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IMDbPro

Conte de ma mère l'Oye

Titre original : Mother Goose Goes Hollywood
  • 1938
  • Approved
  • 8min
NOTE IMDb
6,3/10
691
MA NOTE
Conte de ma mère l'Oye (1938)
ComédieFamilleAnimationAnimation dessinée à la mainBrève

Ajouter une intrigue dans votre langueVarious Mother Goose rhymes are portrayed by Hollywood stars for example, Old King Cole's fiddlers three are the Marx Brothers, and Humpty Dumpty is W.C. Fields, who falls while tormenting C... Tout lireVarious Mother Goose rhymes are portrayed by Hollywood stars for example, Old King Cole's fiddlers three are the Marx Brothers, and Humpty Dumpty is W.C. Fields, who falls while tormenting Charlie McCarthy; Simple Simon and the Pieman are Laurel and Hardy.Various Mother Goose rhymes are portrayed by Hollywood stars for example, Old King Cole's fiddlers three are the Marx Brothers, and Humpty Dumpty is W.C. Fields, who falls while tormenting Charlie McCarthy; Simple Simon and the Pieman are Laurel and Hardy.

  • Réalisation
    • Wilfred Jackson
  • Scénario
    • T. Hee
    • Sylvia Moberly-Holland
    • Clarence Nash
  • Casting principal
    • Al Bernie
    • Thelma Boardman
    • Beatrice Hagen
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    691
    MA NOTE
    • Réalisation
      • Wilfred Jackson
    • Scénario
      • T. Hee
      • Sylvia Moberly-Holland
      • Clarence Nash
    • Casting principal
      • Al Bernie
      • Thelma Boardman
      • Beatrice Hagen
    • 15avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 2 victoires et 1 nomination au total

    Photos5

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux9

    Modifier
    Al Bernie
      Thelma Boardman
        Beatrice Hagen
        Beatrice Hagen
          Ann Lee
            Dave Barry
            Dave Barry
            • Groucho Marx
            • (voix)
            • (non crédité)
            • …
            Sara Berner
            Sara Berner
            • Katharine Hepburn
            • (voix)
            • (non crédité)
            • …
            The Four Blackbirds
            • Vocal Group
            • (voix)
            • (non crédité)
            Clarence Nash
            Clarence Nash
            • Donald Duck
            • (voix)
            • (non crédité)
            Danny Webb
            • Fats Waller
            • (voix)
            • (non crédité)
            • …
            • Réalisation
              • Wilfred Jackson
            • Scénario
              • T. Hee
              • Sylvia Moberly-Holland
              • Clarence Nash
            • Toute la distribution et toute l’équipe technique
            • Production, box office et plus encore chez IMDbPro

            Avis des utilisateurs15

            6,3691
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            Avis à la une

            10redryan64

            Bridging Fairy Tales, The Old & The New

            AND YET WE have another example of the Disney Production crew bringing us an example of creating a cartoon around the caricaturing of popular Hollywood figures. Due to the successes achieved by the Studio with the titles such as MICKEY"S GALA PREMIER (1934), MICKEY"S POLO TEAM (1936)and the Donald Duck vehicle, THE AUTOGRAPH HOUND (1938), the subject had grown into a favourite; being repeated often.

            IN MANY RESPECTS, this entry belongs at the top of the list. With its multitude of episodic gags, each and every one being tailored to both the Mother Goose Story and to the Star(s) being fitted to the mannerisms and physicality of that subject, it has a unity of purpose and theme. That it is both diverse and concise at once.

            ONE OF THE main differences that separates this from the other is that there is no Disney character that is cast in the main, starring role. Other than the very brief appearance of Donald Duck, in what can only be described as the quintessence of the Cameo, no other regular cartoon characters appear.

            THE CARTOON LIKNESSES of the Elite of Film-land, on the other hand, are legion in their numbers. Going chapter by chapter, the all so familiar stories of the Mother Goose are lampooned by the infusion of the stars persona. For example, we have Katherine Hepburn as LITTLE BO PEEP, Charles Laughton (as Captain Bligh from MUTINY ON THE BOUNTY), and both Spencer Tracy & Freddie Bartholomew (from CAPTAINS COURAGEOUS) as the THREE MEN IN A TUB.

            THE MANY OTHER appearances we find are: Hugh Herbert, Ned Sparks, the Marx Brothers, Eddie Anderson, Laurel & Hardy, Edward G. Robinson, Greta Garbo, Eddie Cantor, Cab Calloway, Fats Waller, Lincoln Perry (Stepin Fetchit), Fred Astair and many others.

            BEING THAT THIS Cartoon was a part of the SILLY SYMPHONY Series, one could infer and assume that the Musical Score would be both important and elaborate. Well, you'd be right. All the way from the opening Theme to the various musical quotations that appear in the incidental music, it is outstanding and indeed a great listening experience.

            ANOTHER REMARKABLE ASPECT of this short is its seeming freshness. Although it is now over 75 years old, it couldn't be better if it were made yesterday. This is due to a couple of factors.

            FIRST OF ALL, the films and actors being lampooned are all classic and well remembered today. Most all of those characters are instantly recognizable due to the near immortal status achieved by those performers in their lifetime.

            SECONDLY AND PERHAPS the most obvious reason for the almost legendary reputation associated with films such as this is that it is a Walt Disney Production.

