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Sindbad le marin

Titre original : Sinbad, the Sailor
  • 1947
  • Tous publics
  • 1h 56min
NOTE IMDb
6,1/10
2,4 k
MA NOTE
Sindbad le marin (1947)
In medieval Persia, during the rule of Caliph Harun-Al-Rashid, Sinbad the Sailor boasts about his latest adventures to his friends.
Lire trailer3:00
1 Video
63 photos
AdventureFamilyFantasyRomance

Ajouter une intrigue dans votre langueIn medieval Persia, during the rule of Caliph Harun-Al-Rashid, Sinbad the Sailor boasts about his latest adventures to his friends.In medieval Persia, during the rule of Caliph Harun-Al-Rashid, Sinbad the Sailor boasts about his latest adventures to his friends.In medieval Persia, during the rule of Caliph Harun-Al-Rashid, Sinbad the Sailor boasts about his latest adventures to his friends.

  • Réalisation
    • Richard Wallace
  • Scénario
    • John Twist
    • George Worthing Yates
  • Casting principal
    • Douglas Fairbanks Jr.
    • Maureen O'Hara
    • Walter Slezak
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    2,4 k
    MA NOTE
    • Réalisation
      • Richard Wallace
    • Scénario
      • John Twist
      • George Worthing Yates
    • Casting principal
      • Douglas Fairbanks Jr.
      • Maureen O'Hara
      • Walter Slezak
    • 56avis d'utilisateurs
    • 13avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires au total

    Vidéos1

    DVD Trailer
    Trailer 3:00
    DVD Trailer

    Photos63

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    Rôles principaux49

    Modifier
    Douglas Fairbanks Jr.
    Douglas Fairbanks Jr.
    • Sinbad
    Maureen O'Hara
    Maureen O'Hara
    • Shireen
    Walter Slezak
    Walter Slezak
    • Melik
    Anthony Quinn
    Anthony Quinn
    • Emir
    George Tobias
    George Tobias
    • Abbu
    Jane Greer
    Jane Greer
    • Pirouze
    Mike Mazurki
    Mike Mazurki
    • Yusuf
    Sheldon Leonard
    Sheldon Leonard
    • Auctioneer
    Alan Napier
    Alan Napier
    • Aga
    John Miljan
    John Miljan
    • Moga
    Brad Dexter
    Brad Dexter
    • Muallin
    • (as Barry Mitchell)
    Eddie Abdo
    • Chanter
    • (non crédité)
    Billy Bletcher
    Billy Bletcher
    • Crier at Auction
    • (non crédité)
    Mary Bradley
    • Dancing Girl
    • (non crédité)
    Norma Brown
    • Wife
    • (non crédité)
    Ann Cameron
    • Wife
    • (non crédité)
    Dolores Castelli
    • Wife
    • (non crédité)
    George Chandler
    George Chandler
    • Commoner
    • (non crédité)
    • Réalisation
      • Richard Wallace
    • Scénario
      • John Twist
      • George Worthing Yates
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs56

    6,12.4K
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    10

    Avis à la une

    wrbtu

    Used to be my favorite Sinbad

    I saw this film perhaps three times on TV, as a kid in the 1950s. I always thought it was black & white, because I saw it only on a B&W TV. I rewatched it recently for the first time in over 40 years, & it sure has changed! Or more likely, I sure have changed. Of course, it's in color, not B&W. What seemed like a great mystery to me then is now fairly obvious. And Fairbanks Jr., who seemed to me the best of all Sinbads, now seems a bit over the top in his role. Not that those are bad comments, they're just different than I had remembered. The colors are amazingly bright & vivid for a 1947 film, which both adds interest & takes away from the mystery of what I had seen in B&W. Fairbanks grandiose character portrayal (arm flourishes & almost ballet-like movements) actually works well, because Sinbad is a braggart who is disbelieved by many, & has a self- confident air; he's also a fellow who's had eight amazing voyages & has escaped dozens of monsters & difficult situations. Sinbad refers to some of his previous exploits (the Roc & the Cyclops, for example); it would have been nice to see a couple of monsters or mythical beings in this film. With minimal special effects, the plot becomes rather talky, & there's a repetition of escapes & fight scenes that lack variety & seem too staged. I would call this a kid's film, although the dialog is a bit too poetic & difficult for many kids. As a film for adults, it's a bit too soft with too little action, although there's lots of romantic elements for those viewers who enjoy that. There are three nice surprises to the plot which still hold up well, so stick with it to the end. I would no longer call this my favorite Sinbad film, but it's still enjoyable as a light adventure-romance. I rate it 6/10.
    6claudio_carvalho

