Ajouter une intrigue dans votre langueAmateur sleuth and Wife review Bard foul play.Amateur sleuth and Wife review Bard foul play.Amateur sleuth and Wife review Bard foul play.
- Réalisation
- Scénario
- Casting principal
Douglass Dumbrille
- Arnold Stamper
- (as Douglas Dumbrille)
Horace McMahon
- Danny Scolado
- (as Horace MacMahon)
Barbara Bedford
- MacMillen's Secretary
- (non crédité)
James B. Carson
- Safe Expert
- (non crédité)
Jack Chefe
- Maitre d'
- (non crédité)
Roger Converse
- Assistant Dist. Atty. Byers
- (non crédité)
Avis à la une
Fast Company is my favorite of MGM's three "Fast" films based on a popular novel written by Marco Page (a pseudonym for Harry Kurnitz, which I would love to read).
As a HUGE Thin Man (aka Nick and Nora) fan, I can say these aren't quite as good but if you are looking for a solid marriage with witty dialogue, a lot of drinking and a side of mystery solving ala Nick and Nora, these three films come close.
Each of the three films use the same "rare book dealer" home office set, but completely recast the husband and wife duo. In this the first film, Joel and Garda are played by Melvyn Douglas (my favorite Joel) and Florence Rice (my second favorite Garda), in film two (Fast and Loose) they are played by Robert Montgomery and Rosalind Russell (my favorite two stand alone actors...but my least favorite as Joel and Garda), the third and final film (Fast and Furious) stars Franchot Tone and Ann Southern ( my favorite Garda) as our intrepid lead and leading lady.
This is a light hearted mystery with snappy dialog, great banter and one liners being exchanged between our married couple and occasionally the police detectives. Melvyn Douglas and Florence rice have wonderful and believable chemistry as a married couple. No one hams it up for the camera better than Douglas. Louis Calhern plays an excellent bad guy. When a young and innocent friend of Joel and Garda's is released from having spent a year in prison for a crime he didn't commit, Joel and Garda attempt to find him a job when his former boss and accuser ends up dead, the friend becomes the obvious suspect leaving Joel and Garda to figure out who r ally committed the crime both then AND now. The story has a beautiful mol played by Claire Dodd and some other wonderful character actors who fill in the "criminal" element!
Fun, light-hearted movie that you will enjoy.
It was hard to not want to see 'Fast Company' after seeing comparison to 'The Thin Man' film series, a very entertaining series of films and the best of them are great even. Seeing a younger Melvyn Douglas, who has shown some fine performances in other things and excelled at more than one type of role, also appetised. 'Fast Company' has the sort of story that appeals to me straightaway with no reservations, being someone who loves the mix of mystery and comedy.
'Fast Company' is the first of a series of three films, the others being 'Fast and Loose' and 'Fast and Furious'. Of the three, do have to agree with others that 'Fast Company' is the best. It won't ever be a personal favourite and have seen even better and more polished examples of the mystery/comedy mix. It is still hugely entertaining though and anybody that liked 'The Thin Man' films should find a good deal to enjoy here, as there is plenty.
The production values may lack polish in places.
While Florence Rice actually doesn't do too badly as the female lead and is appealing enough, she never quite excited me somehow.
She does have charming chemistry with Douglas, as wonderfully suave as ever with some grit and snappy comic timing as well, which contributes a lot towards 'Fast Company's' appeal. The supporting cast are also strong, with a sinister Louis Calhern standing out. The villains are a colourful and intimidating lot and it is hard to dislike the two lead characters. There is atmosphere to the lighting and William Axt's music score is typically moody, he was always very good at that.
Further advantages are a sharp and tightly structured script with plenty of snappy banter that sparkles in its wit, and a story that is gripping and eventful with plenty of turns without being too convoluted. It is a lot of fun and has some nice suspense, the pace always fast so that it doesn't get routine, and it never insults the intelligence or gets too silly. The characters are not exactly complex but are well characterised and carry the story really well.
Overall, hugely entertaining and well worth seeing. 8/10
'Fast Company' is the first of a series of three films, the others being 'Fast and Loose' and 'Fast and Furious'. Of the three, do have to agree with others that 'Fast Company' is the best. It won't ever be a personal favourite and have seen even better and more polished examples of the mystery/comedy mix. It is still hugely entertaining though and anybody that liked 'The Thin Man' films should find a good deal to enjoy here, as there is plenty.
The production values may lack polish in places.
While Florence Rice actually doesn't do too badly as the female lead and is appealing enough, she never quite excited me somehow.
She does have charming chemistry with Douglas, as wonderfully suave as ever with some grit and snappy comic timing as well, which contributes a lot towards 'Fast Company's' appeal. The supporting cast are also strong, with a sinister Louis Calhern standing out. The villains are a colourful and intimidating lot and it is hard to dislike the two lead characters. There is atmosphere to the lighting and William Axt's music score is typically moody, he was always very good at that.
Further advantages are a sharp and tightly structured script with plenty of snappy banter that sparkles in its wit, and a story that is gripping and eventful with plenty of turns without being too convoluted. It is a lot of fun and has some nice suspense, the pace always fast so that it doesn't get routine, and it never insults the intelligence or gets too silly. The characters are not exactly complex but are well characterised and carry the story really well.
