Le proscrit

If you're a Robert Louis Stevenson purist you will probably not find this version of Kidnapped to your liking. I've not seen yet the version with Roddy McDowall from 1948, but the Disney version with James MacArthur and Peter Finch sticks far closer to what Stevenson wrote.

Not that Freddie Bartholomew is bad as young Balfour the heir who gets hijacked rather than kidnapped, a scheme to deprive him of a Scottish title by his miserly uncle played by Miles Mander. In the book and in the Disney film, Balfour's story is the plot of the film. In this version we get far more of Scottish politics as they were in 1747.

The character of Balfour's grownup savior Alan Breck is built up and a whole plot involving a romance with a Scottish lass played by Arleen Whelan is given equal time with the Balfour predicament. Warner Baxter is cast as Alan Breck and this must have only happened because Darryl Zanuck had Tyrone Power and Don Ameche working on other projects. Power would really have brought a verve to the role that Baxter just didn't have. Not unlike The Prince And The Pauper where Errol Flynn is the dashing Miles Hendon saving the young king Edward VI. And in that film Flynn while top billed did not have his character built up to take away from the main story.

Kidnapped is not a bad film, but the Disney version is much better.

A pro-peace film, typical of the Munich spirit in 1938. The movie, turn in 1938, is as far from Stevenson that Stevenson himself is -intentionally-from Walter Scott "Rob Roy" for instance.The end, with its pro-peace sentence with"love of country"etc.sounds particularly anachronistic. The plot also neglects the tower scene, which is shorted. We think of what Hitchcock could have done. The novel is such a good plot that something of it does remains in the film. But think of adding a romance in "Treasure Island"for instance..! The casting is good, particularly Freddie Bartholomew and of course Warner Baxter, although not Scottish at all. I appreciate also to find in a second-part John Carradine with his long thin face which could be so impressive in western films and also as the abominable Nazi Heydrich in "Hitler's Madman", some five years later, when the Second World War was at its climax.

Years ago, I read Stevenson's story, KIDNAPPED. When I watched this 1938 version of the story, I couldn't help but wonder if I was losing my mind, as so much of it seemed like it wasn't in the book--particularly the romantic subplot and quite a bit of the action. Well, when I later checked, I found that for once I wasn't losing my mind--the story was heavily re-worked and in many places it bore little similarity to the novel. Additionally, I was surprised that despite the story being set in Scotland, none of the characters sounded like Scots--having mostly American and a few English accents. In particular, I have always liked Warner Baxter as an actor, but here he sounds exactly the same as he did in practically all his films--like a nice but not particularly rugged American.

Yet despite all this, the story still was rather enjoyable and kept my attention throughout. Very nice looking sets and a basic story that is hard to screw up, it isn't surprising that the story still delivers. It's well worth a look, but considering that KIDNAPPED is such an easy read, I still recommend the book over this film.

A young Scotsman, on his way to becoming laird of his family property, instead finds himself in the very thick of his country's rebellion against the English, hunted & harried & in constant peril, after his evil uncle has him KIDNAPPED.

This is a fairly good adventure film which, now and again, actually includes some of the original plot as penned in the famous novel by Robert Louis Stevenson. Action scenes are well done, but the wholly unnecessary romantic subplot gets very much in the way.

Warner Baxter is completely miscast as the great literary hero, Alan Breck; he doesn't even attempt to act Scots and his accent is pure Yankee. One wonders what Fox Studio had in mind. In the supporting cast was a star from silent screen days, British actor Ralph Forbes, who could have given the role more authority & punch. Instead, Forbes is given a tiny part & disappears quickly.

Freddie Bartholomew does a fine job as young David Balfour and there is an excellent supporting cast of sterling character players of the period: John Carradine, Nigel Bruce, Mary Gordon, Halliwell Hobbes, E. E. Clive, Montague Love, H. B. Warner & Eily Maylon. Reginald Owen is especially good as an old rapscallion of a sea captain, while Sir C. Aubrey Smith scores as a wise old duke.

Based on a novel by Stevenson,at the time when the Scottish rebels were fighting against the English king and his tax collectors .

The hero is a young boy,who recalls Jim Hawkins ,David Copperfield as well as John Mohune ("Moonfleet" );as could be expected ,this young "laird" does not take a rebel stand ,he trusts his king and he already speaks like a little man ,a true noble.His "initiation rites " like those of the other characters I mention take him to adulthood.

Best moment is the arrival in the wicked uncle's (a Dickensian character,a cross between Murdstone and Uriah Heep)castle ,a place where you eat porridge (ungenerous portions)and where a horror movie could take place.

The first of at least five versions (including the MTV one which is twice as long as the others).Well acted.