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6,8/10
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Ajouter une intrigue dans votre langueJim is a test pilot. His wife Ann and best friend Gunner try their best to keep him sober. But the life of a test pilot is anything but safe.Jim is a test pilot. His wife Ann and best friend Gunner try their best to keep him sober. But the life of a test pilot is anything but safe.Jim is a test pilot. His wife Ann and best friend Gunner try their best to keep him sober. But the life of a test pilot is anything but safe.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 3 Oscars
- 4 victoires et 4 nominations au total
Ernie Alexander
- Field Mechanic
- (non crédité)
Hooper Atchley
- Pilot in Cafe
- (non crédité)
Ken Barton
- Announcer
- (non crédité)
Lulu Mae Bohrman
- Saleslady
- (non crédité)
Bobby Caldwell
- Benson Child
- (non crédité)
Avis à la une
A strange movie from 1938 that has a major white elephant sitting squarely in the middle of the plot that is impossible to ignore from a 2016 perspective.
Clark Gable is the test pilot of the film's title, who falls hard for and marries farm girl Myrna Loy (Loy is about as convincing as a Wichita farm girl as I would be, but this is Myrna Loy we're talking about, so who cares?!!) Their courtship is treated as a screwball comedy, with Gable and Loy generating so much chemistry my television almost malfunctioned. But Loy struggles with the transition back to their everyday married life as she realizes the fear she feels every time Gable goes back to his job is something she has committed herself to for life.
The white elephant in the room is the character of Gable's mechanic and buddy, played with a scowl by Spencer Tracy. I don't know how anyone could watch this movie and not at least entertain the notion that Tracy's love for Gable is more than platonic. He seems to have no interest in women, or indeed in any life that does not include Gable. It's almost as if he and Loy have a tacit understanding that they're in love with the same man and agree to help each other through the trials and tribulations that come with that.
Gable is Gable. Loy has never been better. She wasn't challenged often and was even usually underused in my opinion, but this is her movie and she ably demonstrates her range. Tracy is utterly wasted. Indeed, if the homosexual subtext isn't intentional, then there is literally no reason for him to be in the movie other than to be someone to whom Loy can deliver her lines when she's not delivering them to Gable.
A mood of death and impending destruction overshadows the whole film. Whether or not this was an intentional reaction to world events at the time, it seems appropriate given the gathering shadow of world conflict that was growing in Europe.
"Test Pilot" received no Oscars but was nominated in three categories: Best Picture, Best Original Story (Frank Wead), and Best Film Editing (Tom Held).
Grade: B+
Clark Gable is the test pilot of the film's title, who falls hard for and marries farm girl Myrna Loy (Loy is about as convincing as a Wichita farm girl as I would be, but this is Myrna Loy we're talking about, so who cares?!!) Their courtship is treated as a screwball comedy, with Gable and Loy generating so much chemistry my television almost malfunctioned. But Loy struggles with the transition back to their everyday married life as she realizes the fear she feels every time Gable goes back to his job is something she has committed herself to for life.
The white elephant in the room is the character of Gable's mechanic and buddy, played with a scowl by Spencer Tracy. I don't know how anyone could watch this movie and not at least entertain the notion that Tracy's love for Gable is more than platonic. He seems to have no interest in women, or indeed in any life that does not include Gable. It's almost as if he and Loy have a tacit understanding that they're in love with the same man and agree to help each other through the trials and tribulations that come with that.
Gable is Gable. Loy has never been better. She wasn't challenged often and was even usually underused in my opinion, but this is her movie and she ably demonstrates her range. Tracy is utterly wasted. Indeed, if the homosexual subtext isn't intentional, then there is literally no reason for him to be in the movie other than to be someone to whom Loy can deliver her lines when she's not delivering them to Gable.
A mood of death and impending destruction overshadows the whole film. Whether or not this was an intentional reaction to world events at the time, it seems appropriate given the gathering shadow of world conflict that was growing in Europe.
"Test Pilot" received no Oscars but was nominated in three categories: Best Picture, Best Original Story (Frank Wead), and Best Film Editing (Tom Held).
Grade: B+
I list this under my 'Best' category for the simple fact that it's one of the best 'Buddy' pics of all time.
Tracy and Gable had already been on screen together, and both had already been award winners, but this one was just fun.
The story allows them to play off themselves with great range, and adding Myrna Loy only helps. The interaction is coy, innocent yet feisty, and lays a lot of groundwork for what 'buddy' comedy films still strive for.
Paced fairly well, with just a dash of drama, the film hits on all cylinders and is definitely a popcorn movie.
If you like this one, don't miss 'Boomtown' either.
Tracy and Gable had already been on screen together, and both had already been award winners, but this one was just fun.
The story allows them to play off themselves with great range, and adding Myrna Loy only helps. The interaction is coy, innocent yet feisty, and lays a lot of groundwork for what 'buddy' comedy films still strive for.
Paced fairly well, with just a dash of drama, the film hits on all cylinders and is definitely a popcorn movie.
