Vacances payées

Arthur Kober's play Having Wonderful Time was fresh from its Broadway run of 372 performances for 1937-38 when RKO bought it to the screen starring Douglas Fairbanks, Jr. and Ginger Rogers. The play was a homage to the Catskill resort area so frequented by New York's Jewish population because of restrictions on other vacation areas. The area with its own Jewish owned and operated resorts became popularly known as the Jewish Alps.

On Broadway John Garfield and Katharine Locke starred, but for the screen RKO used two of its best contract players of the time Fairbanks and Rogers. According to Salad Days the memoir of Fairbanks, both he and Rogers did use proper Brooklyn and Bronx accents in their characters, but after the audiences in Red State America had trouble understanding them, both he and Ginger were called back and dubbed a whole lot of their lines in more generic tones.

By the way Fairbanks could and did use a really good New York type accent in Angels On Broadway a few years later.

A whole lot of outstanding character players are in Having Wonderful Time like Eve Arden, Donald Meek, Lee Bowman, Jack Carson, and Lucille Ball. Making his screen debut as the camp social director where we got to see some of his Catskill type shtick was Red Skelton.

Having Wonderful Time is a good screen comedy, showing off Fairbanks and Rogers to their best advantage. But I would probably have liked to have seen the film done as it was presented on Broadway. The days of the great Jewish resorts of the Catskills are gone now so it's highly unlikely we'll see a remake of Having Wonderful Time. An opportunity to have preserved a piece of history is now gone unfortunately.

The original movie script was about a Jewish girl on holiday in the Catskills. They put Ginger Rodgers in it and changed it around a bit. This is a cute and funny movie. Nothing major, just a nice little movie about a working girl away for some R&R and ending up falling in love. Her love interest is Douglas Fairbanks Jr, who is a babe, and very funny in his own right. They both meet at camp and instantly dislike one another. He is working there as a waiter/camp counselor/gigolo (see Patrick Swayze's part in Dirty Dancing) to earn money to pay for school. From the first moment they meet, you can tell that even through all the fighting and cutdowns they really like one another. Neither of them has the courage to say how they really feel to the other. Of course finally they do and it all happens naturally. You believe this movie and the characters in it. To me that means a good movie. Thank goodness I taped it off AMC. This movie includes alot of talents, Red Skelton, Lucille Ball, Eve Arden, Jack Carson, to include a few. You can't get alot of Ginger's non-musical films on VHS or DVD. This ticks me off people.

PS...If you like to see more of Ginger Rodgers non-musical greats, check out Tom, Dick and Harry, Kitty Foyle, and the classic Stage Door.

Office typist Teddy Shaw (Ginger Rogers) is tired of work, the city, and her family. She decides to leave New York City, and follow her friend to vacation at Camp Kare-Free in the Catskills. She's not happy initially with the men and the crowded room until she encounters waiter Chick Kirkland (Douglas Fairbanks Jr.).

Both Rogers and Fairbanks are playing pissed off characters. They fit together in this world but I'm not that invested in their relationship. The other notable aspect is that two future comedic stars are playing big side roles. Lucille Ball plays the sassy Miriam. I actually like her acting. She would have been great to sass up the best friend character. The other is Red Skelton. It's his debut and he plays the prankster Itchy. I don't like Itchy that much. He's doing a look-at-me-and-laugh-at-my-jokes performance. I hate to be sacrilegious but I didn't enjoy the donut skit. More than anything, this is interesting as a piece of historical celluloid.

HAVING WONDERFUL TIME (RKO Radio, 1938), directed by Alfred Santell, is a Ginger Rogers starring comedy produced towards the end to her great popularity years (1933-1939) of those nine song and dance musicals produced by RKO opposite her most famous screen partner of all time, Fred Astaire. Although reportedly a comedy adapted from the 1937 stage success by Arthur Kober, that success didn't seem to be repeated on screen due to changes and alterations, thus, resulting to a somewhat disappointing production made plausible mostly by Ginger Rogers and her STAGE DOOR (RKO Radio, 1937) co-stars of Lucille Ball, Eve Arden, Jack Carson, Grady  Sutton making return engagements. There's also a very young comic named Richard Skelton, better known as "Red" Skelton, making his motion picture debut.  

