L'affaire Macomber

THE MACOMBER AFFAIR has to be rated a success for the mere fact that it finally brings a Hemingway story to the screen pretty much intact and the way he wrote it. GREGORY PECK may not be the perfect choice to play the guide escorting a quarrelsome JOAN BENNETT and ROBERT PRESTON on a safari, but he acquits himself well enough in the role.

I found it a lot more satisfying than the later SNOWS OF KILIMINJARO in which Peck again was cast in the lead as a Hemingway white hunter in Africa. Although that film had the advantage of Technicolor and more expensive trappings, THE MACOMBER AFFAIR achieves more of an edge by being photographed in somber B&W, even though some of the stock footage and backgrounds are obviously studio shots.

Bennett is fascinating as the woman full of scorn for her husband and gradually showing her interest in Peck while Preston's resentment begins to turn paranoid. Miklos Rozsa's score gives it a film noir feeling despite the jungle setting--and it becomes a war of nerves before the satisfying conclusion.

Well worth watching for some interesting performances.

I did not read the short story, so i can only go by what i saw and heard in the movie. It is possible I missed some dialogue along the way that would tell me how long this couple ( Bennett and Preston ) were on the safari, for Peck's character to fall in love with Bennett, who showed a side of contempt of her husband in front of him...now that really should turn a man on, right? The leads do well in their parts, but it was Bennett that surprised me...she was really a 'bitch' as they say. I couldn't see her in this role as her usual natural Blond, but since her transformation of the Hedy Lamarr look ( she dyed her hair black ) cause she was enamored of the Hedy face, as millions of others had at that time, her career got a boost. That said, and the ambiguous ending made an interesting hour and a half for me.

Based on a Hemingway short story. And Hemingway knew how to craft stories that epitomized realms of male supremacy. His world was one of combat, African safaris, bull rings… all the places where "real men" constantly had to prove masculine courage. Women were an accessory… the old "Can't live with them, Can't live without them" philosophy.

In this movie, all that comes across in spades. Robert Preston is Francis Mocamber, led around by the nose on a chain by his wife Margaret, played by Joan Bennett. They hire great white hunter Robert Wilson, portrayed by Gregory Peck, to guide them on safari. In the Mocamber marriage it's the wife who wears both the pants and the skirt. The trip is no picnic in the jungle but a miserable, forced emotional trek where the two men just get worn out by Margaret's constant authoritarianism and general bitchiness. Tragedy ensues…who woulda guessed it?!

Not much more to be said. If you subscribe to the Hemingway universe, this movie is for you.

This film deserves a DVD release. Excellent script, direction, and editing carry the film into Hemingway's world. The results are excellent. The three leads do very well with their parts. I particularly liked Joan Bennett. Her cynicism and brazen effrontery towards husband Preston held my attention as she carried on an obvious affair with Peck. The dynamic between the three stars smolders across the screen as Preston attempts to "prove" his manhood by killing wild beasts. In true Hemingway style the "big game" adventure turns into one of more human proportions. Pretty bold stuff considering the Production Code was still in full swing. Reginald Denny plays with authority in a minor role.

According to the Michael Freedland biography of Gregory Peck, The Macomber Affair was the second of two films he owed Casey Robinson the screenwriter who occasionally produced and directed. The first was Peck's debut film Days Of Glory and for the second since Robinson did not know what he wanted to use Peck for, he let Greg pick the property. As he had just got around to reading the story which had been published a decade earlier in Cosmopolitan Magazine, Peck chose the Ernest Hemingway short story, The Short Unhappy Life Of Francis Macomber, the title shortened to The Macomber Affair for marquee purposes.

Producing this film with Robinson was Benedict Bogeaus who usually did B films with real limited production. A second unit crew did go to Africa and got some real nice black and white jungle footage, but the cast did this one strictly on the back lot. I have to give Bogeaus and Robinson good marks for editing the film shot with the cast in with the background.

In fact this film is a notch or so above Gregory Peck's second film with a Hemingway subject, The Snows Of Kilimanjaro which was shot in Africa. This one is no frills Hemingway with the exception of a changed and cop out ending to please the Code.

Gregory Peck plays the white hunter who escorts Mr.&Mrs. Francis Macomber on a safari where they are trying to recapture the magic that has gone from their relationship. Peck warns them up front that women and safaris don't mix and what follows seems to confirm his point of view.

The Macombers are played by Robert Preston and Joan Bennett and they have the much showier parts than Peck does and they make the most of it. Especially Bennett who essays one of the great bitch roles of all time, successfully poaching on a part that Bette Davis or Barbara Stanwyck would have gone to town with. How that woman just demeans Preston especially after he shows some understandable fear as a newbie in the jungle during a hunt for a wounded lion is really just sad.

Under Peck's tutelage who is the ultimate machismo Hemingway hero, Preston starts losing his inhibitions which Bennett cannot stand. The result is tragedy.

Hemingway's timeless writing and subject matter hold up well for today's viewer. We get a realistic portrayal of Africa that you normally don't see from American studios. The Macomber Affair is a film that fans of all the principal players and Papa Hemingway will appreciate centuries from now.