            WE BELIEVE THAT this factor needs no further proof or validation.
            MWPetty

            Marx Brothers, Fred Astaire and many more

            I first got this on videotape because of the Marx Brothers caricatures in a scene with Hugh Herbert. (Just three brothers, Zeppo had left by this point.) I was pleased to see that Fred Astaire was also portrayed. He dances in a manner that suggests the animators studied his films carefully. There aren't many "appearances" of this type by Astaire. In fact this may be the only one. Katharine Hepburn gave an interview where she recalled a cartoon that contained a remarkable imitation of her. This is the cartoon she was talking about. She shows up as a running gag. The only censorship that I could detect in this cartoon was a scene where Eddie Cantor introduces "four and twenty blackbirds baked in a pie." You see the pie bulge as if something is about to emerge and then there is an edit in the film. Today's corporate Disney is not about to allow "darkie" jokes in their cartoons. But the depiction of Fats Waller is mildly racist (if racism can be mild). I counted a total of thirty celebrities. When you've watched this videotape as many times as I have, you start counting celebrities.
            6CinemaSerf

            Mother Goose Goes Hollywood

            I wasn't really sure what this had to do with "Mother Goose" but once it got going it was quite an entertaining little series of characterisations of Hollywood stars doing things from nursery rhymes or just having a darned good time. I'm sure I saw Katharine Hepburn, Edward G. Robinson, Laurel & Hardy, the Marx Brothers and Charles Laughton in this sing-along and some of the animation hits the nail on the head - especially Laughton and Hepburn as as very adaptable "Little Bow Beep". It's essentially a celebration of animated caricatures and though entirely forgettable, passes ten minutes with a lively score easily enough.
            8tavm

            Mother Goose Goes Hollywood was an entertaining Disney Silly Symphony featuring celebrity caricatures

            I just recently (as of today) discovered a blog devoted to Cab Calloway called The Hi-De-Ho Blog. One section showcases caricatures of the legendary entertainer in various cartoons from Max Fleischer (whose shorts Cab actually was involved in), Warner Bros., M-G-M, and this one from Walt Disney in which Mother Goose characters are depicted as Hollywood celebrities. Mr. Calloway is one of the "four blackbirds in a pie sequence" and while that may have an unfortunate stereotypical connotation (which may be true of some of the white celebrities too), seeing "Cab", "Fats", and "Louis" do their musical stuff was enjoyable. The only real negative portrayal of an African-American here was that of the lazy, shiftless, Stepin Fetchit character. Other depictions of celebrities I liked were that of W.C. Fields with Charlie McCarthy with Fields as Humpty Dumpty, The Marx Brothers sans Zeppo as the Fidlers Three (Harpo appears here as a redhead and not a blonde), and Laurel and Hardy as Simple Simon and the Pieman with welcome use of Marvin Hatley's L & H musical theme "The Cukoo Song (Dance of the Cukoos)". If there's one celebrity that may be obscure even to old movie buffs, it might be that of Joe Penner whose catchphrase "Wanna buy a duck?" anticipates a very familiar Disney character. So despite some negative stereotypical characterizations, I recommend Mother Goose Goes Hollywood for any animation buff especially those of old-time movie star caricatures.
            8llltdesq

            Another Disney entrant in the "celebrity caricature" style of cartoon

            Back in the 1930s and 1940s, various animation departments (chief among them being Warner Brothers) made cartoons that used caricatures of well-known celebrities (movies stars, principally) as characters. This is the best of Disney's efforts and was nominated for an Oscar. The main problem with this cartoon is that, unless you not only remember your nursey rhymes, but are reasonaby up on movie stars and movies of the 1930s, you miss quite a bit of the humor. Still holds up reasonably well after more than 60 years. Recommended to any movie buffs and/or someone reading Mother Goose for whatever reason.

            Histoire

            Modifier

            Le saviez-vous

            Modifier
            • Anecdotes
              Aside from his debut in Une petite poule avisée (1934), this is the only appearance of Donald Duck in a Silly Symphony cartoon.
            • Citations

              Katharine Hepburn as Little Bo Peep: I'm Little Bo Peep. I've lost my sheep, really I have. I can't find them anywhere, really, I can't. I think so, don't you? I do. They were such lovely sheep, really they were.

            • Crédits fous
              The feature opens with a parody of the Metro-Goldwyn-Mayer logo, with Mother Goose in the logo roaring like a lion, and the slogan "Ertsnay to ouyay" (Pig Latin for "Nuts to you").
            • Versions alternatives
              On almost all television airings, all scenes of African-Americans, including a black-face gag with Katherine Hepburn (the result of a pie thrown by Oliver Hardy at Stan Laurel, which misses him and hits her instead) and appearances by Cab Calloway, Stepin Fetchit and Fats Waller, have been deleted. The 2006 DVD release of the short, however, has restored these scenes.
            • Connexions
              Featured in The Mouse Factory: Back to Nature (1972)

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            Détails

            Modifier
            • Date de sortie
              • 23 décembre 1938 (États-Unis)
            • Pays d’origine
              • États-Unis
            • Langue
              • Anglais
            • Aussi connu sous le nom de
              • Mother Goose Goes Hollywood
            • Sociétés de production
              • Walt Disney Animation Studios
              • Walt Disney Productions
            • Voir plus de crédits d'entreprise sur IMDbPro

            Spécifications techniques

            Modifier
            • Durée
              8 minutes
            • Rapport de forme
              • 1.37 : 1

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