Toute la ville danse

This fictional account of Johann Strauss' life is highlighted by one of the most exquisite scenes in musical history--far from real of course--in which the composer and an operatic diva are driven through the woods in horse and buggy while the countryside comes alive with the sound of music. The pastoral beauty of the scene itself combined with the intricate way 'Tale of the Vienna Woods' is woven into the musical scene (as composer Strauss begins humming the tune along with his diva friend) is just one of the charming highlights of this MGM musical.

Swirling waltzes are captured with such superb angles in the Oscar-winning camerawork, it's no wonder David O. Selznick was impressed enough to insist that his own technical staff derive inspiration from viewing the film.

Soprano Miliza Korjus does some excellent trills as the operatic diva who steals Strauss from his wife (temporarily) until the obligatory happy ending. Luise Rainer suffers gracefully (in an insufferable role as the wife!!) and Fernand Gravet does well as the composer. His scenes with Miliza Korjus are what makes the film the gem that it is. She all but steals the film and was nominated for a Supporting Actress Oscar and then disappeared from the American scene, returning to Europe to resume her operatic career.

Julien Duvivier, the great French director, had a brief career in Hollywood during WWII. Alas, the movies he was involved with, didn't fare as well as the ones he did in France. It must have been difficult for a man of his stature to try his hand at film making in America because of problems with artistic control of his pictures and the way things were done in Hollywood.

"The Great Waltz" was a fine example of what M. Duvivier could do. This glorious 1938 MGM film was one of the most loved films of that period. Not only that, but even if the subject matter, Johann Strauss' life was not accurate, at least his great music is heard in the film. The exquisite art direction Cedric Gibbons gave the picture and the beautiful costumes from Adrian made this a favorite of the movie going public of that time.

The life of the struggling musician who had a lot of talent, but whose music was a departure from what has been heard in Vienna before him, was something movies loved to tell. Whether or not this was a true account of the composer's life, it's still a visually rich film.

Fernand Fravey as Strauss gives a good performance. Luise Ranier makes the suffering and self-sacrificing Poldi, one of her best creations. The true star of the film though, is Milizia Korjus, who as the gorgeous soprano Carla Donner steals the show with her singing and her looks. Hugh Herbert, Alma Kruger, Curt Bois, and the rest of the cast do great work for Julien Duvivier.

"The Great Waltz" is a film that's not seen often these days and it's a shame because it's an excellent excuse for going back to that period and the great music Strauss gave to the world.

I own a VHS copy of The Great Waltz. I have seen this movie I don't know how many times! I was very young when I saw the movie for the first time, and it made a great impact on me and ever since then, I feel the urge to look and hear the magnificent singer and actress that, in my opinion takes the first place in this movie: MILIZA KORJUS. I have managed to collect ALL her recordings, I think., but I never saw the movie as a political issue or as they say here, as anti Nazi film! Nothing of the sort! To me it's a delightful movie and a great vehicle for the display of the many talents of Miliza Korjus and also for the rest of the cast and the romanticism involved in the whole movie.

Sandwiched,in Duvivier's oeuvre,between two absolute masterpieces "Un carnet de Bal" and the overlooked "La fin du Jour" (some kind of French "Sunset Blvd" ) where the director's pessimism reaches new heights ,"The great waltz " ,unlike another movie made in Hollywood "Flesh and fantasy" cannot be looked upon as a "film d' Auteur".

It's impersonal but it nevertheless displays Duvivier's extraordinary eclecticism."The great waltz" is a good work,made with care and taste and shows that Duvivier could have been a great musicals director,if he had wanted to.Half of the movie consists of instrumentals or songs,which makes sense,for it is a movie dealing with Strauss's life.His private life does not interest that much Duvivier who avoids the traps of a linear biography.However,there are snatches of melodrama towards the end,mainly in the scenes between the moving Luise Rainer and Miliza Korjus in the theater.Fernand Gravey (spelled "Gravet" in the cast and credits)is the only French actor here.He had begun his American career with Mervyn LeRoy in 1937.

All the musical scenes are dazzling ;the "blue Danube" treatment is excellent,a waltz which would be used by dozens of directors,from Renoir ("Boudu Sauvé des Eaux" ) to Kubrik ("2001" ) to Cimino ("Heaven's gate"). Other good sequence: Strauss composing a new tune while he is hearing a horse' s trot.

My wife and I viewed this picture on TV 9/20/02. The acting by all was so real and the music, the settings, and the singing by M. Korjus so incredibly beautiful it brought tears for the shear emotion as the story unfolded. I recommend this movie to anyone needing an uplifting of spirit, so poignant as to bring tears enough to cry away your troubles and to anyone who enjoys movies of such caliber as are so few these days. Bravo