Return of the Frog

Thoroughly enjoyed 'Return of the Frog' and I felt it was a pleasant surprise. I also thoroughly enjoyed Gordon Harker as Insp. Elk, an actor with whom I was not familiar. I have to admit he did not get off to a promising start. When the picture began here he was, a homely, rumpled, potato-faced fellow who does not fit anyone's image of a Scotland Yard Inspector, but within 5 minutes he took over the role and became - he was - Insp. Elk of the Yard. In fact, he was the glue that held the picture together.

It was too bad that they decided to inject humor into the movie. I dislike the 30's and 40's habit of mixing mystery and comedy on both sides of the Atlantic, but Hollywood does it better. Harker's mumbled asides were extremely funny (listen for them), but the film's sight gags were too obvious and poorly timed.

The story involves a mysterious figure known as The Frog who has a gang of criminals to pull off his villainy, and whose identity is unknown until 15 minutes to go in the film. By the way, disregard the plot synopsis at the top of the IMDb credits, as it isn't even close to the real story. It begins as an American detective from Chicago arrives at the Yard to learn about new police work techniques, and becomes an assistant to Elk. You take it from there. There were no noteworthy actors to my knowledge, save for Una O'Connor but without her trademark shrieking scene.

Return of the Frog was a very worthwhile 75 minutes. Allow for its age and feeble attempts at humor and you have a rating of 7 - and you might not guess the identity of the Frog.

Edgar Walace used to be the same kind of franchise that Alistair McLean or Steven King would become.

Here we get the same succession of murderous ambushes, disguises, suspects and heedless detecting that his books offers (the fifties German films had little connection.) This team had the formula all down with the dockland atmosphere and so British players making it ring true.

Director Elvey was a sure craftsman at this stage and the pace is rapid enough to cover the illogical moments. Even the dreadful Gordon Harker is in his element.

Gordon Harker reprises his role of policeman Elk from 'The Frog' (1937) but here he has been promoted to Inspector. He leads the investigation against a criminal who radios in his instructions to his gang via a massive curio figure of a frog with beaming eyes. The gang are all known by numbers and they carry out raids and shootings and explosions in London. Chicago Dale claims to be an American policeman visiting Scotland Yard to learn about their detection methods. Elk tries to check with Chicago Police but their Chief has just been murdered so there is no corroboration of Dale's story.

Mum Oak's riverside bar is a great setting with it's stable door type entrance a few feet away from the lapping water of the River Thames. Inside is a cupboard safe and a back door that leads to a yard and a cellar convenient to carry out secret activities. Mum Oaks (Una O'Connor) is a fence who is well known to Inspector Elk and she is in with other dubious characters like Captain Dutchy and Dandy Lane. She treats her brother Golly in a harsh manner and all of the people at Mum Oaks' place come across as 1930s contemporary updates of Dickensian characters.

Inspector Elk is usually attired in a grubby raincoat and carries a brolly which he uses to rap on doors. He never knows whether he can trust Chicago Dale or not. He is under constant threat from such things as an exploding phone box and poison gas vapors disguised as London fog and a booby-trapped river police boat. Fortunately he carries a gas mask when he is trapped in Mum Oaks' cellar that is filling with poison gas. This is a good entertaining mystery filled with incidents.

There's a criminal mastermind running a desperate gang in London. He communicates with his henchmen via a porcelain frog with blinking eyes, and he punishes the disloyal and those who threaten him by blowing them up. Inspector Gordon Harker is on his trail.

It's a sequel to The Frog, and may strike you as similar to the trio of "Inspector Hornleigh" movies that Harker also starred in, albeit without Alastair Sim for comic relief. There's a simple reason for that relationship: they're all based on works by Edgar Wallace. If you're familiar with the Edgar Wallace series from the 1960s, you'll find this one a bit cozier, with fewer of the gothic elements from the German film makers later on. Director Maurice Elvey reuses sequences from his Sherlock Holmes movies from the 1920s, most obviously in a long sequence set on the Thames.

The copy I saw has a slightly compromised soundtrack that made a lot of the chitchat difficult to follow.

Edgar Wallace,one of the co founders of British Lion,was a prolific crime writer.Many of them had a mysterious boss at the head of a gang of criminals.In this instance The Frog is resuscitated from the first him,as is Elk.Gordon Harker mages a very engaging detective assisted by Cyril Smith.So successful was his character that it was renamed Hornleigh for a radio series and 3 films with Alistair Sim. It is not hard to guess the identity of The Frog but this does not spoil the entertainment.