    Delightful Adventures of a Storyteller

    The storyteller Sinbad the Sailor (Douglas Fairbanks Jr.) is gathered with other men in the harbor telling his adventure seeking the island of Daryabar, where the treasure of Alexander the Great is hidden. In his journey with his friend Abbu (George Tobias), Sinbad rescues and claims property of a drifting boat; he meets the ambitious and gorgeous Shireen (Maureen O'Hara) and falls in love for her; he is chased by the evil Emir (Anthony Quinn) that is seeking the treasure to become one of the most powerful men in the world; and he meets the dangerous Melik (Walter Slezak) that also wants the treasure.

    "Sinbad the Sailor" is a delightful adventure, in a type of naive movie that Hollywood seems to have forgotten in the present days. However, the success of the franchise "Pirates of Caribbean" proves that this genre is still attractive for the younger generations. The athletic Douglas Fairbanks Jr. is excellent in the lead role, showing a great chemistry with the gorgeous Maureen O'Hara and Anthony Quinn and Walter Slezak are great villains. The final twist in the very end is extremely pleasant, closing with golden key this entertaining movie. My vote is seven.

    Title (Brazil): "Simbad, o Marujo" ("Sinbad the Sailor")
    8Stephen-Matlock

    Very good movie from a time when dialog was king!

    This is not an action adventure movie like the more recent Sinbad the Sailor movies (with the Ray Harryhausen special effects). This is a movie with great wit and outstanding dialog. Grand set design makes it visually exciting; remember, it's from the 40's so don't expect the kind of special effects we're use to today.

    This is really a romantic comedy set in the time of the Arabian Nights. Sinbad is more rogue than adventure hero. You get the impression that some of his exploits are more 'tall tale' than fact. Most of all I liked the dynamic between Douglas Fairbanks Jr. and Maureen O'Hara. Walter Slezak and Anthony Quinn are also very good. If you like good dialog, and romantic adventure - give it a try.
    8silverscreen888

    Intelligent, Colorful, Consistently-Interesting Adventure

    When I assess the popularity of this film in the postwar period of its release and then compare viewers' reactions recently registered to that approbation, I must assert that U.S. viewers appear to have suffered two serious losses over the last 50 years. First, they apparently can no longer listen to intelligent dialogue nearly as well as they once could; and second, viewers seem to have abandoned categories of fiction for emotional predilections, for or against subject matter, actors, etc. I believe that "Sinbad the Sailor" is an interesting, beautifully-photographed and well-acted film. I suggest Douglas Fairbanks Jr. is very good in the title role, although he adopted a device of moving his hands often that is graceful but distracting. Contrary to some adverse comments, if one ignores Maureen O'Hara's Irish brogue, she is excellent, rising to one of her most rewarding earlier parts, one that taxes her to play several moods and many nuances. Walter Slezak is very fine as always as a charismatic villain, Anthony Quinn underplays a villain who only reveals his depths of evil gradually. Also, George Tobias makes nearly the perfect foil for Fairbanks' agile Sinbad. The production is much-admired, with a rich teal blue to the sea in the process shots that many never tire of enjoying.. The elaborate costumes by Edward Stevenson and Dwight Franklin are a delight; the cinematography by George Barnes and the art direction by Albert d'Agostino and Carroll Clark as well as the set decorations by Claude E. Carpenter and Darrell Silvera are all outstanding. Roy Webb contributed fine original music and the direction by Richard Wallace is to my mind intelligent and swift-paced throughout. In fact, he plays with rates of the passage of time unusually well. The convoluted script for the film retailing Sinbad's "eight' voyage" was written by John Twist from a story created by him with George Worthing Yates. The plot theme involves "being true to the best that is in oneself". To feature this, the story-line retails the finding of a derelict ship with a dead crew. Sinbad, Douglas Fairbanks Jr., and his partner Tobias, boarding the ship after being marooned, manage to bring the vessel to port where it is impounded. They had found the crew had been poisoned by the ship's water. But who poisoned it, they wonder. The entire film is told as a flashback by Sinbad, recounting his unknown latest adventure. His hints about plague to potential buyers of the ship, causes no one to buy the vessel--except himself, using money stealthily stolen from the auctioneer's own purse. A beautiful woman, O'Hara, it turns out, wants to marry a wealthy prince and also wants the vessel. Meanwhile Sinbad is trying to solve a riddle, involving the broken half of an amulet that had been found about his neck when he was an abandoned baby. The image found there also appeared on a map to a fabled island where lies the treasure of Alexander the Great--a map that later disappeared from the vessel. O'Hara is being sought by the Emir, Quinn; and believes Sinbad can lead her to the wealth.And he Emir wants it and her very badly. What follows is Arabian Nights adventure I suggest at its best-- captures, ship chases, escapes, arguments between male and female, the revelation that Melik, who has sailed with Sinbad, is the poisoner, a man obsessed with the treasure also, etc. The uneasy allies all arrive at last at the mysterious island of Derriabar. Sinbad is discovered to be the ruler-philosopher's long-lost son. He must somehow save the island from the Emir, who plans to use its wealth to make himself master of the entire world. Melik has a fine death scene.Sinbad prefers honesty and O'Hara as Shireen prefers him and the ending is very obviously satisfying. This is a film about ethics, mystery, romance, adventure, dialogue, humor and misassumptions. I recommend it highly to anyone adult enough to listen to it; it was a big hit for RKO when first released. In the good cast also are Seldon Leonard, John Miljan, Jane Greer, Mike Mazurki, Alan Napier and George Chandler.
    6rwdrex