If you like this one, don't miss 'Boomtown' either.
Victor Fleming and the cast were my main reasons for seeing 'Test Pilot', the cast also playing a major part as to why the film is as good as it is. It is hard to resist a director responsible for two of the best films ever made ('The Wizard of Oz' and 'Gone With the Wind'). Nor a cast that includes the likes of Clark Gable, Myrna Loy, Spencer Tracy and Lionel Barrymore, just having one of those four in a film is reason enough to see it but all four in the same film really does wet the appetite.
'Test Pilot' was in no way a disappointment in my view, actually found it on the most part a delight. After seeing so many films etc recently that completely squandered their potential, which always leaves me very frustrated, it was great to see a film that actually lived up to one's expectations. It does fall short of perfection, just, and it is not quite one of Fleming's very finest. 'Test Pilot' does though entertain, move and charm throughout and the cast are on top form here, which does make up for the second half being not quite as good as the first.
Will start with the strengths. Which are a great many, the best brilliantly executed, and vastly outweigh the debits. It looks great, with it being handsomely photographed and the aerial sequences still hold up very well today in this regard. More so than a lot of aerial sequences in a lot of films made in a similar time frame. The music doesn't feel too melodramatic or intrusive, while Fleming directs with an assured hand throughout. The dialogue is very amusing in the first half and when it gets deeper it manages to excel just as much in the dramatic poignancy too. The story always absorbs, with a first half that is genuinely entertaining and also the exciting aerial sequences, sparkling chemistry between Gable and Loy and a charming, sympathetic one between the former and Tracy.
Gable balances authority, humour and pathos beautifully, bringing a twinkle and depth to his role. Loy has perhaps 'Test Pilot's' most difficult role and one of the most demanding in her career, she gives a poignant and sincere performance without going overwrought. Tracy's character is the least interesting of the three but his sympathetic charm is a beautiful match for the chemistry he shares with Gable. Barrymore's crusty demeanour, in a way that only he could do it to this great an extent, really stands out in the acting department.
Sadly, this review is coming onto the debits. As said above, the not as entertaining and deeper second half is not quite as good. It's well meaning and moving, handling seriousness with enough tact, but did find some of the events rushed, the romance (which can lack the same amount of spark that the aerial sequences have) unrealistically so, and the momentum is not always there.
It also did feel a little too much of a different film to the first half, heavier, deeper and more serious, not bad things exactly but tonally it doesn't gel as much as it could have done.
Altogether, delightful on the most part but just falls short of being completely great. Instead settling for a very strong very good. 8/10
'Test Pilot' was in no way a disappointment in my view, actually found it on the most part a delight. After seeing so many films etc recently that completely squandered their potential, which always leaves me very frustrated, it was great to see a film that actually lived up to one's expectations. It does fall short of perfection, just, and it is not quite one of Fleming's very finest. 'Test Pilot' does though entertain, move and charm throughout and the cast are on top form here, which does make up for the second half being not quite as good as the first.
Will start with the strengths. Which are a great many, the best brilliantly executed, and vastly outweigh the debits. It looks great, with it being handsomely photographed and the aerial sequences still hold up very well today in this regard. More so than a lot of aerial sequences in a lot of films made in a similar time frame. The music doesn't feel too melodramatic or intrusive, while Fleming directs with an assured hand throughout. The dialogue is very amusing in the first half and when it gets deeper it manages to excel just as much in the dramatic poignancy too. The story always absorbs, with a first half that is genuinely entertaining and also the exciting aerial sequences, sparkling chemistry between Gable and Loy and a charming, sympathetic one between the former and Tracy.
Gable balances authority, humour and pathos beautifully, bringing a twinkle and depth to his role. Loy has perhaps 'Test Pilot's' most difficult role and one of the most demanding in her career, she gives a poignant and sincere performance without going overwrought. Tracy's character is the least interesting of the three but his sympathetic charm is a beautiful match for the chemistry he shares with Gable. Barrymore's crusty demeanour, in a way that only he could do it to this great an extent, really stands out in the acting department.
Sadly, this review is coming onto the debits. As said above, the not as entertaining and deeper second half is not quite as good. It's well meaning and moving, handling seriousness with enough tact, but did find some of the events rushed, the romance (which can lack the same amount of spark that the aerial sequences have) unrealistically so, and the momentum is not always there.
It also did feel a little too much of a different film to the first half, heavier, deeper and more serious, not bad things exactly but tonally it doesn't gel as much as it could have done.
Altogether, delightful on the most part but just falls short of being completely great. Instead settling for a very strong very good. 8/10
Clark Gable is the one in the title role and Spencer Tracy is his best friend and mechanic. Test Pilot portrays a footloose and fancy free Gable doing a dangerous job because he's entranced by the beauty and danger of flying. Tracy is along to give him a reality check every now and then.
