in this melancholy and even somewhat eerie film from 1938.

    Notable about this movie is the fact that it's about three German men, though the fact that they're played by Robert Taylor, Robert Young, and Franchot Tone makes that easy to forget. As the dark cloud of WWII was descending on Europe, it was kind of a gutsy move for Hollywood to think anyone would be able to care about a group of protagonists who were the enemy of the film's central conflict and still the enemy in the real conflict developing overseas. But the point of the movie is that war in general and WWI in particular left everyone shattered, no matter what side you were on. The film does a fantastic job of capturing the fatalistic, doomed quality that WWI implanted in the human psyche and that fueled what would be dubbed the Lost Generation of artists coming out of it. I'm personally fascinated by WWI and its psychological effects on the world, and so this movie was of particular interest to me.

    I was also interested to see Margaret Sullavan in the role that brought her her sole career Academy Award nomination. She plays a dying woman who falls in love with one of the friends and changes the group's dynamic. Her impending death is a stand in for the impending death of everyone, something that before the war was an abstract notion but after it feels close and real. Death is an ever-present shadow in this movie, and its role in the film's ending makes it both haunting and uplifting at the same time.

    Grade: A
    7becky-bradway

    a bit sappy, but interesting

    This movie was notable for: the subtle and mysterious acting of Margaret Sullavan; the screenplay by Scott Fitzgerald (which was literary and a bit on the wordy side); and the interesting look at Germany immediately after WWI. Personally, I would have liked to have seen more about the politics and tensions in Germany (playing up Robert Young's role), and less of the Camille-esque love & decline plot. But that's just me.

    I thought that the film was carried by Franchot Tone and Margaret Sullavan. Tone's role is nicely played down; he consistently does the right thing, even when it might appear to be the morally wrong thing. He's sure, calm, and direct at every turn. I always enjoy watching him. Sullavan was fascinating. It isn't often you see someone who appears to be an intellectual in a role that didn't necessarily call for that type. She is lovely, dignified, but hardly the standard "babe who attracts three best friends." They seem to like her for her complexity. And that in itself is unusual.

    This movie was strange. It should have been better than it was -- the emphasis on the love story slows things up and even feel a bit silly. (When Pat starts wearing traditional German garb in the kitchen just cracked me up.) But the good moments, when they come, making viewing this film worthwhile.
    6kijii

    Friendship of three army buddies--and one woman--between the world wars

    This MGM movie, based on a novel by Erich Maria Remarque, is the story of three German army buddies, tracing there comradeship from WWI into the years between the world wars.

    After the Great War, three army buddies--Erich Lohkamp (Robert Taylor), Otto Koster (Franchot Tone) and Gottfried Lenz (Robert Young)--open an auto repair shop together. Although the story seems to center around the courtship and marriage of Erich Lohkampr and Oscar-nominee, Margaret Sullavan (Patricia Hollmann), it really demonstrates the closeness of all four friends; their individual hardships and struggles; and how much they all care for each other, as the harbingers of WWII start to show themselves in the streets of Germany between the wars.

    The movie was OK, I can't say that it was great. In fact, the movie didn't even approach the greatness of Erich Maria Remarque's book, All Quiet on the Western Front and the movie based on that novel.
    Kalaman

    Margaret Sullavan Luminous in a Borzage Classic

    "Three Comrades" is one of Frank Borzage's most poignant and memorable love stories.

    Based on the novel by Erich Maria Remarque on post-World War I Germany, it concerns three war veterans - Robert Taylor, Franchot Tone, and Robert Young - returning to Berlin on the brink of Nazism and poverty. They share the love of one woman played by Margaret Sullavan who provides them with hope and eternal transcendence.

    "Three Comrades" is less emotionally gripping than Borzage's other anti-Nazi films starring Sullavan - "Little Man What Now?"(1934) & "The Mortal Storm"(1940) - but it is imbued with a tender, soft-focus romantic aura and Borzage's characteristic signature, the redemptive powers of love.

    Like her role in Borzage's "Little Man", Sullavan is extraordinarily luminous and touching. Aside from Borzage's ethereal touch, I think she is the one that makes the film truly memorable and poignant. The final moment is particularly priceless.
    9mamalv

    A sensitive and poignant story of love and friendship in post-war Germany.

    What a lovely movie, with such touching performances by all involved it will fill your heart. The three comradesin post war Germany, are Robert Taylor, Franchot Tone, and Robert Young. As the war has ended the three friends try to start life again by opening a auto repair shop. They are all three, different in their ideals and their goals, but are loyal to each other in a wonderful way. Along the way, they meet Margaret Sullivan, a young woman who's past is filled with illness and a mysterious friend by the name of Herr Schultz. He seems to be her benefactor, but the relationship is never defined by more than that. She falls in love with Erich (Taylor) but does not want to marry him, because she is ill, and knows that she will ultimately die. Otto (Tone) persuades her to marry him because even if their time together is short, love is all that matters. She marries him, and falls ill, having never told Erich about her fate. Gottfried (Young) is the idealist who falls the victim of the times, and is killed which breaks up the three comrades. They continue on not telling Pat (Sullivan) he is dead so that she will take an operation to get better. She does, but in the end, sacrifices herself, dying in the arms of her husband (Taylor). It is all and all a beautiful movie, that tells of love and friendship, without selfishness, or pride. Robert Taylor is great in what I would say is a refined, and quiet performance. His love for her is shown in many ways, without words, just a kind of gentleness. This follows the 1936 role of the doomed lover, Armand Duval in Camille, which I consider one of his best performances. Armand was torn and unhappy, Erich is blissful and ardent. Margaret Sullivan is beautiful and valiant as Pat, and her performance gives to Taylor, as did Garbo, a chance to show what a fine actor he really was. A lovely film.

    Centres d’intérêt connexes

    Martin Sheen in À la Maison Blanche (1999)
    Drame politique
    Heath Ledger and Jake Gyllenhaal in Le secret de Brokeback Mountain (2005)
    Romance tragique
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was F. Scott Fitzgerald's only screenwriting credit. Fitzgerald's first draft of the screenplay was completed September 1, 1937.
    • Gaffes
      Near the beginning, when the three main characters are seen as civilians, it is 1920. However, Otto's car "Baby" is a 1923 Voisin, and in the road race, the other car is a 1929 Renault.
    • Citations

      Young Soldier: [At attention] Major, now that the war is over, can I call you "father" again?

    • Crédits fous
      There is no credit for costume design.
    • Connexions
      Featured in The Romance of Celluloid (1937)
    • Bandes originales
      Ach, wie ist's möglich dann
      (uncredited)

      (Treue Liebe)

      Alte Volksweise

      Written by Friedrich Kücken (1827) and Emmerich Freiherr von Hettersdorf (1812)

      In the score throughout the film

      Played on a record and sung in English by a chorus

      Also sung a bit by Barbara Bedford accompanied on piano by Robert Taylor

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    FAQ17

    • How long is Three Comrades?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 19 janvier 1939 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Three Comrades
    • Lieux de tournage
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Californie, États-Unis(Studio)
    • Société de production
      • Metro-Goldwyn-Mayer (MGM)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 839 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 38min(98 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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