Following a visual view of New York City, the story introduces Teddy Shaw (Ginger Rogers), a stenographer working in a crowded office surrounded by other girl, over-viewed by a strict supervisor (Elsie Cavanna).  It's also her last day at work before her trip to the Catskills mountains where she's to vacation for the next two weeks at Camp Kare-Free to "relax in the peace and quiet of the pines." Following a subway ride to her apartment in the Bronx where she's surrounded by family members consisting of her parents (Harlan Briggs and Leona Roberts), sister (Inez Courtney), her brother-in-law (Dean Jagger) and their daughter (Juanita Quigley), Teddy, the only single girl in the family, resents the annoyance of her nagging family to marry Emil Beatty (Jack Carson), a successful but obnoxious businessman whom she does not love. Upon her train arrival to the mountains, Teddy's vacation comes to a bad start leading to constant quarrels with Chick Kirkland (Douglas Fairbanks Jr.), a young man whose ambition to become a lawyer by earning extra money as both waiter and bus driver. Chick resents the ill treatment from customers who feel they are always right, while Teddy resents Chick's temperamental treatment towards her. Eventually Teddy and Chick come to terms until a misunderstanding and rumors of Teddy spending the entire night in a cabin with Miriam's (Lucille Ball) beau, "Buzzy" Armbruster (Lee Bowman), puts further friction in their brief relationship. Other members of the large list of cast credits include: Peggy Conklin (Fay Coleman, Teddy's friend); Eve Arden (Henrietta); Dorothea Kent (Maxine); Donald Meek (P.U. Rogers, manager of the resort); Allan Lane ("Mac"); Clarence Wilson, among others.

Red Skelton, who would later win fame and popularity in musical-comedies for MGM in the 1940s, and later on his television variety show, plays a comical social director who manages to throw in some of his comic routines for good measure, ranging from his method of dunking donuts to climbing up and down the stairs. Although funny to the guests and workers at the resort, Skelton's routines just don't appear to register well as they formerly did to contemporary viewers. Future television personalities as Lucille Ball and Eve Arden are almost unidentifiable, especially when speaking in strong Bronx accents, and Eve wearing horn-rim glasses.

For a Ginger Rogers solo effort, which are usually clocked anywhere between 80 to 90 minutes, HAVING WONDERFUL TIME is relatively short (70 minutes), playing more like a second feature presentation rather than a major "A" comedy. Its a wonder how much was deleted considering the fact that actress/dancer Ann Miller's name comes after Red Skelton's in some theatrical lobby cards, yet her character role of Vivian doesn't appear to be seen anywhere in the finished product. There are songs, including "My First Impression of You" (sung by Betty Jane Rhodes) and "Nighty Night" by Charles Tobias, Sammy Stept and Bill Livingston, which are easily forgettable. Considering the locale of Camp Kare- Free, it's a wonder how this production might have turned out had it been a Fred and Ginger musical/comedy instead, retaining its CAREFREE title already used for their other 1938 musical consisting an entirely different plot altogether.

As much as Rogers worked so well with Astaire, and other leading men of her day, including Dick Powell, James Stewart or George Brent, for some reason, she doesn't register well with Douglas Fairbanks Jr., who seems out of place here. Possibly newer RKO Radio performers as James Ellison or Lee Bowman might have been better suited, although their names were hardly those to draw a large theater crowds. The major weakness to HAVING WONDERFUL TIME is the revised treatment by its author probably due to certain scenes that couldn't be used for the screen version due to the production code. The story starts off well, but once it set at Camp Karefree, it becomes weak, especially the typically love-hate relationship between Rogers and Fairbanks, followed by Rogers endlessly playing backgammon as the guests in another cabin are heard repeatedly singing "Heigh Ho, Heigh Ho," that grows tiresome after awhile.

Formerly available on video cassette in the 1980s accompanied by a second Ginger Rogers feature, CARNIVAL BOAT (1932) on the same tape, HAVING WONDERFIL TIME did show up regularly on American Movie Classics prior to 2001, and occasionally turns up from time to time on Turner Classic Movies. As much as the movie fails to have its wonderful time with its quota of big laughs, the casting of future TV personalities as Lucille Ball, Eve Arden or Red Skelton early in their careers would be sole reasons for viewing this light comedy today. (**1/2)

If the pleasure of watching GINGER ROGERS, DOUGLAS FAIRBANKS, JR. and LEE BOWMAN in their prime is enough for you, you won't mind watching this feeble little comedy about a vacationing girl in a typical girl meets boy, girl loses boy, girl wins boy kind of affair.

And whatever laughs come along are few and far between, as someone else suggested, and the gags aren't fresh enough to sustain much interest. The backgammon scene becomes a bore, as does the party scene with "Heigh Ho" being sung non-stop in inebriated fashion.

Strictly a small time trifle, hardly worth bothering about. No one is seen to their advantage except for the three photogenic leads in a cast that includes EVE ARDEN (wasted), LUCILLE BALL (wasted), JACK Carson (wasted), DONALD COOK and GRADY SUTTON, with an interesting debut of comedian RED SKELTON, billed as Richard (Red) Skelton) who demonstrates his skill with a series of pratfalls. He does more with his small role than anyone else is able to muster.

The original play was a satire about Jewish vacationers in the Catskills but was revamped as a vehicle for Ginger Rogers with all the Jewish jokes removed. What's left is a weak comedy with nowhere to go.

Summing up: The title is a misnomer. It's hardly worth anyone's time but it's pleasing to note that LEE BOWMAN's reaction shots reveal a flair for comedy never fully realized throughout his film career.