While trying for a coast to coast record Gable has trouble with a fuel line and has to make a landing in a Kansas wheat field that just happens to belong to Myrna Loy's parents. She's the farmer's daughter all right. Of course a little of that Gable charm and she's off in the wild blue yonder with him and spends the rest of the film worried about his daredevil behavior. She's not in Kansas any more.
This was the second of the three Gable/Tracy co-starrers. All three of them, San Francisco, Test Pilot, and Boom Town have withstood the test of time and have become classics.
Test Pilot's original story was written by Frank "Spig" Wead who's life story was brought to us in the film Wings of Eagles. Wead was a flyer himself until a fall in his home left him a paraplegic. After that he became a writer and several of his stories were filmed. In fact Gable and starred in Night Flight earlier on which was written by Wead. Of course Wead had a great feel for the type and character of the people who chose aviation as a career.
The aerial sequences are first rate and the players settle comfortably in their parts. It's got aerial action for the guys and romance for the gals. How can you go wrong?
While trying for a coast to coast record Gable has trouble with a fuel line and has to make a landing in a Kansas wheat field that just happens to belong to Myrna Loy's parents. She's the farmer's daughter all right. Of course a little of that Gable charm and she's off in the wild blue yonder with him and spends the rest of the film worried about his daredevil behavior. She's not in Kansas any more.
This was the second of the three Gable/Tracy co-starrers. All three of them, San Francisco, Test Pilot, and Boom Town have withstood the test of time and have become classics.
Test Pilot's original story was written by Frank "Spig" Wead who's life story was brought to us in the film Wings of Eagles. Wead was a flyer himself until a fall in his home left him a paraplegic. After that he became a writer and several of his stories were filmed. In fact Gable and starred in Night Flight earlier on which was written by Wead. Of course Wead had a great feel for the type and character of the people who chose aviation as a career.
The aerial sequences are first rate and the players settle comfortably in their parts. It's got aerial action for the guys and romance for the gals. How can you go wrong?
A film which gives one a sense of what it must have been like in the early days of aviation as pilots were employed to test airplanes to their breaking point, just prior to World War II. Directed by Victor Fleming and co-written by Howard Hawks, the film received Oscar nominations for Best Picture, Editing, and Frank Wead's Original Story.
Clark Gable plays the pilot, Spencer Tracy his friend and assistant. During a failed time and distance flight for his boss (Lionel Barrymore), Gable meets Myrna Loy when he lands in her father's field. Even though she's somewhat engaged to a local boy (played by Ted Pearson), he sweeps her off her feet and they hastily marry.
Loy's character then learns of the hazards and the heartache of being a wife of such a daredevil, especially after another in her husband's profession (played by Louis Jean Heydt) is killed. The title character turns to drinking. Tracy, Loy, and even Barrymore, must then work together to help Gable's character mature and perhaps utilize his skills in another more stable way.
Noted character actors Samuel Hinds, playing a General who wants the most from the planes, Marjorie Main, playing a landlord the penniless trio (Gable, Loy, and Tracy) convinces to let them live in her apartment on account, and Virginia Grey also appear.
Clark Gable plays the pilot, Spencer Tracy his friend and assistant. During a failed time and distance flight for his boss (Lionel Barrymore), Gable meets Myrna Loy when he lands in her father's field. Even though she's somewhat engaged to a local boy (played by Ted Pearson), he sweeps her off her feet and they hastily marry.
Loy's character then learns of the hazards and the heartache of being a wife of such a daredevil, especially after another in her husband's profession (played by Louis Jean Heydt) is killed. The title character turns to drinking. Tracy, Loy, and even Barrymore, must then work together to help Gable's character mature and perhaps utilize his skills in another more stable way.
Noted character actors Samuel Hinds, playing a General who wants the most from the planes, Marjorie Main, playing a landlord the penniless trio (Gable, Loy, and Tracy) convinces to let them live in her apartment on account, and Virginia Grey also appear.
Le saviez-vous
- GaffesWhen Jim Lane and Gunner get in the B-17 and begin to taxi, there are no numbers visible on either side of the nose. The next shot (starting the takeoff roll) shows a large deformed "S8" painted on the left side of the nose, but it is actually a reversed shot of no. "82", Two shots later the B-17 nose has changed to an obviously reversed "52", along with an obviously reversed BB52 on the tail fin. All of the shots in the air and during the crash depict a B-17 without numbers on the nose or tail. After Lane rejoins the Army Air Corp and he is lecturing the B-17 crew members, the fourth B-17 in line is "52" and the fifth B-17 is "82" with both nose and tail fin BB numbers.
- Citations
Ann Thurston Barton: You're a funny looking gazebo
- ConnexionsFeatured in The Romance of Celluloid (1937)
- Bandes originalesThe Prisoner's Song (If I Had the Wings of an Angel)
(1924) (uncredited)
Music and Lyrics by Guy Massey
Sung a cappella by Clark Gable, Myrna Loy and others
Meilleurs choix
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- How long is Test Pilot?Alimenté par Alexa
Détails
- Durée1 heure 59 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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