La patrouille de l'aube

I first saw this movie when I was 16, and didn't understand a lot of its subtleties; I just thought it was an exciting & dramatic war film with a lot of great flying sequences. I caught it again when I was 34 and was surprised at its depth.

I like to watch this movie whenever my own job gets crazy and hectic, with unrealistic deadlines and insufficient support, because it reminds me that I really don't have it so bad after all. The men in this movie were sent up daily in obsolete equipment in a bad state of disrepair; as the film progressed the squadron had about a 70% turnover as the combat veterans were shot down and replaced by green kids whose limited training could not possibly have prepared them for what they would face.

The characters are all dissected, even lesser, supporting roles receive excellent character studies, and the stars of course are downright fascinating. It's a thrill to learn that Errol Flynn (Captain Courtney) really could act, as well as just jump around and wave a sword; David Niven is wonderfully innocent and almost childlike as "Scotty," and Basil Rathbone, a truly great actor who seldom got the chance to strut his stuff since he was usually typecast as a "bad guy" or as Sherlock Holmes, gives a nerve-wrenching performance as Major Brand, who's floundering under the strain. He proves a profound point -- it is often easier to go to your own death than to order others to do so, a lesson Captain Courtney and Lt. Scott must reluctantly learn as well.

I'm now 44, and have seen this movie a couple dozen times, but it never ages. The flying sequences are still exciting; the chivalry and wild antics of the fliers never becomes tiresome or old, and the anguish of war is still as heartbreaking. Truly a movie that will last.

I don't have a lot to say about this movie. Errol Flynn is excellent as Captain Courtney, and the rest of the cast is excellent in their roles. That didn't surprise me. What surprised me was two things. First, how the British flying aces in World War I contend with the harsh realities of war, specifically the deaths of their friends and the decisions that had to be made to send more men to their deaths (excellently portrayed by Basil Rathbone as Major Brand). Whats most impressive, however, is how engaging the air sequences were. They were ahead of their time and they hold up rather well today. I just saw Pearl Harbour, and I would say the Dawn Patrol is more exciting. It holds up well today, and if you get a chance, give it a watch. 8 out of 10.

DAWN PATROL was a forerunner of the "men facing war" kind of dramas that became a steady source of entertainment in books and films of the decades that followed, particularly after WWII.

But this takes place during World War I in 1915, when aviation was still young and men in the flying machines were sent into battle against greater odds than anyone could imagine.

Basil Rathbone plays the commander breaking under pressure who has to see young men under his command die in battle against the Germans. He is delighted to be relieved of his command by the young flier who has been chiding him for sending inexperienced men into battle--Errol Flynn.

Flynn soon finds himself hounded by the same sort of pressures facing Rathbone. His best friend (David Niven) is a fun loving pal who has a change of heart when his younger brother (well played by Morton Lowry), turns up for immediate duty despite a scant amount of training. Under Flynn's orders, the boy goes into battle the following day and is killed. This event sets up the dramatic conclusion which has Flynn willing to sacrifice himself and single-handedly take on a most dangerous mission across enemy lines.

Edmund Goulding keeps the story going from one excellent scene to another and all of the performances are first rate. Donald Crisp is less stuffy than usual in a good supporting role.

But it's Errol Flynn who makes the strongest impression in a role that calls for some fine moments of acting. His emotions seem genuine and his performance is crisp and mature. Indeed, one of his best performances in a well written role.

The ultimate message of the film is the anguish and futility of war and it comes across without being preachy. Definitely a Flynn film that is well worth watching.

The Dawn Patrol - based on a book my John Monk Saunders is the story of a RFC squadron in France during the Great War.

If has three good central performances - Basil Rathbone showing an array of hyper tense emotions - David Niven changing from a happy go lucky drunken fool to a hardened leader of men and the best, by far, Errol Flynn as a guilt ridden hero whose nerves are torn to shreds.

Flynn has had so much bad press over the years and people forget that he was a great actor in the early days. This film demonstrates that superbly. There are no women in this film, no distractions. It's about men up against it, and having to watch their comrades die needlessly against overwhelming odds.

The film has moments of silence, laughter, terror all mixed together with some superb skewed camera angles in the mess to give a feeling of drunken hopelessness.

Flynn's relief at seeing Niven when he thought he was dead is a moving performance. His quiet moments when he talks about England, his control when trying to convince Nivens younger brother to go up for the first time - these scenes show real presence and talent. You feel for him and all around him.

Coming out just before the beginning of WW2 it would have given the home audiences great understanding of what they faced - a hard and bloody task, where young men will die as surely as the older ones will order them to fight.

This film should be reissued on DVD and shown around the world - it's that good. Let's write some more scripts like this and start making some decent films again.

Warner Brothers more than most of the other major studios had a habit of simply recycling the old plots of their films and repackaging them. A good example would be the boxing film Kid Galahad remade a few years later as The Wagons Roll at Night with the setting now changed to a circus. But in this case we didn't get a remake of The Dawn Patrol, we got practically a carbon copy.

I finally saw the original The Dawn Patrol that was made in 1930 by Howard Hawks and found that this film was practically a word for word remake of the Hawks classic. Of course it was no surprise to learn that all the aviation sequences were just lifted bodily from the first film, but probably more than that was done. Several long-shots looked exactly the same.

In a way this might have worked out because director Edmund Goulding who was not known for action films could concentrate on the actors and he got very good performances out of Errol Flynn, David Niven, and Basil Rathbone who step into the parts that Richard Barthelmess, Douglas Fairbanks, Jr., and Neil Hamilton did the first time around.

Still after seeing first one version, than the other, one might be complaining of double vision at that.