Ma femme en feu

I love Lucy, and she's adorable as usual in this pleasant outing, but James Ellison shows why he should have been cast in many more and different roles.

Yes, he was a great cowboy, but as a leading man, he was good-looking and manly and confident and in control.

As another reviewer said, this is pleasant fluff; and it has a story that has been used probably countless times in one form or another, but the four major characters are played so well, with Lee Bowman as the competitor for the rich woman and Mantan Moreland as his chauffeur, it's more than worth watching, just to see them.

Other, even unbilled, performers such as the great Earl Hodgins, work beautifully under director Garson Kanin and make this fun and worth the time. Enjoy.

This odd little movie sets out to prove that any white American male, randomly selected off the street, can easily outsmart a team consisting of a foreigner, a woman and a black person.

Lucille Ball's recently-deceased father insists, in his will, that she must marry a "plain American" to inherit his fortune. So she offers money to various "plain American" men on the street in return for agreeing to marry her, and finally one accepts. After she marries the man, Ball sets off for Reno in the company of the foreign husband she really wants to marry and her black "yowza, ma'am" chauffeur, to get a divorce and collect her father's inheritance. But our smug and somewhat smarmy "plain American" blocks her at every turn, which includes forcibly putting her over his shoulder and kidnapping her, soaking her with a hose, and locking her in a trailer while driving recklessly through rough terrain, until she flees in panic and is nearly raped by two passers-by. Yeah, quite a laugh riot, all right.

But on the plus side, being saved from a near-rape seems to cause Lucille Ball to fall in love with the "plain American." So there you go.

The phrase "mighty white of you" makes its appearance just minutes into the film, and a string of "yowzas" emerge from the black guy a little bit later. While I promise you I'm in no way a member of the Politically Correct squad, the whole movie made me cringe, and really prevented any enjoyment I may have gotten from it. Were things that much different in 1938? Maybe so, but I'm glad we've moved to where we are now.

Next time I Marry stars Lucille Ball and any ensemble cast – it's just like an episode of her TV show – it even has a silver air stream trailer in which she would make the "The Long Long Trailer" almost twenty years later with Ricky. In the usual RKO mixed up love story caper, the rich girl must marry a common everyday guy (the dashing James Ellison) before she gets her family money, but she has many secrets and tricks up her sleeve, most of which don't work out as planned. Ellison's best-known role was Buffalo Bill in "The Plainsman" 1936, along with parts in many westerns. Lee Bowman plays a foreign count whose accent comes and goes in an un-convincing supporting role. As with most Lucy roles, as long as you buy into the story, you'll have a fun time. Look for Richard Elliott, the short jolly mayor from Andy Griffith, as the Justice of the Peace. Story is credited to Thames Williamson, but movie buffs will recognize a similar plot from four years before this. Also appears to be the second movie that Garson Kanin directed. Fun but a little silly!

Rich girl Lucille Ball pulls up in her huge car alongside a WPA ditch-digging project. She offers handsome laborer James Ellison $1000 to marry her, after which she immediately ditches him and goes off to a ritzy party. Lucy is actually kind of obnoxious….will she learn her lesson before the end of the picture?

Not a lot of surprises in this mild comedy, but Lucy is fun to watch, Ellison is fine as the dogged and resourceful leading man, and Lee Bowman is hilarious as Lucy's goofy-accented South American fiancé.

We learn early on that Lucy's father's will requires her to marry a "plain American"—thus her rush to marry and get her money. When Ellison figures out that she's married him only to quickly divorce him, he vows to divorce her first, and from there on it's a race to Reno.

Besides its human cast, the picture stars a dog named Mike in a funny role, and also a little streamlined camper-trailer that Ellison pulls behind his car. The camper is at the center of much of the film's action, including a scene where Lucy sets it on fire in a harebrained attempt to escape.

No classic, I guess, but it's fast-paced and and has some solid laughs. --Oh, and a clever ending featuring a preacher and family piling into the car....

The plot to "Next Time I Marry" could have worked really well. However, whoever wrote the film really missed the mark when it came to Lucille Ball's character, Nancy. It strongly impacted how I liked the film...especially since it's supposed to be a romantic comedy.

When the story begins, Nancy stops at the side of the road and begins offering various men $500! Anthony (James Ellison) could use the money and he accepts...especially when she raises the money to $1000! So what does he need to do for the money? Marry her...a woman he just met!! Why would she do this? Apparently, she's an heiress but can only collect the money if she marries!

As I said, this idea could have worked. But the writer made Nancy unredeemingly selfish and cruel...to the point where it sure wasn't very funny. First, after marrying, she asks him to go get her some cigarettes in a store...and then drives away without him! Second, when he finally learns who he's married and where she lives, he shows up and she tells him to get lost....with no explanation why she did any of this!! To make it worse, Anthony had a dog in the car with her and she just dumped the animal at a kennel. When asked where, she basically said it wasn't important and she couldn't recall the place's name!! But it gets worse. Friends saw her being whisked away by Anthony (after he wants his dog!) and call the police. When the cops see the car and stops them, she claims she was kidnapped and he almost went to jail. But he is able to prove she's his wife....and the police let him go. Then, because she's angry at him and doesn't want to go with him (although he's done nothing wrong), she lights his trailer on fire!!! Why?? All this just makes Nancy seem evil and completely self-centered....and you really feel sorry for her poor husband. Can the film get better and overcome this huge problem as Anthony drives this 'lady' to Reno for a divorce?

This is an odd film and it reminds me of another Lucille Ball film where she played the most vicious person..."The Big Street". In it, she might have even been meaner and more self-centered! I am a person who can like her other films or TVs but still admit she made a few stinkers....and I can't see how either film would help her image with fans. However, I noticed that reviewers for both films totally ignored her nastiness and loved the films. I honestly feel as if they are more affirming their love of Ms. Ball than the films themselves because a rom-com simply is ineffective if you late the leading lady! Had they softened her characters in both, it would have helped tremendously.

So despite its faults is it worth seeing? Yes, but only as a time-passer. Had they softened Nancy more and made her change of heart less abrupt and inexplicable, I could have seen giving it a 6 or 7. As it is, a 4 seems reasonable.

By the way, I saw several reviews that talk about the racism in the film. I just didn't see it this way. Yes, Mantan Moreland plays a chauffer....so what?! Are they suggesting there should be no black characters in the film? I am just very confused by this...especially since, sadly, back in 1938 a job like this or a maid was pretty common for black Americans.