A Man to Remember

I just saw this film last night on TCM (Sunday morning at 2am - couldn't sleep). My only complaint is that I missed the first 30 minutes, and wish I had seen the entire film. What a great film that has been missed apparently by most movie lovers. I never heard of it before, and it's quite charming, and the message is clear. This isn't your average big budget film. In fact in a way it's a rather low budget film, that still delivers a simple and clear message perfectly, and in a way that is charming and meaningful. An interesting article in Time Magazine can be found by typing A Man to Remember 1938 in google. It's a good read for sure.

To use the cliché, "they don't make them like this anymore," is perfect for this classic. I could write volumes about the power of a generous human spirit overcoming the surge of economic indecency, but I'll leave that for someone else.

One technique I really enjoy in this film is the use of the doctor's notes, bills and other bits of information to introduce the different chapters of the film. It's a great literary vehicle and was used often in silent films. It also reminded me of some of the chapter introductions used in R.F. Delderfield's work.

The one thing I will state: if the devils on Wall Street and the banking community maintained half the community spirit as the old doctor in this story, we would all be much better for it.

Ethics and a purity of heart, what a wonderful concept. This is a great film for a Church Popcorn theology class, high school students considering a medical career or anyone questioning their community spirit.

A crowd has gathered to pay respect to the funeral procession of Dr. John Abbott. The movie flashbacks to the moment when Abbott arrives with his young son Dick. Over the years, he treats both the poor and the rich. Money is never the issue. He even adopts a baby left on his doorstep.

The Dutch subtitle is a little weird. The major problem there is that any letter or note gets translated into Dutch. It's not impossible. One gets the essentials of those notes. There is the shooting and hospital plot. I wish it's not a shooting. The horse trading is a bit unseemly. The epidemic story is as timely as ever but it does end up with the audience being forced to root for childhood paralysis. I would also push back on the sibling romance. Other than all that, it is old fashion but it is in line with a long tradition of these old fashion movie about people of duty and service. It's Mr. Holland's Opus. It's It's a Wonderful Life. The basic structure is set for those tearjerkers but it needs some adjustments.

Opening at the funeral of John Abbott, doctor of the small town, three men that Abbott owed money to are eager to wait for Abbott's assets to be distributed so they can reclaim their money. Abbott's effects however are a series of notes each with their own story to tell, such as a remittance for a doctor's fee for the birth of a baby girl, Jean, whom Abbott adopts, paid bills where the doctor provided everything he could for sacks of potatoes or a couple of dollars, as well as other memories of Abbott helping the town get their hospital, stopping a polio epidemic, sacrificing an advanced career in a more prosperous city, watching his son, Dick, following in his dad's footsteps, eventually taking over his practice, and more which make the men think that Dr. Abbott has paid his debts many times over. The film is a great slice of small town Americana that is very moving and brilliantly presented (by first time director Kanin). Edward Ellis in probably his only leading role is perfect even surpassing Lionel Barrymore's understated performance in an earlier version, One Man's Journey. Shirley and Bowman also lend fine support and a great mix of character actors play up the sentimentality of the film. Sad thing is the only surviving print is a Dutch subtitled version, but it is in good quality and it is a rare treat to watch. Rating, 9

This melodrama creaks with age but the best performance by far was given by one of the oldest actors--Edward Ellis. Many actors who came to movies late in their careers are quite mannered and stagy. Some actors--Charles Middleton comes to mind--turned this stiffness into a virtue but more often, it simply dates the movie. I was very surprised at the subtlety of Ellis' performance as he managed to display a variety of emotions with underplayed touches. It reminded me of the best performances of Marie Dressler, a high compliment.

It is a shameless tearjerker about a small town doctor trying to warn his community about a potential polio epidemic which angers town leaders because it will mean canceling the local fair in which they are all invested. A tearjerker but then Marie Dressler jerked a few tears in her day.

One funny sight is poor, young Lee Bowman with the waistline of his pants resting closer to his armpits than his waist.

Richard Moore