Ajouter une intrigue dans votre langueAdults who grew up as slum kids meet later in life, but murder disrupts their reunion.Adults who grew up as slum kids meet later in life, but murder disrupts their reunion.Adults who grew up as slum kids meet later in life, but murder disrupts their reunion.
- Réalisation
- Scénario
- Casting principal
Joe Downing
- Frank Diamond
- (as Joseph Downing)
Scotty Beckett
- Mike O'Mara as a Child
- (non crédité)
Stanley Blystone
- Policeman with Doorman
- (non crédité)
Tommy Bupp
- Jerry Donovan as a Child
- (non crédité)
Neal Burns
- Emergency Squad Man
- (non crédité)
Howard Christie
- Emergency Squad Man
- (non crédité)
Drew Demorest
- Cab Driver
- (non crédité)
George DeNormand
- Diamond's Henchman
- (non crédité)
Mike Donovan
- Policeman at Headquarters
- (non crédité)
Bill Elliott
- James Brewster
- (non crédité)
Avis à la une
Pretty good thick-ear. Four Hell's Kitchen kids keep up their friendship into adulthood even though one has become a gambler (McLaglen), one a priest (Kelly), two are cops (Gargan & Gallaudet), and the girl (Roberts) a singer. Now their lives intertwine in problematic ways as crime confronts the law.
Looks like the plot's a variation on a familiar theme of the time (1930's)—kids growing up on opposite sides of the law only to confront one another later on. The concept creates a rich mine for conflicting emotions and loyalties. Here McLaglen has to navigate between gambling interests and loyalty to boyhood friends. The narrative sticks pretty closely to this line with its complications. The acting's okay, though emotions never build to an intensity. Instead, we're pulled along more by plot than characters. Certainly, McLaglen is capable of an intensity when so called upon, but not here. Oddly, there's not much action or violence despite the loaded title. I guess the two fires and smoke are supposed to justify the hellish expectations.
All in all, the hour seldom rises above programmer status, but might serve old movie fans on a slow evening.
Looks like the plot's a variation on a familiar theme of the time (1930's)—kids growing up on opposite sides of the law only to confront one another later on. The concept creates a rich mine for conflicting emotions and loyalties. Here McLaglen has to navigate between gambling interests and loyalty to boyhood friends. The narrative sticks pretty closely to this line with its complications. The acting's okay, though emotions never build to an intensity. Instead, we're pulled along more by plot than characters. Certainly, McLaglen is capable of an intensity when so called upon, but not here. Oddly, there's not much action or violence despite the loaded title. I guess the two fires and smoke are supposed to justify the hellish expectations.
All in all, the hour seldom rises above programmer status, but might serve old movie fans on a slow evening.
A good story idea and a good performance by Victor McLaglen make this crime feature work well, despite some weaknesses in other areas. The premise is a good one that holds many possibilities, and in general the story makes solid use of them. The production has a low-budget look to it, but most of the time this doesn't get in the way. The rest of the cast never comes up to McLaglen's level, and this is probably the main thing that keeps it from being better. It's still pretty good.
The setup has McLaglen's character Marty, as a boy, as part of a five-member gang (which includes one girl) in Hell's Kitchen. Caught in the act of one of their crimes, Marty is the only one caught and sent to the reformatory. Then the main story starts, with the five of them now adults, and holding a reunion. As the only former convict, Marty owns a night club and gambling house, while the others include a singer, a priest, and two police officers.
The story that follows tests the relationships among all of the old friends, and sometimes pits their new relationships against the old ones. As a result, there are some good moments of drama and suspense. McLaglen fleshes out Marty quite well, bringing out his character and the way that it has been shaped by events. If the other characters had approached his in depth, it could have been quite compelling.
The rest of the cast is adequate, and the pacing also keeps things moving, but the one-dimensional nature of the other characters often keeps it from grabbing you as much as it could have. It's still well above average for its time and genre.
The setup has McLaglen's character Marty, as a boy, as part of a five-member gang (which includes one girl) in Hell's Kitchen. Caught in the act of one of their crimes, Marty is the only one caught and sent to the reformatory. Then the main story starts, with the five of them now adults, and holding a reunion. As the only former convict, Marty owns a night club and gambling house, while the others include a singer, a priest, and two police officers.
The story that follows tests the relationships among all of the old friends, and sometimes pits their new relationships against the old ones. As a result, there are some good moments of drama and suspense. McLaglen fleshes out Marty quite well, bringing out his character and the way that it has been shaped by events. If the other characters had approached his in depth, it could have been quite compelling.
