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6,7/10
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Une jeune femme extravagante découvre un soir le cadavre d'un riche banquier dans une maison inhabitée. Lorsque la police arrive, le corps a disparu et personne ne la croit..Une jeune femme extravagante découvre un soir le cadavre d'un riche banquier dans une maison inhabitée. Lorsque la police arrive, le corps a disparu et personne ne la croit..Une jeune femme extravagante découvre un soir le cadavre d'un riche banquier dans une maison inhabitée. Lorsque la police arrive, le corps a disparu et personne ne la croit..
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Vickie Lester
- Kit Beverly
- (as Vicki Lester)
Linda Perry
- Myra Frost
- (as Linda Terry)
Hattie McDaniel
- Hilda
- (as Hattie McDaniels)
Avis à la une
My favorite aspect of this movie is the manner in which this gaggle of giggly débutantes present themselves. They wear sparkling, full-length evening gowns and fabulous furs, and sport impeccable manicures, while sleuthing about in the dark. You go girls! It was also interesting to observe Penny Singleton, aka the infamous Blondie, with extremely dark hair, reciting a couple of lines. Barbara Stanwyck is, as always, seamlessly gorgeous, and she takes on a tireless leadership role while constantly flirting with a young and handsome Henry Fonda. Everything from the beautiful, sleek and shiny cars to the stunningly brilliant fashion displays make this a great choice for old movie fanatics.
Barbara Stanwyck in another "I saw the body until it disappeared" kind of farce, giving the audience a good time as she tangles with unbelieving police inspector (Sam Levene) and a newspaper reporter looking for a good story (Henry Fonda).
The supporting cast includes Hattie McDaniel and Penny Singleton but it's Stanwyck's performance that makes this one shine. Henry Fonda plays another variation on his mild-mannered dunce but it's Stanwyck who keeps the dialogue snappy and the events somewhat believable.
It's a wacky blend of comedy and mystery with a denouement that is less than satisfying as none of the supporting characters are more than cardboard stereotypes. Passes the time pleasantly enough, but don't expect anything great.
Stanwyck gets the glamour treatment and looks her best in the madcap title role.
The supporting cast includes Hattie McDaniel and Penny Singleton but it's Stanwyck's performance that makes this one shine. Henry Fonda plays another variation on his mild-mannered dunce but it's Stanwyck who keeps the dialogue snappy and the events somewhat believable.
It's a wacky blend of comedy and mystery with a denouement that is less than satisfying as none of the supporting characters are more than cardboard stereotypes. Passes the time pleasantly enough, but don't expect anything great.
Stanwyck gets the glamour treatment and looks her best in the madcap title role.
I sI saw this on TV when I was young and, though it was trumpeted as hilarious, I didn't like it. Now, I have seen 30 or more movies of around the same period that combine romance, comedy, and mystery. And I have grown to appreciate Barbara Stanwyck as one of the great stars in Hollywood's history. So: I really enjoyed it a lot.
Stanwyck, as the title character, is mad only in the sense of madcap. Probably it is a matter of alliteration more than anything else. Henry Fonda is fun as the newspaper man who hates and then falls for her.
A few years later, they were to be teamed again in Preston Sturges's great "The Lady Eve."
The subway is a good gimmick, and all the minor players are fun. Miss Manton, or as we'd say today Ms. Manton, has a whole crew of gal-pals, who scream and giggle and make the whole affair very lively indeed.
Stanwyck, as the title character, is mad only in the sense of madcap. Probably it is a matter of alliteration more than anything else. Henry Fonda is fun as the newspaper man who hates and then falls for her.
A few years later, they were to be teamed again in Preston Sturges's great "The Lady Eve."
The subway is a good gimmick, and all the minor players are fun. Miss Manton, or as we'd say today Ms. Manton, has a whole crew of gal-pals, who scream and giggle and make the whole affair very lively indeed.
This is a delightful comedy/mystery, very much of its time, starring Barbara Stanwyck and Henry Fonda. Stanwyck does a great job as a madcap socialite (though the title would have you think she's a crazy bag lady) who gets involved in a murder and with reporter Fonda. Miss Manton has a mouthy maid played by Hattie McDaniel (listed as McDaniels in the credits) and many girlfriends, all of whom are at her beck and call.
Stanwyck's gift for comedy is apparent, and Manton was a perfect character for her - sophisticated, clever, and vulnerable. Fonda is very juvenile and ardent. They make a great pair.
Stanwyck's gift for comedy is apparent, and Manton was a perfect character for her - sophisticated, clever, and vulnerable. Fonda is very juvenile and ardent. They make a great pair.
Barbara Stanwyck was 31 years old playing opposite stone-faced 33 year old Henry Fonda in this comedy love story/murder mystery, and if you want to see how Barbara steals every scene, this is a good one to watch. This movie was selected by TCM as one of the films to highlight for their series "Black Images in Hollywood" due to the presence of Hattie McDaniel just prior to her Oscar-winning performance the next year in "Gone With the Wind." Hattie plays a sassy-talking maid for delicious comic relief. But it's a small role for Hattie and the main focus is on the delightful Barbara. There is an interesting scene at the end of the movie which foretells the use of S.W.A.T. teams today in both the cinema and on the streets. All in all, this is a pleasant movie to while away an afternoon with a friend, and who knows, you may even want to re-visit it again in a few years.
Le saviez-vous
- AnecdotesSupporting player Vickie Lester took her name from Janet Gaynor's character in Une étoile est née (1937). Unfortunately, she never achieved stardom and, after only a handful of films, she retired from the silver screen and opened a dress shop selling original gowns of her own design.
- GaffesWhen Melsa first calls the police at the beginning, the police cars are rushing to the Lane mansion. As they pass "Jones Drug Co" and "Barber Shop", the signs are backwards indicating the film has been flipped over.
- Citations
Melsa Manton: [storms into the room and slaps the first man she sees] Are you Peter Ames?
Peter's Secretary: No...
Peter Ames: But I am...
Melsa Manton: [Slaps Peter]
Peter Ames: [Slaps Melsa] To complete the circle.
- Crédits fousDuring the opening credits, a flashlight lights up each page of credits.
- ConnexionsFeatured in AFI Life Achievement Award: A Tribute to Henry Fonda (1978)
- Bandes originalesHome on the Range
Music by Daniel E. Kelley (1904)
Lyrics by Brewster M. Higley (as Brewster 'Bruce' Higley) (1873)
Sung a cappella by James Burke
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Mad Miss Manton
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 383 000 $US (estimé)
- Durée
- 1h 20min(80 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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