They Drive by Night

They Drive By Night is an amazing British classic. It has to be one of the most sombre British films of the thirties.It is also extremely interesting as as a timepiece

The truck drivers and their local pit stops are all captured well in this slice of early British cinema. Shorty , played by Emlyn Williams in a superb performance is released from prison and sets off to see his girlfriend, he discovers her dead body in an amazingly powerful sequence. Terrified he will get the blame he goes on the run hitching a ride from a sympathetic truck driver.On the way he encounters an assortment of various characters , all diverse and entertaining. This film is wonderfully acted by all the cast. If you don't blink you will see William Hartnell who played TV's very first Dr. Who as a bus conductor.

Much later as the tone of the film completely changes from gripping thriller to downright terror he meets Ernest Thesiger who in a remarkable performance completely dominates the last 25 minutes of the film as a very eccentric chap indeed.It is a tragedy that the director Arthur B. Woods died so young, he displayed a unique talent. If you can search this film out you will be highly rewarded with a film that you will never forget.

This 1938 film was released in the US by Warner Brothers and I assume it was made by their British division originally (due to British laws, several of the big US studios had British divisions making films as well). Regardless, it has nothing much to do with the more famous 1940 film by Warner.

The film finds Shorty Matthews (Emlyn Williams) getting out of prison at the same time an inmate is being executed. This is significant because Short is rather ambivalent towards the man's plight--and soon he'll be in a similar position. This occurs when Shorty goes to visit an old girlfriend and he finds her dead. Instead of handling it like a guy with a brain, he runs--and ends up making everyone think he's the killer. Instead of going to the police, this guy spends the rest of the movie avoiding the police dragnet and trying to figure out who is the real killer.

The film has a few minor flaws. I guess I could accept that Shorty was stupid but perhaps not too unusual for avoiding the police. However, the ending, while really cool to watch, really didn't make a lot of sense. But, the film has a lot of tension and some nice performances. Overall, the good far outweighs the bad and the film is worth your time.

Taut British noir. set mostly after dark and indoors, about an innocent man on the run for a crime he did not commit (Emlyn Williams), the girl who helps him (Anna Konstam with a blonde perm), not quite a tart but with a heart of gold, and a creepy serial killer (Ernest Thesiger).

Interesting for its inversion of the usual values of 1930s British films, in which the lower classes tend to be either comic or villainous or both. Here the murderer has the accent, the education, the aesthetic taste and the comfortable house while virtually all the other characters share the camaraderie of the working class, which includes a disinclination to say too much to the police.

A number of similarities with Hitchcock films of the period, in particular "Young And Innocent", which also has a falsely accused man and a girl who believes in him trying to find the real murderer in a transport café and a dance hall.

This is a somewhat "lost" film from England in the late thirties. It definitely does have Hitchcokian overtones as a young con just released from prison goes to visit a girl he knew, only to find her dead, and himself accused of the crime. The bulk of the film follows this young man as he tries to hide from the police by traveling North on a lorry(truck). From there he meets a female of his acquaintance, convinces her of his innocence, and they both embark on a quest to find the real killer. The film has a nice, tight directorial style that creates lots of suspenseful moments. The script is also pretty good. The biggest key to the film's success is the acting. Emlyn Williams does a good job in the lead, but acting honors easily go to Ernest Thesiger playing a highbrow, effeminate, erudite former teacher and student of psychology with a deadly secret. Thesiger's character acting is a joy to behold as he talks about the power of killing in one moment and then in another talks to pussycats in a baby voice. He is so wonderful with these kinds of quirky characterizations(a must-see in The Bride of Frankenstein). A good, old-fashioned suspense story.

Nice crime thriller that almost seems like a lost Hitchcock film. Moody lighting contributes to the noirish atmoshpere. Ernest Thesiger turns in one of his creepiest performances.