Jack le mystérieux

This is boring. Tom Walls (Jack) is known as Crackerjack. He steals jewellery and hands out the proceeds of his thieving to good causes like hospitals. He's a bit creepy looking especially when he visits the children in a hospital. The whole thing just reminded me of Jimmy Saville. Anyway, on one particular job, a party gets held up by a gang who have been beaten to the prize once again by Walls. On this occasion, a rather fat rugby-player who is meant to be England's captain gets shot dead. Eventually the film finishes but you may be in a coma by that point.

We also get an unlikely romance due to the age gap - again, a bit creepy. The cast aren't that good and speak in that upper class English accent. It's a shame because I was looking forward to this Gainsborough film. The lady at the beginning is the standout during the logo.

I've always liked Tom Walls' farces – this is a more straightforward comedy, full of frothy sometimes witty dialogue and period furnishings with music veering from staid British dance band to hot American and a corny yet cogent script. Mind you, it also had an innocent bystander shot by hoodlums at point blank defending "a string of duds" from being stolen.

Mysterious and confident cracksman robs to order for almost purely altruistic reasons, but takes great exception when he's embroiled with and considered by the police to be the head hoodlum of a rather nasty gang of thieves so decides decidedly to clear his alias. It's inventive and predictable at the same time, interesting and so-so – basically I enjoyed it! It was the first time of viewing, I really wouldn't mind taking another crack at it and viewing it again sometime. Tom Walls is urbane and monocled, Lilli Palmer is elegant and shrewd, Noel Madison is snarly and impetuous – and everything else runs true to form too. There seems to be even more of an age-gulf between Lilli and the rest of the cast which was ignored of course so we have to accept it too and put any qualms we may have down to our collective post-rock and roll cynicism. The other star of the picture is Art Deco – for example the "hotel" and its interiors and furniture where a lot of the story is based is quite breathtaking at times in its poignant gleaming beauty. Not so long ago this fashion was sneered at, now that it's becoming more obvious we're living in a completely styleless age the focus on the past only gets sharper.

And yes, that's clearly a sound mike seen dangling in the ornate mirror in Lilli Palmer's apartment at 46 minutes – even that's interesting to view! Enjoyable stuff, but probably only to those of us who appreciate British pre-War comedies.

If you combine Robin Hood with a communist, you'd get Jack Drake (Tom Walls)...a high-class crook who delights in stealing from the rich and giving to various deserving charities in Britain. Despite being a crook, however, you cannot help but like Drake and his exploits. The same can be said of Drake in the story...he cannot help but like his exploits as well...so much so that he wrote his memoires and had them published anonymously. Now, millions of Brits can read about 'Crackerjack' (his alter ego) and his brushes with the law.

While you might think that the police would be Crackerjack's worst enemies, there is a vicious gang who want to capture him even more. Why? Because twice during the course of the film he outsmarts them and steals jewels the gang intended to steal. To stop him, the gang recruits an innocent lady...the Baroness (Lilli Palmer). But once she realizes her mistake, can she alert Crackerjack before their wicked plan is enacted?

Tom Walls is a middle-aged man in the film and not especially handsome. However, despite this, he is mega-charming and easy to like....and it's a shame that very few these days have even heard of this excellent actor. My advice is watch the film....he's amazingly good in it and manages to make a somewhat ridiculous plot work...and work well.

The film begins with a scene in which a plane is hijacked by a gang of criminals and some precious diamonds are stolen. However it is not the gang that gets away with the loot but rather the master thief and modern day Robin Hood, Jack Drake, who has beaten the gang to it. Meanwhile, the latest craze in London is the memoirs of a thief, who goes by the pseudonym of "Crackerjack." When a string of precious pearls is stolen at a society party, Crackerjack is suspected, owning to a number of idiosyncrasies of the culprit, which are also mentioned in Crackerjack's book. But who is Crackerjack - is he Jack Drake? And will Jack get away with his philanthropic thieving?

This film is good entertainment but nothing special. The sort of story that the film uses involving gangs of criminals, stolen jewels and princesses (or a Baroness in this case) has been used so many times before - even by Tom Walls himself - that it needs something special to make it work. There are a few fairly uninventive twists in the plot - the people you least expect turn out to be criminals and so on. All of it leads to a rather formulaic showdown towards the end of the film. Nevertheless, there are a few good surprises which add interest to what would otherwise be a fairly average film. For me, the most disappointing thing is that we know who Crackerjack is for almost all of the film. I think it would've added a whole extra dimension to the film if the answer had've been denied us until the end - and it would've justified the existence of the "Crackerjack" book, which, as the film stood, was totally peripheral to the plot.

Tom Walls makes a wonderful gentleman criminal; almost as great as James Mason, but in a different, more old-world chivalrous way. His name on the bill was what made me decide to watch this film, and he is definitely its strongest link. The rest of the cast are nothing special and I found Lilli Palmer a tad annoying but an acceptable leading lady. Overall the story is sufficiently engrossing and consistent enough to make this reasonable viewing - but only slightly above average.

A typically 30s-style charismatic gentleman thief and master of disguise tackles a dangerous criminal gang while posing as a butler at a stately home. Vintage in age rather than in quality, and not as good as the identically-titled British kids' TV programme of three or four decades later.