Meurtre en musique

While it probably doesn't offer as much as most of the earlier movies in the series, "Song Of the Thin Man" is nevertheless a pleasant finale to the classic series. It has the usual blend of wit, oddly assorted characters, and mystery, with a solid supporting cast led by Keenan Wynn.

The story uses the now-familiar setup of Nick getting drawn into a mystery against his will. This time, it uses the jazz scene as the backdrop, and while the setting is not always used to its potential, it does allow Wynn some good moments that he makes use of. Wynn usually plays off of Powell and Loy rather well. Most of the rest of the cast does well when they get the chance, and Don Taylor works as a more serious, troubled character who is important to the story.

You can tell that they were running out of truly new ideas for the series, yet in another sense the series got an impressive amount of mileage from the format. This last movie may offer little that is new, but it is enjoyable as light entertainment.

This is the sixth and last in the series of Thin Man movies with William Powell and Myrna Loy. The plot deals with a night club manager who is murdered after he assaults a trumpet player in a band and two times a girlfriend and well as owe several thousand dollars to another man. Nick and Nora take on the murder case at the request of the girlfriend (Jayne Meadows) of the prime murder suspect. The jilted murder victim's girlfriend (Gloria Grahame) also gets bumped off as well. The movie has some scenes with the son of the Thin Man (played by Dean Stockwell). Keenan Wynn costars as one of the band members (though he is never considered to be a prime suspect). There is still a good chemistry between William Powell and Myrna Loy in this movie. There are less good one liners that you often heard from the earlier movies in the series though. Asta also has a few good scenes in this movie. William Powell and Myrna Loy appear a bit more tired in this last movie of the series. But I guess that is to be expected as one gets older anyway.

It may be mediocre, small-time fare, but it's also an excellent example of studio filmmaking from the 40s. In the last of the Thin Man movies, Nick (William Powell) and Nora (Myrna Loy) solve a murder (again), this time concerning a jazz bandleader (I think; the plot was kind of confusing). The dialogue isn't as sharp as in the other movies, and Dean Stockwell as Nick Jr. is cloying (although he was far worse in Anchors Aweigh). Keenan Wynn is fun as a jazz "insider" who "jams"; the outdated language in this movie is unbelievable. This is also wholesale propaganda: all the jazz players in the movie are either drunk or unpleasant, or both, thereby reinforcing the wholesome American family. As Janet, Jayne Meadows looks EXACTLY like Donna on Twin Peaks. Intentional or not? Compelling enough reason to watch this movie (the other reason is a bizarre sequence in which William Powell remembers his son growing up while his memories are projected onto the boy's butt).

Did Nick and Nora's swan song, "Song Of The Thin Man," try just a tad too hard to be hip and cool? Yep.

You know what that means? It means, so what? It means that what many consider the least popular of the Thin Man movie is still better than most.

For Nick and Nora's final bit of sleuthing and their first in a couple years (since the wonderful Thin Man Goes Home), they enter the ultra-hip, ultra-cool, slanged-out world of jazz, courtesy of their tour guide, reed-man Keenan Wynn, who couldn't put together a sentence of straight Queen's English to save his shoe bottom (soul).

Who killed the band leader? All I can say is, it wasn't Nick or Nora or Asta.

By 1947, William Powell's waistline has expanded slightly and Myrna Loy long ago gave up the sheer, slinky gowns that had us all drooling, but they can still cut it, rug and all.

Were six Thin Man movies enough? Not for me.

It's 1947 and after five entries into the "Thin Man" series, starting in 1934, it's time for a sixth and last one. This may not be the best, but it has a lovely cast consisting of William Powell and Myrna Loy, of course, as well as Keenan Wynn, Leon Ames, Gloria Grahame, Don Taylor, Patricia Morison, Jayne Meadows, Dean Stockwell as little Nicky, and Asta Jr.

Nora is trying for a higher class of acquaintances in the hopes that Nicky will get to know people besides thieves. At a society dance, the band leader, Tommy Drake (Philip Reed), is killed. The police go after Phil Brant, whom they suspect. The next day, Janet Thayer (Meadows) and Brant (Bruce Cowling), with whom she has just eloped, come to ask for Nick and Nora's help. The police arrive just then, and because Nick believes that Brant's life is in danger, turns him over to the police for his own safety.

Ass Nick and Nora look into the case, they find out that there are many suspects in Drake's death as he wasn't very popular. Janet's father (Ralph Morgan) couldn't stand him, he owed money to a loan shark (William Bishop), and the clarinetist (Don Taylor) and Drake had an onstage fight. Drake suspected him of having an affair with his girlfriend (Grahame) who sings with the band.

In an attempt to be hep, Nick attempts to use musician language, and it's funny to hear it coming from him, and Nora tells the institutionalized clarinet player that she's a "canary." Though they were always wonderful together, Powell and Loy just don't have the zip of earlier films; they are, after all, older. Powell is 55, Loy is 42 and lovely, but their routine is tired. The mystery is okay; Dean Stockwell is funny as the incorrigible Nicky, and Asta Jr. has some funny bits.

You'll enjoy this as long as you don't compare it to the first few. "The Thin Man" started a host of imitators as well as a TV show and Broadway musical. Powell and Loy brought humor and class to the detective genre. This isn't really a fitting end to such an important series.