The Duke Is Tops

A great look at the black entertainment industry in 1938. A young Lena Horne shines in her performance as Ethel, a singer who makes her way to the 'big time'. Ralph Cooper plays her boyfriend Duke who is also involved in the entertainment business. As the film progresses, Duke and Erthel are separated and Duke throws his lot in with a travelling medicine show with the esteemed Doctor Dorando, played wonderfully by Laurence Criner. The time with the medicine show is one of this movies treasures as it gives the audience a rare look at how an actual medicine show operated around the South back then. Special musical guests are presented (great guitarist featured by the way...), the spiel is given and the medicine sells.

As one of the stage performers shown on stage early in the movie, look for the fantastic moves of "Rubberneck Holmes". Don't worry, you will recognize him.

A lot of these 'race movies' are a fantastic look at wonderful performers that were never presented in mainstream Hollywood. This movie is worth seeing.

Duke Davis has invested all his savings to back his sweetheart, Ethel, in a road show over the old T.O.B.A. circuit, on which they have both been performers since childhood.

Marshall, a New York talent scout, makes an offer to Ethel as a single and, to induce her to take it, Duke writes a fake check, made out to him, for $5000 pretending he has sold his contract with Ethel to Marshall.

Resentful and heartbroken, she accepts and becomes a big hit in New York. Marshall then books her at the swanky Century Club, plans her show himself, and it flops miserably.

Meanwhile, Duke has used his last resources to start a new show, but without Ethel it also fails.

He joins the Doc Dorando medicine show, and with him as the speiler for the quack elixir sold by Dorando, it is successful.

He becomes Doc's partner with an elaborate trailer and a company of entertainers, including Willie Covans, the Basin Street Boys, The Cats and the Fiddle, "Rubberneck" Holmes and Joe Stevenson.

Money is rolling in.

LIght skinned blacks in a black only produced film from days gone by. Fairly typical of the genre. Largely important for Lena Horne.

An unusual film for an audience outside the USA. Lena Horne looks fabulous and so does Ralph Cooper. There is not added background of tap steps as in other musicals so you do not hear the beat of the taps which is great realism. Music is muted to hear what dancing steps there are. Acting is a little stilted and the casts speak slowly so that you think the movie is older than it is. Costumes are daring for the time in the dance routines at the end. Often feels like you are part of an audience at a stage show. What furniture you see is very modern which adds to the movies feeling of other worldliness. A must for all film buffs.

The Duke Is Tops is a black version of the white show business and Broadway movies popular in the 1930's. It has the struggling broke producer, the young performer who becomes a star overnight, and the medicine show to Broadway (or in this case fashionable Harlem nightclub) plot. It is best known as the debut movie of a beautiful, 21-year-old Lena Horne, but its real star is Ralph Cooper, who gets a brief opportunity to show his singing and bandleading abilities, as well as to dance a few steps. Much of the acting is stiff and the film's editing is crude, but it has all the pleasures of an early black musical -- specialty singers, eccentric dancers, and pretty chorus girls in skimpy bikinis -- as well as a more substantial script than many other black movies of its day (or of today, for that matter).

This all black film was Lena Horne's screen debut. Made for black audiences, it was re-released after the cross-over success of her two great 1943 films, Cabin in the Sky and Stormy Weather. The Duke Is Tops is a typical film about stage performers, and it is certainly a B movie. Duke Davis (Ralph Cooper) and Ethel Andrews (Horne) are a songwriter/singer team. When Ethel gets bigger offers, Duke can't come with, so he breaks it off hard with her so she'll have no regrets. He travels to the South with an old friend who is selling cure-all elixirs from his wagon; meanwhile, without Duke's behind-the-scenes work, Ethel is a flop in New York. It's all fairly mediocre. Horne would become a much better actress in her later films. Fans of the singer will probably be disappointed anyways, as she is only in the film for about 15 minutes. Cooper is the star. But there are several wonderful musical performances that make the film much more worth watching than it otherwise would have been. For a much better film of the same time, definitely check out Stormy Weather, which is probably the pinnacle of the all-black films of this era. 6/10.