The Pretender

This independent noir thriller release by Republic has a collection of second line players that give the plot a nice ring of authenticity. It's headed by Albert Dekker who plays an investment banker who gets himself in a nice little jackpot of his own making.

Dekker is the manager of the estate of Catherine Craig chosen by her late father and he's made some bad investments. As he's been friend of the family for years he decides to marry Craig. She says she's getting married to someone he doesn't know.

After that Dekker arranges a hit on the new husband whomever it is. But then Craig breaks it off and marries Dekker after an elopement. Someone takes a picture and it lands in the society page without his knowledge.

It gets worse and worse. He tries to call off the contract, but the broker is killed and he doesn't know who the hitman is.

Dekker is the perfect picture of paranoia. Craig is the concerned wife who is frightened of the mental breakdown she sees coming on. Charles Drake plays the psychiatrist she almost married and now turns for help.

Some people in surprising roles are Alan Carney usually a buffoon plays it straight and nasty as the contract arranger. His right hand man Tom Kennedy is usually a thick as a brick blockhead plays it serious. Charles Middleton best known as Ming the Merciless plays a mysterious butler Craig hires.

This is one good thriller. Good because I couldn't guess the end which always scores high with me.

With a solid cast and a good storyline, this film fits the bill for decent noir. Although made on a budget from a secondary studio, with less than great production values, the story is so compelling, that it will keep your attention from beginning to end. An investment expert gets knee deep in debt and marries a rich heiress to bail himself out, but there are complications. You will see them unfold as the story unwinds. A real treat. Reminiscent of The Scoundrel with George Sanders.

Albert Dekker does a great job as your average sleazeball broker, who would sell his own mother for a few bucks. The rest of the cast does an admirable job as well, with most playing gullible customers. Just so reminiscent of Wall Street, where I used to work selling baseball cards in front of the stock exchange.

The Pretender, directed by Billy Wilder's much less talented brother, at time resembles nothing so much as an extended (though not by much; it runs 69 minutes) version of a TV show like The Twilight Zone. Albert Dekker plays a middle-aged financial advisor who has been plundering the accounts of his rich "ward," Catherine Craig. As he gets deeper in the hole, he dreams up the scheme of marrying her. Alas, she pops up with a fiance, who he arranges to have bumped off. Through several twists of fate and screenwriting, he ends up the target of the unknown hitman. Though living in the lap of luxury as a well-married husband, he refuses to eat food served by a series of butlers and gnaws on crackers and cold canned food in his room. His paranoia overtakes his life, until... Dekker plays the part with a convincing mixture of unction and fear, almost making a human being out of this contrived character. This is one of the first movies to score for theramin (oo-EEE-oo), which became a cliche in 50s it-came-from-beyond films, but here adds to the unsettling atmosphere.

Billy Wilder's less-talented elder brother William (Billy's real name was Samuel) is best known for the notoriously awful sci-fi Killers From Space. But don't let that deter you from this dark little gem. Albert Dekker plays a failing investment broker who plots to marry his wealthy young ward for her money. When he finds she is about to be engaged to a doctor, he hires a gangster acquaintance to rub out the rival, but things go awfully awry. The twisty plot, John Alton's magnificently oppressive lighting, the near-Gothic settings and the spooky theremin score make this an absorbing, if melodramatic, portrait in paranoia. Two other noirs from Wilder are of note - The Glass Alibi and The Vicious Circle.

Dodgy financial swindler Albert Dekker (Holden) wants to get rid of the fiancé of wealthy Catherine Craig (Claire) so that he can step in and bag himself a fortune. He's not sure who the intended groom is but approaches nightclub owner and gangster Alan Carney (Victor) to take him out whoever he may be. Problems begin when Craig dumps her intended and agrees to marry Dekker in a quick wedding that gets plastered over the newspapers. The hit-man now knows who to go for – Dekker has unintentionally taken out a hit on himself! He tries to put things right with Carney but things get worse and we watch as he spends the rest of the film in total paranoia. Who's coming after him? When's it going to happen? How is it going to happen?

This film started a little slow but once the premise has been set up, the film gets a purpose and we watch to see how things will pan out. The film keeps you guessing and Dekker is good in the lead role. In real life, Dekker's death is a fascinating mystery that I recommend you read up on. It goes beyond auto-erotic asphyxiation as suggested. Someone seriously didn't like him! No S&M in this film, though, so you'll be disappointed if that's what you are watching for.