The rest of the cast is adequate, and the pacing also keeps things moving, but the one-dimensional nature of the other characters often keeps it from grabbing you as much as it could have. It's still well above average for its time and genre.
A group of young kids growing up in Hell's Kitchen form a lifelong bond. Because one refused to rat the others out, he goes to the reformatory. As adults they find their way to conflicting positions in society. Two cops, a priest, and a nightclub owner. The latter is mixed up in some shady dealings, mostly related to gambling. He hires a couple guys to rough a "client" up but they don't heed his limitations and kill the guy. This sets of a series of events where he is now under suspicion and brings about the death of one of his lifelong buddies. The film looks pretty good and it has that cool black and white element. Of course, honor is at the center, but that honor is not respected by the "really" bad guys. Victor McLaglan's character must confront his own miscues and face the music for his actions. It's not a bad movie, but there are absolutely no surprises and the characters actions are frequently pretty hard to swallow.
In THE DEVIL'S PARTY, a gang of tough kids known as the Death Avenue Cowboys run the streets of "Hell's Kitchen" in NYC, causing trouble.
Years pass, and the gang gets together for a reunion as adults. Among them, one is now a singer, two are cops, and another is a priest! When a murder is committed, problems arise, leading to further tragedy.
If you enjoy movies from the 1930's-1940's, full of wise guy characters spouting snappy dialogue, then this is worth your while! Entertaining from start to finish...
Years pass, and the gang gets together for a reunion as adults. Among them, one is now a singer, two are cops, and another is a priest! When a murder is committed, problems arise, leading to further tragedy.
If you enjoy movies from the 1930's-1940's, full of wise guy characters spouting snappy dialogue, then this is worth your while! Entertaining from start to finish...
The film begins with a group of five kids playing around a warehouse. They accidentally light the place ablaze and run when the police arrive. However, one of the gang (Marty) is caught and he refuses to tell them who else was involved. So, he takes the rap for everyone and ends up growing into a guy who is a shady character--owning his own casino and consorting with disreputable types.
The other four members of the gang grew into a not particularly talented lounge singer who works for Marty (Helen), a priest (Jerry) and two brothers who are firemen (Joe and Mike). Each year, they all meet for a reunion and are life-long friends.
This friendship is tested when two thugs that work for Marty kill a man. Joe suspects it is not an accident and when he goes back to investigate, the thugs kill him as well! Now Mike takes up where Joe left off and he begins to suspect Marty's involvement. As for Marty, he did NOT want anyone killed and is stuck having to cover for the two thugs because this all began when he ordered the two to rough up a customer who refused to make good on his gambling debts. The problem is that the thugs have plans of their own and they refuse to leave town when Marty tells them to beat it.
In the middle of this mess is Father Jerry. He cannot allow Mike to kill Marty but also cannot just ignore Marty's involvement. How all this is worked out is something you'll just have to see for yourself.
Overall, this is a very interesting B-film with some nice twists and turns thanks to some excellent writing. As far as the acting goes, it's just fine, though Victor McLaglen in the lead is a real standout--in a tough but very sympathetic performance.
The other four members of the gang grew into a not particularly talented lounge singer who works for Marty (Helen), a priest (Jerry) and two brothers who are firemen (Joe and Mike). Each year, they all meet for a reunion and are life-long friends.
This friendship is tested when two thugs that work for Marty kill a man. Joe suspects it is not an accident and when he goes back to investigate, the thugs kill him as well! Now Mike takes up where Joe left off and he begins to suspect Marty's involvement. As for Marty, he did NOT want anyone killed and is stuck having to cover for the two thugs because this all began when he ordered the two to rough up a customer who refused to make good on his gambling debts. The problem is that the thugs have plans of their own and they refuse to leave town when Marty tells them to beat it.
In the middle of this mess is Father Jerry. He cannot allow Mike to kill Marty but also cannot just ignore Marty's involvement. How all this is worked out is something you'll just have to see for yourself.
Overall, this is a very interesting B-film with some nice twists and turns thanks to some excellent writing. As far as the acting goes, it's just fine, though Victor McLaglen in the lead is a real standout--in a tough but very sympathetic performance.
Le saviez-vous
- AnecdotesThis movie was no 57.734 on the Swedish Censorship Board. It was not allowed to be shown at Swedish cinemas, and Universal apparently never cared to make any cuts.
- GaffesAt the end of the movie, the memorial park sign, shown twice, dedicates the park to the Boys of Hell's Kitchen. In the playground scene, there are plenty of girls in dresses.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Hell's Kitchen
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 5 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was The Devil's Party (1938) officially released in Canada in English?
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