    Fairbanks, Jr's Tribute to Fairbanks, Sr.

    Simply stated, Douglas Fairbank, Jr. makes this film an effective tribute to his father's much more enjoyable classic "The Thief of Bagdad". Everything from the setting, the story, and the characters mirror that classic silent film. Fairbank, Jr.'s gestures, movements, and most notably his mock laughter towards his adversaries denote his father's performance.

    Sadly, the film itself does not so nobly mirror "Thief". From bad dialog, poor effects, and an uninspired story we're left with an average adventure film. Only the performances of the actors and the beautiful Technicolor photography raise this film from mediocrity.

    Maureen O'Hara as the "princess" provides a strong, sexy female lead to this male dominant cast. Walter Slezak chews up the scenery as a slimy heavy. Even Anthony Quinn gets into the act as a competitor to Fairbanks for O'Hara and the inevitable "treasure".

    Fairbanks provides the best performance of the cast, one more compelling if you've seen any of his father's films. He captures his father's charm brilliantly. Unfortunately, he lacks his father's physical prowess as is evident by the abundant use of stunt doubles.

    I casually recommend this film to anyone who enjoys Fairbanks, Sr. films, pirate films, or to anyone who just likes looking at Maureen O'Hara--in Color! If you can find a copy of this film on video check it out.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      RKO had to scuttle its plan to present this film as a 1946 Christmas-season attraction when a strike at the Technicolor processing plant delayed the making of prints. The wide-release date would be moved up to January 13, 1947, with the Manhattan opening at the Palace Theatre following on January 22, 1947. Needing a black-and-white movie for its 1946 yuletide schedule, RKO chose a film destined to become a holiday perennial: Frank Capra's La vie est belle (1946).
    • Gaffes
      Wires are visible on the black bird as it circles the ship's mast.
    • Citations

      [last lines]

      Sinbad: Thank Allah, I am sailing home to Dariabar!

      Arab listening to Sinbad's story: Sinbad, my friend Sinbad! Where is Dariabar?

      Sinbad: It's here.

      [points to his heart]

      Sinbad: It's here.

      [points to his head]

      Sinbad: And it's here.

      [pulls Shireen to his side]

    • Crédits fous
      The title appears as if it were being poured, in colored water, by faucets into a reflecting pool.
    • Connexions
      Edited into Histoire(s) du cinéma: Une histoire seule (1989)

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    FAQ17

    • How long is Sinbad, the Sailor?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 mai 1949 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Sinbad le marin
    • Lieux de tournage
      • Hollywood, Californie, États-Unis
    • Société de production
      • RKO Radio Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 2 459 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 56 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.37 : 1

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