Overall, hugely entertaining and well worth seeing. 8/10
The first and, in my humble opinion, the best of the three Joel & Garda Sloane mysteries. Others have compared the three "Fast" movies to The Thin Man series. Its only real similarity is the snappy exchanges between husband and wife. Joel is gainfully employed with his own rare books business and well known locally as an expert in the field. Garda works with him. Neither Nick or Nora did much other than live off of Nora's inheritance. I particularly enjoyed Florence Rice more in the Garda role than either Ann Sothern or Rosiland Russell. She is fairly rarely the butt of Joel's "jokes" like Nora is. Douglas and Rice are a little more "down to earth" than the other two couples.
If you are a mystery series fan this is well worth the hour and ten minutes and much better than most of the '30s and '40s mystery series. Don't expect to be culturally enriched but you will be entertained.
If you are a mystery series fan this is well worth the hour and ten minutes and much better than most of the '30s and '40s mystery series. Don't expect to be culturally enriched but you will be entertained.
Married couple Garda (Florence Rice) and Joel Sloane (Melvyn Douglas) are rare books dealers. They work for an insurance company to recover lost books to make ends meet. They try to help recently released convict Ned Morgan with a job. He was imprisoned for stealing from his girlfriend Leah's father Otto Brockler. When Otto gets murdered, Ned becomes the prime suspect. The couple investigates.
The introduction of the rapid-fire couple is the bee's knees. The introduction of the case is a bit clunky. It would be better to leave more of the case hidden. It needs more from Ned Morgan. It needs to show him with Leah. This is a showcase for the investigative couple's rat-a-tat-tat banter. Melvyn Douglas is perfect and Florence Rice has good chemistry with him. It only makes the constant recasting of the duo all the more head-scratching. The point should be to make this couple iconic but that's almost impossible if they keep changing the actors.
The introduction of the rapid-fire couple is the bee's knees. The introduction of the case is a bit clunky. It would be better to leave more of the case hidden. It needs more from Ned Morgan. It needs to show him with Leah. This is a showcase for the investigative couple's rat-a-tat-tat banter. Melvyn Douglas is perfect and Florence Rice has good chemistry with him. It only makes the constant recasting of the duo all the more head-scratching. The point should be to make this couple iconic but that's almost impossible if they keep changing the actors.
In many ways, "Fast Company" seems like a thinly veiled Thin Man sort of movie...and why not? After all, this MGM pairing was adored by the public and made a lot of money...so why not try this sort of formula with other MGM actors? And, of all the Thin Man-style films, this is among the most enjoyable.
Joel (Melvyn Douglas) and Garda (Florence Rice) are a very enjoyable married couple to watch. Unlike most Post-Code couples, these two adore each other and the sexual chemistry and energy is definitely there....something that was also a strength in the Thin Man films. They operate a rare book business and much of their money is made tracking down stolen and faked books. One case they'd been working on involved poor Ned...a guy sent to prison because he supposedly stole some rare books from his employer who was also his father-in- law (Goerge Zucco)! Joel is out to find the books and trace their trail, as he's pretty sure the owner actually sold them and claimed they were stolen because he hated Ned and thought he'd be a perfect patsy for his crime...as, after all, the books were also heavily insured. I could say more...but you should just see the picture.
The best thing about this film is the great dialog. The writing was just spot on with this one and it sure helped that Melvyn Douglas was cast in this one because he had a delightful way with comedy...and although Rice is not especially famous, she was quite nice as well. Combined these elements with a decent story and you've got a real winner here--well worth seeing and just plain fun.
Joel (Melvyn Douglas) and Garda (Florence Rice) are a very enjoyable married couple to watch. Unlike most Post-Code couples, these two adore each other and the sexual chemistry and energy is definitely there....something that was also a strength in the Thin Man films. They operate a rare book business and much of their money is made tracking down stolen and faked books. One case they'd been working on involved poor Ned...a guy sent to prison because he supposedly stole some rare books from his employer who was also his father-in- law (Goerge Zucco)! Joel is out to find the books and trace their trail, as he's pretty sure the owner actually sold them and claimed they were stolen because he hated Ned and thought he'd be a perfect patsy for his crime...as, after all, the books were also heavily insured. I could say more...but you should just see the picture.
The best thing about this film is the great dialog. The writing was just spot on with this one and it sure helped that Melvyn Douglas was cast in this one because he had a delightful way with comedy...and although Rice is not especially famous, she was quite nice as well. Combined these elements with a decent story and you've got a real winner here--well worth seeing and just plain fun.
Le saviez-vous
- AnecdotesThe three films of the "Fast Series" were produced by Metro because exhibitors were clamoring for more movies from the Thin Man Series. The "Fast" films were intended to fill that gap.
- GaffesThere's a film editing error when Joel (Melvyn Douglas) wakes tied up after being kidnapped, and says, "Oh, what happened to my head?" Terison (Nat Pendleton) is playing cards. He stops playing, looks up and starts to answer. There's a cut and Pendleton stops playing (again), looks up, and answers.
- Citations
Lt. James Flanner: [to Joel] Langner tells me that you've worked on some cases of stolen books... that you've helped the insurance companies quite a bit.
Steve Langner: Any favors he does we pay him for. There's not an altruistic bone in his body.
Garda Sloane: Anything you want to know about my husband's bones, Lieutenant, you can ask me.
- ConnexionsFollowed by Mon mari conduit l'enquête (1939)
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Détails
- Durée1 heure 15 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Règlement de comptes (1938) officially released in India in English?
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